Tag Archives: Deep Vellum

Out of the Cage by Fernanda García Lao

Daniel Haeusser reviews short works of SFT that appear both online and in print. He is an Assistant Professor in the Biology Department at Canisius College, where he teaches microbiology and leads student research projects with bacteria and bacteriophage. He’s also an associate blogger with the American Society for Microbiology’s popular Small Things Considered. Daniel reads

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Out This Month: July

SHORT STORIES “I’m Feeling Lucky” by Leonid Kaganov, translated from the Russian by Alex Shvartsman (Clarkesworld, July 1)         COLLECTIONS Cursed Bunny by Bora Chung, translated from the Korean by Anton Hur (Honford Star, July ?) Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung. Blurring the

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Out This Month: August

SHORT STORIES “The Plague” by Yan Leisheng, translated by Andy Dudak (Clarkesworld, August 1).             NOVELS Lame Fate/Ugly Swans by Arkady and Boris Strugatsky, translated from the Russian by Maya Vinokour (Chicago Review Press, August 4).           Tender is the Flesh by Agustina Bazterrica, translated from the

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Out This Month: March

SHORT STORIES “The Task Lamp” by Bruce Sterling, translated from the Italian by the author (Medium, March 16).             “Vik From Planet Earth” by Yevgeny Lukin, translated from the Russian by Mike Olivson (Future Science Fiction Digest, March).             NOVELS Girls Lost by Jessica Schiefauer,

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Out This Month: August

“A Man Out of Fashion” by Chen Qiufan, translated from the Chinese by Ken Liu (Clarkesworld Magazine, August 1)           The Dying Game by Asa Avdic, translated from the Swedish by Rachel Willson-Broyles (Penguin, August 1) “The year is 2037. The Soviet Union never fell, and much of Europe has been

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Out This Month: June

“An Account of the Sky Whales” by A Que, translated by Andy Dudak (Clarkesworld Magazine, June 1)         Me by Tomoyuki Hoshino, translated by Charles De Wolf (Akashic Books, June 6) “In a brilliant probing of identity, and employing a highly original style that subverts standard narrative forms, Tomoyuki Hoshino elevates what

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