ESSAYS\/ARTICLES\/CONVERSATIONS<\/strong><\/span><\/p>\n\n\n\n ARABIC “Frankenstein in Baghdad: Human Conditions, or Conditions of Being Human”<\/a><\/span> by Sin\u00e9ad Murphy, Science Fiction Studies #135<\/em>, 2018.<\/span><\/p>\n\n\n\n “Eternal Nightmares of the Hounded Mind: On \u2018Post-Revolutionary Egyptian Dystopias\u2019”<\/span><\/a> by Andrew Leber, ArabLit.org<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cScience Fiction in Tunisia I: Panorama of Tunisian SF\u201d<\/a><\/span> by Dr Kawthar Ayed, translated by Djibril al-Ayad, The Future Fire<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cSpeculative Fiction in Translation: Egypt\u201d<\/a><\/span> by Rachel Cordasco, Book Riot<\/em>, 2017.<\/span><\/p>\n\n\n\n “Prefiguring Egypt\u2019s Arab Spring: Allegory and Allusion in Amad Khalid Tawfiq\u2019s<\/span> Utopia<\/em>“<\/a> by Ian Campbell, Science Fiction Studies #127<\/em>, 2015.<\/span><\/p>\n\n\n\n BANGLA<\/strong><\/p>\n\n\n\n “The Roots of the Genre: An Interview with Bodhisattva Chattopadhyay<\/a>” by William Shaw, Strange Horizons<\/em>, 2024.<\/p>\n\n\n\n BULGARIAN<\/strong><\/span><\/p>\n\n\n\n “Bulgarian Science Fiction Between the East and the West \u2013 I. Ivan Vazov \u2013 Near-future SF from a Century Ago” <\/a>by Valentin Ivanov, The World SF Blog<\/em>, 2010.<\/p>\n\n\n\n “Bulgarian Science Fiction Between the East and the West \u2013 II. Svetoslav Minkov and the Diabolic Fate of SF Writers Who Tried Their Hand at Publishing<\/a>” by Valentin Ivanov, The World SF Blog<\/em>, 2010.<\/p>\n\n\n\n “Bulgarian Science Fiction Between the East and the West \u2013 III. The Golden Age of Bulgarian Hard SF<\/a>” by Valentin Ivanov, The World SF Blog<\/em>, 2010.<\/p>\n\n\n\n “The Bulgarian Science Fiction between the East and the West \u2013 IV. Ye Shall Not be Forgotten<\/a>” by Valentin Ivanov, The World SF Blog<\/em>, 2010.<\/p>\n\n\n\n \u201cScience Fiction in Bulgaria\u201d<\/a><\/span> by Rossie Decheva, Concatenation<\/em>, 2006.<\/span><\/p>\n\n\n\n CHINESE<\/strong><\/span><\/p>\n\n\n\n “The Politics of Translation”<\/a> by Christine Yunn-Yu Sun, Speculative Insight<\/em>, 2026.<\/p>\n\n\n\n “The Asia Pacific SF Convention: A Door to the Future”<\/a><\/span> by Francesco Verso, Samovar Magazine<\/em>, 2018.<\/span><\/p>\n\n\n\n \u201cSpeculative Fiction in Translation: China\u201d<\/a><\/span> by Rachel Cordasco, Book Riot<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cUnderstanding the Dynamics of China Through Science Fiction\u201d<\/a><\/span> by Frederike Schneider-Viels\u00e4cker, De Gruyter<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cScience Fiction in China: 2016 in Review\u201d<\/a><\/span> by Feng Zhang, Amazing Stories Magazine<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cRaiding China\u2019s Tomb Adventures\u201d<\/a><\/span> by Xueting Christine Ni, Global Literature in Libraries<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cPopular Genre Fiction in China, From the Monkey King to Tomb Robbing\u201d<\/a><\/span> by Heather Inwood, Global Literature in Libraries<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cChinese Literature and Apocalyptic SF: Some Notes on Death\u2019s End\u201d<\/em><\/a><\/span> by Cixin Liu, translated by Ken Liu, Tor.com<\/em>, 2016.<\/span><\/p>\n\n\n\n \u201cThe ‘Heroic Translators’ Who Reinvented Classic Science Fiction In China\u201d<\/a><\/span> by Ken Liu, io9<\/em>, 2015.<\/span><\/p>\n\n\n\n CZECH<\/strong><\/span><\/p>\n\n\n\n “On Karel \u010capek\u2019s Prophetic Science Fiction Novel War With the Newts”<\/em><\/a><\/span> <\/em>by John Rieder, The MIT Reader<\/em>, 2023.<\/p>\n\n\n\n \u201cSpeculative Fiction in Translation: Czech Republic\u201d<\/a><\/span> by Rachel Cordasco, Book Riot<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cQuo Vadis, Czech Speculative Fiction? A Roundtable Discussion\u201d<\/a><\/span> by Julie Novakova, Mithila Review<\/em>, 2017.<\/span><\/p>\n\n\n\n DANISH<\/strong><\/span><\/p>\n\n\n\n \u201cDanish Science Fiction Between 2004 and 2007\u201d<\/a><\/span> by Janus Andersen, Concatenation<\/em>, 2007.<\/span><\/p>\n\n\n\n “The Reception of Danish Science Fiction in the United States”<\/span><\/a> by Kristine J. Anderson, Libraries Research Publications<\/em>, Purdue University, 2006.<\/span><\/p>\n\n\n\n FINNISH<\/strong><\/span><\/p>\n\n\n\n \u201cReading Finnish speculative fiction\u201d<\/a><\/span> by Jukka Halme, Jeffvandermeer.com<\/em>, 2008.<\/span><\/p>\n\n\n\n FRENCH<\/strong><\/span><\/p>\n\n\n\n “Francophone Speculative Fiction and the Challenge of Politics”<\/a> by Alexander Dickow, Strange Horizons<\/em>, 2026.<\/p>\n\n\n\n \u201cMadame De Villeneuve and the Origins of the Fantasy Novel\u201d<\/a><\/span> by Brian Stableford, NYRSF<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cSpeculative Fiction in Translation: France\u201d<\/a><\/span> by Rachel Cordasco, Book Riot<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cThe Perils of Prophecy 2: The Great Indifference of the World\u201d<\/a><\/span> by Brian Stableford, NYRSF<\/em>, 2016.<\/span><\/p>\n\n\n\n \u201cNightmares of a Utopian: The Science Fiction of R\u00e9gis Messac\u201d<\/a><\/span> by Brian Stableford, NYRSF<\/em>, 2016.<\/span><\/p>\n\n\n\n \u201cThe Appealed Apocalypse: Edgar Quinet\u2019s Ahasv\u00e9rus and the Uncertain Future\u201d<\/a><\/span> by Brian Stableford, NYRSF<\/em>, 2013.<\/span><\/p>\n\n\n\n \u201cThe French Origin of the Science Fiction Genre\u201d<\/a><\/span> by Brian Stableford, NYRSF<\/em>, 2012.<\/span><\/p>\n\n\n\n GERMAN<\/strong><\/span><\/p>\n\n\n\n “Pigeonholed in a Fishbowl. A Survey of Contemporary German Science Fiction Literature”<\/a> by Christoph Grimm, translated by Michael K. Iwoleit, InterNova<\/em>, 2026.<\/p>\n\n\n\n “German Science-Fiction in English Translation Before World War II”<\/a> by Franz Rottensteiner, InterNova<\/em>, 2026.<\/p>\n\n\n\n [July 8, 1963] The Future in a Divided Land, Part 2 (An Overview of Science Fiction in East and West Germany)”<\/a><\/span> by Cora Buhlert, Galactic Journey<\/em>, 2018.<\/span><\/p>\n\n\n\n [June 8, 1963] The Future in a Divided Land (An Overview of Science Fiction in East and West Germany) Part 1″<\/a><\/span> by Cora Buhlert, Galactic Journey<\/em>, 2018.<\/span><\/p>\n\n\n\n \u201cThe State of Current German Speculative Fiction: A Round Table Discussion\u201d<\/a><\/span> by Alessandra Ress, Mithila Review<\/em>, 2017.<\/span><\/p>\n\n\n\n HEBREW<\/strong><\/span><\/p>\n\n\n\n \u201cOut-of-Body Experiences: Recent Israeli Science Fiction and Fantasy\u201d<\/a><\/span> by Michael Weingrad, Jewish Review of Books<\/em>, 2018.<\/span><\/p>\n\n\n\n “Hebrew Speculative Fiction in Translation”<\/a><\/span> by Rachel Cordasco, Global Literature in Libraries<\/em> Initiative,<\/em> 2017.<\/span><\/p>\n\n\n\n \u201cSpeculative Fiction in Translation: Israel\u201d<\/a><\/span> by Rachel Cordasco, Book Riot<\/em>, 2017.<\/span><\/p>\n\n\n\n \u201cIsraeli Sci-Fi is a Reality\u201d<\/a><\/span> by Raz Greenberg, Tablet Magazine<\/em>, 2016.<\/span><\/p>\n\n\n\n \u201cRiding Leviathan: A New Wave of Israeli Genre Fiction\u201d<\/a><\/span> by Michael Weingrad, Jewish Review of Books<\/em>, 2014.<\/span><\/p>\n\n\n\n \u201cIsraeli SF 101\u201d<\/a><\/span> by Keren Omry, SFWA Review<\/em> (306), 2013.<\/span><\/p>\n\n\n\n “Forcing the End: Apocalyptic Israeli Fiction, 1971-2009” by Adam Rovner, in Narratives of Dissent: War in Contemporary Israeli Arts and Culture<\/em> (Wayne State University Press, 2012).<\/span><\/p>\n\n\n\n [abstract only] “Sociological Reflections on the History of Science Fiction in Israel”<\/a><\/span> by Nachman Ben-Yehuda,
<\/strong><\/span><\/p>\n\n\n\n