Author Archives: Rachel Cordasco

2014 SFT on the Web

Excerpt from Quesadillas by Juan Pablo Villalobos, translated by Rosalind Harvey, FSG Originals. “The Sloven” by Stefan Grabinski, translated from the Polish by Miroslaw Lipinski, Przekrój Magazine. “Reversible Cities” by Sofia Rhei, translated from the Spanish by Lawrence Schimel, Talisman. “The Machine to think of Gladys” by Mario Levrero, translated from the Spanish by Ignacio

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2013 SFT on the Web

“The Royal Library (Scrolls of the Bards)” by Vladimir Arenev, translated from the Ukrainian by Ephraim Liechtenstein, Anthology of European Speculative Fiction. “The Texture of Words“ by Felicidad Martínez, translated from the Spanish by Sue Burke and Lawrence Schimel, Terra Nova: An Anthology of Contemporary Spanish Science Fiction. Excerpt from Revenge: Eleven Dark Tales by

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2012 SFT on the Web

Excerpt from “Autogenic Dreaming: Interview with the Columns of Clouds” by TOBI Hirotaka, translated from the Japanese by Jim Hubbert, Haikasoru (included in The Future is Japanese). Excerpt from Trafalgar by Angelíca Gorodischer, translated from the Spanish by Amalia Gladhart, Belletrista. “Paranamanco” by Jean-Claude Dunyach, translated from the French by Sheryl Curtis, Internova. Excerpt from

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2011 SFT on the Web

“Hotels” by Alberto Chimal, translated by Carmen Valderrama, Flurb: A Webzine of Astonishing Tales. “LAPINS” by Michael Haulica, translated from the Romanian by Adriana Mosoiu, The World SF Blog, January. “Mardock: Two Hundred Below” by Tow Ubukata, translated from the Japanese by Nathan Collins, The World SF Blog, March. “Paradiso” by Georges-Olivier Chateaureynaud, translated from the

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1999-2010 SFT on the Web

2010 “Exuviation” by Zhao Haihong, translated from the Chinese by Ken Liu, Lightspeed, January. “My Creator, My Creation” by Tiina Raevaara, translated from the Finnish by Hildi Hawkins & Soila Lehtonen, Books from Finland, May. “Peak Time” by Gerson Lodi-Ribeiro, translated from the Portuguese by David Alan Prescott, Inter Nova, September. “Rabbits” by Csilla Kleinheincz,

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