{"id":11615,"date":"2018-03-19T20:28:03","date_gmt":"2018-03-19T20:28:03","guid":{"rendered":"https:\/\/www.sfintranslation.com\/?p=11615"},"modified":"2026-10-27T16:25:44","modified_gmt":"2026-10-27T16:25:44","slug":"catalan-chinese","status":"publish","type":"post","link":"https:\/\/www.sfintranslation.com\/?p=11615","title":{"rendered":"Catalan–Chinese"},"content":{"rendered":"\n

Catalan<\/strong><\/span><\/p>\n\n\n\n

Almirall, Valenti. “A Manuscript of a Wise Man or a Fool,” translated by Todd Mack (Revista H\u00e9lice<\/em>, 2017). [read here<\/a>]<\/p>\n\n\n\n

Besora, Max. The Fake Muse<\/em>, translated by Mara Faye Lethem (Open Letter, 2025).<\/p>\n\n\n\n

Crexells, Joan. “Reversing History,” translated by Sara Martin (Revista H\u00e9lice<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Gener, Pompeu. “The Theological Palace,” translated by Todd Mack (Revista H\u00e9lice,<\/em> 2017). [read here<\/a>]<\/p>\n\n\n\n

Guash, Pol. Napalm in the Heart<\/em>, translated by Mara Faye Lethem (Faber and Faber, 2024).<\/p>\n\n\n\n

Monz\u00f3, Quim. \u201cMy Brother,\u201d translated by Mary Ann Newman (Words Without Borders<\/em>, 2010). [read here<\/a>]<\/span><\/p>\n\n\n\n

de Palol, Miquel. The Garden of Seven Twilights<\/em>, translated by Adrian Nathan West (Dalkey Archive, 2023).<\/span><\/p>\n\n\n\n

de Pedrolo, Manuel. Typescript of the Second Origin<\/em>, translated by Sara Martin (Wesleyan University Press, 2018).<\/span><\/p>\n\n\n\n

Rodoreda, Merc\u00e8. War, So Much War<\/em>, translated by Maruxa Relano and Martha Tennent (Open Letter, 2015).<\/span><\/p>\n\n\n\n

\u2014-. Death in Spring<\/em>, translated by Martha Tennent (Open Letter, 2009).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Letter,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Dolls\u2019 Room,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe River and the Boat,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Gentleman and the Moon,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Salamander,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA White Geranium Petal,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMy Christina,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

S\u00e1nchez Pi\u00f1ol, Albert. Cold Skin<\/em>, translated by Cheryl Leah Morgan (Canongate, 2007).<\/span><\/p>\n\n\n\n

\u2014-. Pandora in the Congo<\/em>, translated by Mara Faye Lethem (Penguin Canada, 2009).<\/span><\/p>\n\n\n\n

Sol\u00e0, Irene. When I Sing, Mountains Dance<\/em>, translated by Mara Faye Lethem (Graywolf Press, 2022).<\/p>\n\n\n\n

—-. I Gave You Eyes and You Looked Toward Darkness<\/em>, translated by Mara Faye Lethem (Graywolf Press, 2025).<\/p>\n\n\n\n

Solsona, Elisenda. \u201cMechanisms,\u201d translated by Mara Faye Lethem (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020).<\/span><\/p>\n\n\n\n

Torras, Carme. The Vestigial Heart: A Novel of the Robot Age<\/em>, translated by Josephine Swarbrick (MIT Press, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTeam Memory,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

Vayreda, Marian. “Arab Tale,” translated by Sara Martin (Revista Helice<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Chinese<\/strong><\/span><\/p>\n\n\n\n

A Que. \u201cFlower of the Other Shore,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

An, Di. \u201cBeyond the Western Pass,\u201d translated by Canaan Morse (Samovar Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

An Hao. “Action at a Distance,” translated by Andy Dudak (Clarkesworld<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Bai Fan Ru Shuang. “A Saccharophilic Earthworm,” translated by Ru-Ping Chen (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Alchemist of Lantian,” translated by Ru-Ping Chen (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Baoshu. \u201cPreserve Her Memory,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cWhat Has Passed Shall In Kinder Light Appear,\u201d translated by Ken Liu (The Magazine of Fantasy and Science Fiction<\/em>, 2015 \/ Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEverybody Loves Charles,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Lighthouse Girl,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSongs of Ancient Earth,\u201d translated by Adrian Thieret (The <\/em>Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. The Redemption of Time<\/em>, translated by Ken Liu (Head of Zeus, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cNiuniu,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHyperspace Partners,\u201d translated by S. Qiouyi Lu (Galaxy\u2019s Edge<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Absolution Experiment,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Bo, Jiang. \u201cThe Wings of Earth,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFace Changing,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Cai Jun. “Huangcun,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Can Xue. Frontier<\/em>, translated by Karen Gernant and Chen Zeping (Open Letter Books, 2017).<\/span><\/p>\n\n\n\n

\u2014- The Last Lover<\/em>, translated by Annelise Finegan Wasmoen (Yale UP, 2014).<\/span><\/p>\n\n\n\n

\u2014-. Love in the New Millennium<\/em>, translated by Annelise Finegan Wasmoen (Yale UP, 2018).<\/span><\/p>\n\n\n\n

\u2014-.  \u201cStory of the Slums,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOur Human Neighbors,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Old Cicadas,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Swamp,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span> 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSin,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014. \u201cThe Other Side of the Partition,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cShadow People,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCrow Mountain,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCatfish Pit,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEuphoria,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLu-er\u2019s Worries,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHer Old Home,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cI am a Willow Tree,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Outsiders,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Queen,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cVenus,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

—-. “Mother River,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Stone Village,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Smog City,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Drummer Boy,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Neighborhood,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Young Man Who Loved to Think Deeply,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Something to Do with Poetry,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Inside Story,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Lion King,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “At the Edge of the Marsh,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Night in Xishuangbanna,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Goddess of Xishuangbanna,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Love in Xishuangbanna,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

Chan, Chi Wa. \u201cThe Elephant,\u201d translated by Audrey Heijns (That We May Live: Speculative Chinese Fiction, <\/em>2020).<\/em><\/span><\/p>\n\n\n\n

Chang, Yu-ko. “The Fire Star Passes the Meridian,” translated by Lauren Harper (Samovar Magazine<\/em>, 2022). [read here<\/a>]<\/p>\n\n\n\n

Chen Chuncheng. “A Cloudcutter’s Diary,” translated by Jack Hargreaves (Samovar<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Chen Hongyu. \u201cWestern Heaven,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Che, Qian. \u201cCatching the K Beast,\u201d translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Inhuman Lovers,” translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “New Year Painting, Ink and Color on Rice Paper, Zhaoqiao Village,” translated by Emily Xueni Jin (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Chen Qiufan.\u201dSpace Leek,\u201d translated by Emily Jin (Slate<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014\u2013. \u201cBalin,\u201d translated by Ken Liu (Clarkesworld Magazine<\/i><\/em>, 2016 \/ The Reincarnated Giant<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cComing of the Light,\u201d translated by Ken Liu (Clarkesworld Magazine<\/i>, 2015 \/ Touchable Unreality<\/em>, 2017 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Endless Farewell,\u201d translated by Ken Liu (Pathlight<\/em>, 2013).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Fish of Lijiang,\u201d translated by Ken Liu (Clarkesworld Magazine<\/i><\/em>, 2011 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Flower of Shazui,\u201d translated by Ken Liu (Interzone<\/em> #243, 2012 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA History of Future Illnesses,\u201d translated by Ken Liu (Pathlight<\/em>, 2016 \/ Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLet There Be Light,\u201d translated by Ken Liu (Daily Science Fiction<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Man Out of Fashion,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Mao Ghost,\u201d translated by Ken Liu (Lightspeed<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cOblivion is a Crease Left by Memory,\u201d translated by Ken Liu (seat14c.com<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cOil of Angels,\u201d translated by Ken Liu (Upgraded<\/em>, ed. Neil Clarke, 2014).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Year of the Rat,\u201d translated by Ken Liu (The Magazine of Fantasy and Science Fiction<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Smog Society,\u201d translated by Ken Liu and Carmen Yiling Yan (Lightspeed,<\/i> 2015). [read here<\/a>] [hear an audio version<\/a> on the StarShipSofa podcast]).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Tomb,\u201d translated by the author (Apex Book of World SF 2<\/em>, 2012).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Reunion,\u201d translated by Emily Jin and Ken Liu (MIT Technology Review<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cIn This Moment, We Are Happy,\u201d translated by Rebecca Kuang (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cDebtless,\u201d translated by <\/span>Blake Stone-Banks (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. Waste Tide<\/em>, translated by Ken Liu (Tor Books, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cForger Mr. Z,\u201d translated by Andy Dudak (Asimov\u2019s<\/em>, 2020).<\/span><\/p>\n\n\n\n

—-. “Do You Hear the Fungi Sing,” translated by Emily Jin (Tomorrow’s Parties: Life in the Anthropocene<\/em>, 2022).<\/p>\n\n\n\n

Chen Si\u2019an. \u201cA Counterfeit Life,\u201d translated by Canaan Morse (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

Chi Hui. \u201cThe Calculations of Artificials,\u201d translated by John Chu (Clarkesworld Magazine,<\/em> 2016 \/ The Apex Book of World SF 5<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cDeep Sea Fish,\u201d translated by Brian Bies (The Magazine of Fantasy and Science Fiction<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Heaven-Moving Way,\u201d translated by Andy Dudak (Apex Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Rain Forest,\u201d translated by Jie Li (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRain Ship,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cNo Way Back,\u201d translated by John Chu (Clarkesworld<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “The Woman Carrying a Corpse,” translated by Judith Huang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Stars Don’t Dream,” translated by John Chu (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

—-. “Night Climb,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Chi Ta-wei. The Membranes<\/em>, translated by Ari Larissa Heinrich (Columbia University Press, 2021).<\/span><\/p>\n\n\n\n

Chu Shifan. “Giant Fish,” translated by Stella Jiayue Zhu (Clarkesworld<\/em>, 2022). [read here<\/a><\/span>]<\/p>\n\n\n\n

Chu Xidao. “The Portrait,” translated by Gigi Chang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Immortal Beauty,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Chuan Ge. “The Ying Yang Pot,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Count E. “The Tale of Wude’s Heavenly Tribulation,” translated by Mel Lee (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Dai, Da. \u201cRaising Mermaids,\u201d translated by S. Qiouyi Lu (Future Science Fiction Digest<\/em>, 2020). [read here]<\/span><\/p>\n\n\n\n

Deng, Yiguang. \u201cShenzhen is Located at 22\u00b027\u2019-22\u00b052\u2019 N,\u201d translated by Ken Liu (Pathlight<\/em>, Winter 2012).<\/span><\/p>\n\n\n\n

Dung, Kai-cheung. \u201cHistories of Time: The Luster of Mute Porcelain\u201d (excerpts), translated and introduced by Carlos Rojas (The Reincarnated Giant<\/em>, 2018). [Hong Kong]<\/span><\/p>\n\n\n\n

\u2014-. Atlas: The Archaeology of an Imaginary City<\/em>, translated by Anders Hansson, Bonnie S. McDougall, and the author (Columbia University Press, 2012).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFloating Life\u201d (excerpt from Beloved Wife, Part 2<\/em>), translated by Andrea Lingenfelter (Chinese Literature Today<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Fan Xiaoqing. \u201cWhere Did I Lose You?,\u201d translated by Paul Harris (Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Fan Xing. “Rat’s Tongue,” translated by Judith Huang (Future Science Fiction Digest<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Fan, Yilun. \u201cCity Lights,\u201d translated by S. Qiouyi Lu (Apex<\/em>, 2022).<\/span><\/p>\n\n\n\n

Fan Zhou. “The Waking Dream,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Fang Zeyu. “A Beautiful War,” translated by Nathan Faries (The Digital Aesthete<\/em>, 2023).<\/p>\n\n\n\n

Fei Dao. \u201cThe Demon\u2019s Head,\u201d translated by David Hull (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Robot Who Liked to Tell Tall Tales,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2017 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Fengnian, Wanxiang. \u201cThe Lord of Rivers,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThrough the Fog, a Distant Land Appears,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cKnights of the Phantom Realm,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Mountain of Dust,\u201d translated by Judith Huang (Future Science Fiction Digest<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Those Who Left History,” translated by Stella Jiayue Zhu (Clarkesworld Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Fu, Qiang. “Kill That Groundhog,” translated by Andy Dudak (Clarkesworld<\/em>, 2023). [read here<\/a>]<\/p>\n\n\n\n

Gelian. “Life Sentence,” translated by Blake Stone-Banks (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Ge Liang. \u201cDragon Boat,\u201d translated by Karen Curtis (Paper Republic<\/em>, October 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Gu Congyun \u2018Mu Ming\u2019. \u201cExpress to Beijing West Railway Station,\u201d translated by Kiera Johnson (Samovar<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. \u201cThe Serpentine Band,\u201d translated by Tian Huang (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Who Can Have the Moon,” translated by Tian Huang (Clarkesworld Magazine<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/span><\/p>\n\n\n\n

—-. “By Those Hands,” translated by Judith Huang (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Gu Shi. \u201cChimera,\u201d translated by <\/span>S. Qiouyi Lu and Ken Liu (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cM\u00f6bius Continuum,\u201d translated by <\/span>S. Qiouyi Lu (Clarkesworld Magazine<\/em>, September 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cReflection,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019 \/ Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “To Procure Jade,” translated by Yilin Wang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. \u201cIntroduction to 2181 Overture, Second Edition,” translated by Emily Jin (Clarkesworld<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “The Death of Nala,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

—-. “Antarctic Radio,” translated by Andy Dudak (Asimov’s<\/em>, 2026).<\/p>\n\n\n\n

Haitian, Pan. \u201cThe Hunger Tower,\u201d translated by <\/span>Nick Stember (Clarkesworld<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cLu Xun, Demon Hunter,\u201d translated by Nick Stember (LARB China Channel<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCity of Eternity,\u201d translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2021) [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Hanuman the Monkey King,” translated by Emily Jin (Clarkesworld Magazine<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “Dead Man Awake, Sing to the Sun!” translated by Joel Martinsen (The Best of World SF 2<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Three Cases from the Cosmic Psychiatric Clinic,” translated by Blake Stone-Banks (Clarkesworld<\/em> Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Han, Bella. \u201cAmorville,\u201d translated by the author (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “To Helen,” translated by the author (Clarkesworld Magazine<\/em>, 2023). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “De Profundis: A Space Love-Letter,” translated by the author (Clarkesworld Magazine<\/em>, 2023). [read here<\/a>]<\/p>\n\n\n\n

—-. “Sea of Fertility,” translated by the author (Clarkesworld Magazine<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Han Song. \u201cTwo Small Birds,\u201d translated by John Chu (The Big Book of Science Fiction<\/em>, 2016 \/ A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Great Wall,\u201d translated by Nathaniel Isaacson (Chinese Literature Today<\/em> 7.1, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Fundamental Nature of the Universe,\u201d translated by Nathaniel Isaacson (Chinese Literature Today<\/em> 7.1, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEarth is Flat,\u201d translated by Nathaniel Isaacson (Chinese Literature Today<\/em> 7.1, 2018 \/ A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRegenerated Bricks,\u201d translated by Theodore Huters (The <\/em>Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Passengers and the Creator,\u201d translated by Nathaniel Isaacson (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSalinger and the Koreans,\u201d translated by Ken Liu (Tales of Our Time<\/em>, the Robert H. N. Ho Family Foundation [Solomon R. Guggenheim Museum] catalogue, 2016 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSecurity Check,\u201d translated by <\/span>Ken Liu (Clarkesworld Magazine<\/i><\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wheel of Samsara,\u201d translated by the author (Apex Book of World SF<\/em>, 2009 \/ A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFinished,\u201d translated by Nick Stember (Pathlight Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSubmarines,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTransformation Subway,\u201d translated by Nathaniel Isaacson (A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFear of Seeing,\u201d translated by Nathaniel Isaacson (A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMy Country Does Not Dream,\u201d translated by Nathaniel Isaacson (A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTombs of the Universe,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. Hospital (#1)<\/em>, translated by Michael Berry (AmazonCrossing, 2023).<\/p>\n\n\n\n

—-. Exorcism (#2)<\/em>, translated by Michael Berry (AmazonCrossing, 2023).<\/p>\n\n\n\n

—-. Dead Souls (#3)<\/em>, translated by Michael Berry (AmazonCrossing, 2025).<\/p>\n\n\n\n

Hao Jingfang. Vagabonds<\/em>, translated by Ken Liu (Gallery\/Saga Press, 2020). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cInvisible Planets,\u201d translated by Ken Liu (Lightspeed Magazine<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFolding Beijing,\u201d translated by Ken Liu (Uncanny Magazine<\/em>, 2015 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Loneliest Ward,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSummer at Grandma\u2019s House,\u201d translated by Carmen Yiling Yan (Touchable Unreality<\/em>, 2017).<\/span><\/span><\/p>\n\n\n\n

\u2014-. \u201cThe New Year Train,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cQiankun and Alex,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. Hospital<\/em>, translated by Michael Berry (AmazonCrossing, 2023).<\/span><\/p>\n\n\n\n

—-. Jumpnauts<\/em>, translated by Ken Liu (S&S\/Saga Press, 2024).<\/p>\n\n\n\n

He, Hao. \u201cAll Clear,\u201d translated by R. Orion Martin (Apex Magazine<\/em>, 2018). [read<\/a> here<\/a>]<\/span><\/p>\n\n\n\n

He, Xing. \u201cYour Multicolored Life,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here]<\/a><\/span><\/p>\n\n\n\n

Hefu, Suo. \u201cBlind Jump,\u201d translated by Cai Yingqian and Collin Kong (Alien Invasion Short Stories<\/em>, Flame Tree Publishing, 2018).<\/span><\/p>\n\n\n\n

Hon Lai Chu. Mending Bodies<\/em>, translated by Jacqueline Leung (Two Lines Press, 2025).<\/p>\n\n\n\n

Hong Nianzi. “The Girl in the Rain,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Hsu, Chen-Fu. “The Tu-Chuan with No Name,” translated by Coco Zhou (Samovar Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Hsu, Isaac (Shuntang). \u201cThe Affair,\u201d translated by Tze-lan Deborah Sang and Isaac (Shuntang) Hsu (Chinese Literature Today<\/em>, 2020). [Taiwan] [read here<\/a>]<\/span><\/p>\n\n\n\n

Huang Chong-kai. The Formosa Exchange<\/em>, translated by Jeremy Tiang (Honford Star, 2026). [Taiwan]<\/p>\n\n\n\n

Hui Hu. “PTSD,” translated by Rebecca F. Kuang (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Hui Zhu. \u201cLip Service,\u201d translated by Michael Day (That We May Live: Speculative Chinese Fiction, <\/em>2020).<\/em><\/span><\/p>\n\n\n\n

Ji Yun. \u201cGuests From the Sky,\u201d translated by Yi Izzy Yu and John Yu Branscum (Samovar Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Jia Mai. \u201cTwo Young Women From Fuyang,\u201d translated by Yu Yan Chen (Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Jiang Bo. \u201cStarship: Library,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Jiang Yitan. \u201cConvince Me,\u201d translated by Alexander Clifford (Read Paper Republic<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

Jiang Yunsheng. \u201cBoundless Love,\u201d translated by Wu Dingbo (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Jingbo Cheng. \u201cGrave of the Fireflies,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cUnder a Dangling Sky,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

Jinkang, Wang. \u201cThe Reincarnated Giant,\u201d translated by Carlos Rojas (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

Ju Chu. “Tomorrow’s Beautiful Dream,” translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

—-. “The Animator and the Glazer,” translated by S. Qiouyi Lu (Clarkesworld Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Kong, Xinwei. “Growth Rings of the Earth,” translated by the author (F&SF<\/em>, 2024).<\/p>\n\n\n\n

Koonchung, Chan. The Fat Years<\/em>, translated by <\/span> <\/span> <\/span> Michael S. Duke (Anchor, 2011).<\/span><\/span><\/p>\n\n\n\n

La, La. \u201cThe Radio Waves That Never Die,\u201d translated by Petula Parris-Huang (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

Lei, Xu. Search for the Buried Bomber<\/em>, translated by ? (AmazonCrossing, 2013).<\/span><\/p>\n\n\n\n

Li Zishu. \u201cThe Northern Border,\u201d translated by Joshua Dyer (Read<\/em> Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Liang, Ling. \u201cWordfall,\u201d translated by Nathan Faries and Zhao Li (Future Science Fiction Digest<\/em>, 2018).<\/span><\/p>\n\n\n\n

Liang Qingsan. “The Possibly Brief Life of Guang Hansheng,” translated by Andy Dudak (Clarkesworld<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “The Kite of Jinan,” translated by Emily Jin (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Liao Shubo. “The Postman,” translated by Rebecca F. Kuang (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Lin Hsin-Hui. “Hotel California,” translated by Ye Odelia Lu (Samovar<\/em>, 2025). [Taiwan] [read here<\/a>]<\/p>\n\n\n\n

Ling Chen. “The Name of the Dragon,” translated by Yilin Wang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Liu, Arthur. “Commencement Address,” translated by Stella Jiayue Zhu (Clarkesworld<\/em>, 2022). [read here<\/span>]<\/span><\/p>\n\n\n\n

Liu, Cixin. The Three-Body Problem<\/i> (Remembrance of Earth\u2019s Past #1), translated by Ken Liu (Tor Books, 2014). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. The Dark Forest<\/i> (Remembrance of Earth\u2019s Past #2), translated by Joel Martinsen (Chongqing Publishing Group, 2008 \/ Tor Books, 2015).<\/span><\/p>\n\n\n\n

\u2014-. Death\u2019s End<\/i> (Remembrance of Earth\u2019s Past #3), translated by Ken Liu (Tor Books, 2016).<\/span><\/p>\n\n\n\n

\u2014-. Ball Lightning<\/em>, translated by Joel Martinsen (Tor Books, 2018). [read an excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. Supernova Era<\/em>, translated by Joel Martinsen (Tor Books, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Circle,\u201d translated by Ken Liu (Carbide Tipped Pens,<\/em> 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFields of Gold,\u201d translated by Ken Liu (MIT Technology Review: <\/em>Twelve Tomorrows<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMountain,\u201d translated by Holger Nahm (Apex Magazine<\/i>, 2015 \/ The Wandering Earth<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Poetry Cloud,\u201d translated by Chi-yin Ip and Cheuk Wong (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSea of Dreams,\u201d translated by John Chu (Asimov\u2019s<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTaking Care of God,\u201d translated by Ken Liu (Pathlight, <\/em>2012 \/ Invisible Planets <\/em>anthology, 2016 \/ The Wandering Earth, <\/em>2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Thinkers,\u201d translated by Joel Martinsen (Read Paper Republic<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Village Schoolteacher,\u201d translated by Christopher Elford and Jiang Chenxin (The <\/em>Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Weight of Memories,\u201d translated by Ken Liu (Tor.com<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cYuan Yuan\u2019s Bubbles,\u201d translated by Carmen Yiling Yan (Touchable Unreality<\/em>, 2017).<\/span><\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wandering Earth,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOf Ants and Dinosaurs,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSun of China,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wages of Humanity,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCurse 5.0,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Micro-Age,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDevourer,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWith Her Eyes,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Longest Fall,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMoonlight,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014\u2013. \u201cContraction,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFull Spectrum Barrage Jamming,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFire in the Earth,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTime Migration,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOde to Joy,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMirror,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Two Festivals That Cannot Coexist,\u201d translated by Nathan Faries (Words Without Borders<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Liu Maijia. “Giant Grandmother,” translated by Blake Stone-Banks (Clarkesworld Magazine<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Liu Yang. \u201cThe Opposite and the Adjacent,\u201d translated by Nick Stember (Clarkesworld Magazine,<\/em> 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Lumenfabulator,” translated by Landon Gao (Life Beyond Us,<\/em> 2023).<\/p>\n\n\n\n

Liu Xiao. “The Bridge,” translated by Andy Dudak (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Lo, Yi-chin. \u201cScience Fiction\u201d: A Chapter of Daughter<\/i>, translated by Thomas Moran and Jingling Chen (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

L\u00fc, Momo. \u201cWaking in the Cold and the Dark,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2019).<\/span><\/p>\n\n\n\n

Lu Qiucha. “Heavens Fall,” translated by Hal Y. Zhang (The Longlist Anthology 9, <\/em>2025). [read here<\/a>]<\/p>\n\n\n\n

Luo Longxiang. \u201cThe Foodie Federation\u2019s Dinosaur Farm,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/i><\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAway From Home,\u201d translated by <\/span>Nick Stember (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Ma Boyong. \u201cMark Twain Robots,\u201d translated by Ken Liu (TRSF,<\/em> September 2011- a special publication of MIT\u2019s Technology Review<\/em>).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe City of Silence,\u201d translated by Ken Liu (World SF Blog, 2011 \/ Apex Book of World SF 3<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe First Emperor\u2019s Games,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Great Migration,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Ma Jian. China Dream<\/em>, translated by Flora Drew (Counterpoint Press, 2019).<\/span><\/p>\n\n\n\n

Mo Xiong. \u201cOperation Spring Dawn,\u201d translated by Rebecca Kuang (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Nanpai Sanshu. “Records of Xiangxi,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Nian Yu. “A Brief History of Beinakan Disasters as Told in a Sinitic Language,” translated by Ru-Ping Chen (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

noc. \u201cThe Far Side of the Universe,\u201d translated by Michelle Deeter (Tor.com, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Oobmab. \u201cThe Flock of Ba-Hui,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cNadir,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBlack Taisui,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Ancient Tower,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories, 2020).<\/span><\/p>\n\n\n\n

Peng, Simeng. \u201cThe Love Letters,\u201d translated by <\/span>S. Qiouyi Lu (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Ping, Yang. \u201cWizard World\u201d (novelette), translated by the author (Apex Book of World SF<\/em>, 2009).<\/span><\/p>\n\n\n\n

Qi Ran. “One Flew Over the Songhua River,” translated by Andy Dudak (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Qi Tang. To the Sky Kingdom<\/em>, translated by Poppy Toland (And Other Stories, 2016).<\/span><\/p>\n\n\n\n

Que, A. \u201cAn Account of the Sky Whales,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cMrs. Griffin Prepares to Commit Suicide Tonight,\u201d translated by John Chu (Clarkesworld Magazine,<\/i> 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Power is Out,\u201d translated by Elizabeth Hanlon (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFarewell, Doraemon,\u201d translated by Emily Jin and Ken Liu (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSong Xiuyun,\u201d translated by Emily Jin (Clarkesworld Magazine<\/em>, 2019).<\/span><\/p>\n\n\n\n

Ren Zeyu. “The Sound of the Star,” translated by Jay Zhang (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Sanshu, Nanpai. “Whale Ocean,” translated by Xueting C. Ni (Samovar<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

ShakeSpace. \u201cThree Stories Conjured from Nothing,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Shanxiao. “Goodnight, Xiaoqing,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

She Cong Ge. “Those Who Walk at Night, Walk with Ghosts,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

She, Lao. Cat Country<\/i>, translated by William A. Lyell (Penguin Books Australia, 2015).<\/span><\/p>\n\n\n\n

Shen Dacheng. “Blackbird,” translated by Cara Healey (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Rambler,” translated by Cara Healy (Clarkesworld<\/em>, 2024). [read here<\/a><\/span>]<\/p>\n\n\n\n

Shen Yingying. “Dragonslaying,” translated by Emily Xueni Jin (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Shi Heiyao. “The Librarian and the Robot,” translated by Andy Dudak (Clarkesworld<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “Pixiu,” translated by Andy Dudak (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

—-. “How Does One Person Kill a Mountain?” translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Shuang Chimu. “My Family and Other Evolving Animals,” translated by Carmen Yiling Yan (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Shuang Xuetao. Rouge Street<\/em>, translated by Jeremy Tiang (Metropolitan Books, 2022).<\/span><\/p>\n\n\n\n

Su Min. \u201cThe Post-Conscious Age,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Ti’Naang,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Su Wei. The Invisible Valley<\/em>, translated by Austin Woerner (Small Beer Press, 2018). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

Suo Hefu. \u201cThe Butcher of New Tasmania,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Tam, Enoch. \u201cAuntie Han\u2019s Modern Life,\u201d translated by Jeremy Tiang (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Mushroom Houses Proliferated in District M,\u201d translated by Jeremy Tiang (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

Tan Gang. “The Reflection of Sand,” translated by Emily Jin (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Tang Fei. \u201cA Universal Elegy,\u201d translated by John Chu (Clarkesworld Magazine<\/i>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCall Girl,\u201d translated by Ken Liu (Apex Magazine<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Path to Freedom,\u201d translated by Xueting Christine Ni (Read<\/em> Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Person Who Saw Cetus,\u201d translated by S. Qiouyi Lu (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cBroken Stars,\u201d translated by Ken Liu (SQ Magazine<\/em>, 2016 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cWu Ding\u2019s Journey to the West,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSpore,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201c1761,\u201d translated by Xueting Christine Ni (SFRA Review<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Heart of the Museum,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Ti, Sha. \u201cThe Final Test,\u201d translated by Judith Huang (Words Without Borders<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Tong, Enzheng. \u201cThe Death of the World\u2019s First Robot,\u201d translated by Wu Dingbo (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDeath Ray on a Coral Island\u201d (novelette), translated by ? (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Tse, Dorothy. Snow and Shadow<\/em>, translated by Nicky Harman (Muse\/East Slope Publishing Ltd., 2014).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFish Tank Creatures,\u201d translated by Natascha Bruce and Nicky Harman (Anomaly 25<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSour Meat,\u201d translated by Natascha Bruce (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

—-. Owlish<\/em>, translated by Natascha Bruce (Graywolf Press, 2023).<\/p>\n\n\n\n

—-. City Like Water<\/em>, translated by Natascha Bruce (Graywolf Press, 2026).<\/p>\n\n\n\n

Wang Jinkang. Pathological<\/em>, translated by Jeremy Tiang (AmazonCrossing, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Return of Adam\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Wang Lixiong. China Tidal Wave,<\/i> translated by Anton Platero (Global Orient, 2008). [annotation<\/a>]<\/span><\/p>\n\n\n\n

Wang Nuonuo. “The Way Spring Arrives,” translated by Rebecca F. Kuang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Mountain and the Secret of Their Names,” translated by Rebecca F. Kuang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Wang, Regina Kanyu. \u201cThe Brain Box,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Winter Garden,\u201d translated by Emily Jin (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Tide of Moon City,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. “A Record of Lost Time,” translated by Rebecca F. Kuang (Lightspeed<\/em>, 2023). [read here<\/a>]<\/p>\n\n\n\n

Wang, Xiaobo. \u201cMister Lover,\u201d translated by Eric Abrahamsen (Read Paper Republic no. 5<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

Wang Xiaoda. \u201cThe Mysterious Wave\u201d (novelette), translated by Li Lianhan (Science Fiction From<\/em> China, 1989).<\/span><\/p>\n\n\n\n

Wang Yanzhong. “Beyond Everything,” translated by Stella Jiayue Zhu (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Wang Yuan. \u201cPainter of Stars,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/i><\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCasualties of the Quake,\u201d translated by Andy Dudak (Analog<\/em>, 2020).<\/span><\/p>\n\n\n\n

Wang Zhenzhen. \u201cThe Orbiting Guan Erye,\u201d translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “The Hanging Tower of Babel,” translated by Carmen Yiling Yan (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Wei, Ma. \u201cFormerly Slow,\u201d translated by Andy Dudak (Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Wei, Yahua. \u201cConjugal Happiness in the Arms of Morpheus\u201d (novelette), translated by Wu Dingbo (Science Fiction From<\/em> China, 1989).<\/span><\/p>\n\n\n\n

Wu, Anna. \u201cThe Restaurant at the End of the Universe: Laba Porridge,\u201d translated by Carmen Yiling Yan and Ken Liu (Galaxy\u2019s Edge<\/em>, 2015 \/ Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMeisje met de Parel,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. “The Restaurant at the End of the Universe: Tai-Chi Mashed Taro,’ translated by Carmen Yiling Yan (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Wu Guan. \u201cR\u0153sin,\u201d translated by Judith Huang (Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Wu Jianren. New Story of the Stone<\/em>, translated by Liz Evans Weber (Columbia University Press, 2025).<\/p>\n\n\n\n

Wu Ming-Yi. The Man With the Compound Eyes<\/em>, translated by Darryl Sterk (Vintage, 2014).<\/span><\/p>\n\n\n\n

Wu Yan. \u201cMouse Pad,\u201d translated by Han Song (InterNova 1: Unexplored Territories<\/em>, 2005).<\/span><\/p>\n\n\n\n

Xia Jia. \u201cThe Demon-Enslaving Flask,\u201d translated by Linda Rui Feng (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cGoodnight, Melancholy,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2017 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHeat Island,\u201d translated by Ken Liu (Pathlight<\/em>, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Hundred Ghosts Parade Tonight,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2012 \/ Apex Book of World SF 3<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cIf on a Winter\u2019s Night a Traveler,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cNight Journey of the Dragon-Horse,\u201d translated by Ken Liu (Invisible Planets <\/em>anthology, 2016 \/ Lightspeed<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Psychology Game,\u201d translated by <\/span>Emily Jin and Ken Liu (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSpring Festival: Happiness, Anger, Love, Sorrow, Joy,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cTongtong\u2019s Summer,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cValentine\u2019s Day,\u201d translated by Ken Liu (Motherboard<\/em>, 2015 \/ Anomaly 25<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Monk of Lingyin Temple,\u201d translated by Ken Liu (Entanglements: Tomorrow\u2019s Lovers, Families, and Friends<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cUp in the Air,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMeeting Anna,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOn Miluo River,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Time Beyond Your Reach,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTick-Tock,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEternal Summer Dream,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDuet of Love,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLight of Their Days,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAll You Need is Love,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

—-. “The Stars We Raised,” translated by Judy Yi Zhou (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Xiu, Xinyu. \u201cFarewell, Adam,\u201d translated by <\/span>Blake Stone-Banks (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAll Living Creation,\u201d translated by Elizabeth Hanlon (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Xue Yiwei. \u201cThe Taxi Driver,\u201d translated by Ken Liu (Pathlight<\/em>, 2012).<\/span><\/p>\n\n\n\n

Xuetao, Shuang. <\/em>“Heart,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Yang Guangyi,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Up at Night,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Theater,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Premonition,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Sen,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Daughter,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Martial Artist,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Hunter,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

Yan Ge. \u201cFlourishing Beasts,\u201d translated by Jeremy Tiang (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. Strange Beasts of China<\/em>, translated by Jeremy Tiang (Melville House, 2021).<\/span><\/p>\n\n\n\n

Yan Lianke. The Day the Sun Died<\/em>, translated by Carlos Rojas (Grove Atlantic, 2018).<\/span><\/p>\n\n\n\n

Yang Lu. \u201cSilver Tiger,\u201d translated by Eric Abrahamsen (New Yorker<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Yang Wanqing. “Tombstone,” translated by Andy Dudak (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

—-. “The Peregrine Falcon Flies West,” translated by Jay Zhang (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Ye Teng. \u201cUniversal Cigarettes,\u201d translated by Yuzhi Yang (Future Science Fiction Digest<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Ye Yonglie. \u201cThe Thursday Events,\u201d translated by ? (Tales from the Planet Earth<\/em>, 1986).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCorrosion\u201d (novelette), translated by Minxin Pei (Science Fiction From China<\/em>, 1989 \/ translated by Renmin Yang, The Road to Science Fiction 6<\/em>, 1998).<\/span><\/p>\n\n\n\n

\u2014-. \u201cReap as You Have Sown,\u201d translated by Minxin Pei & Renmin Yang (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Yimei Tangguo. “The Ghost Wedding,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Yong, Jin (Louis Cha). The Book and the Sword<\/em>, translated by Graham Earnshaw (Oxford University Press, 2005).<\/span><\/p>\n\n\n\n

\u2014-. A Hero Born <\/i>(Legends of the Condor Heroes #1), translated by Anna Holmwood (MacLehose Press, 2018).<\/span><\/p>\n\n\n\n

\u2014-. A Bond Undone <\/i>(Legends of the Condor Heroes #2), translated by Gigi Chang (MacLehose Press, 2019).<\/span><\/p>\n\n\n\n

\u2014-. A Snake Lies Waiting<\/em> (Legends of the Condor Heroes #3), translated by Anna Holmwood and Gigi Chang (MacLehose Press, 2020).<\/span><\/p>\n\n\n\n

\u2014-. A Heart Divided (<\/em>Legends of the Condor Heroes #4), translated by Gigi Chang and Shelly Bryant (MacLehose Press, 2021).<\/span><\/p>\n\n\n\n

Yu Nian. \u201cIn Search of Your Memories,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCat\u2019s Chance in Hell,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Yue Qi. \u201cTo Fly Like a Fallen Angel,\u201d translated by Elizabeth Hanlon (Clarkesworld Magazine<\/em>, 2018). [read here]<\/a><\/span><\/p>\n\n\n\n

Yue Zhu. \u201cThe Death of Zernik,\u201d translated by David Haysom (Read Paper Republic no.6<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

Zhang Ran. \u201cAn Age of Ice,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cEther,\u201d translated by Carmen Yiling Yan and Ken Liu (Clarkesworld Magazine<\/i>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Snow of Jinyang,\u201d translated by <\/span>Ken Liu and Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2016 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cMaster Zhao: The Tale of an Ordinary Time Traveler,\u201d translated by <\/span>Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Still Water,” translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Zhang Xinxin. \u201cDragonworld,\u201d translated by Helen Wang (Paper Republic,<\/em> 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Zhang Yueran. “Whitebone Harp,” translated by Jeremy Tiang (The Valancourt Book of World Horror Stories, Vol.2<\/em>, 2022).<\/span><\/p>\n\n\n\n

Zhao Haihong. \u201cExuviation,\u201d translated by Ken Liu (Lightspeed<\/em>, 2010). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201c1923: A Fantasy,\u201d translated by Nicky Harman and Pang Zhaoxia (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRendezvous: 1937,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. “Baby, I Love You,” translated by Elizabeth Hanlon (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Scent of Memory,” translated by S. Qiouyi Lu (Clarkesworld<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Zheng Egoyan. The Dream Devourer<\/i> (chapters 5\u20137), translated by Cara Healey (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

Zheng Wenguang. \u201cThe Mirror Image of the Earth,\u201d translated by Sun Liang (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Zhou Dedong. “Have You Heard of Ancient Glory,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Zhou Haohui. Valley of Terror<\/em>, translated by Bonnie Hui (AmazonCrossing, 2017).<\/p>\n\n\n\n

—-. “Forbidden Rooms,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Zhou Wen. “How the Stars were Connected,” translated by Judith Huang (Future Science Fiction Digest<\/em>, 2022). [read here<\/a>]<\/p>\n\n\n\n

—-. “A World of Tragic Heroes,” translated by Judith Huang (The Digital Aesthete<\/em>, 2023).<\/p>\n\n\n\n

—-. “The Girl Who Stole Life,” translated by Xueting C. Ni (Asimov’s, 2026).<\/p>\n","protected":false},"excerpt":{"rendered":"

Catalan Almirall, Valenti. “A Manuscript of a Wise Man or a Fool,” translated by Todd Mack (Revista H\u00e9lice, 2017). [read here] Besora, Max. The Fake Muse, translated by Mara Faye Lethem (Open Letter, 2025). Crexells, Joan. “Reversing History,” translated by Sara Martin (Revista H\u00e9lice, 2025). [read here] Gener, Pompeu. “The Theological Palace,” translated by Todd<\/p>\n

Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11615"}],"collection":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11615"}],"version-history":[{"count":87,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11615\/revisions"}],"predecessor-version":[{"id":17879,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11615\/revisions\/17879"}],"wp:attachment":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}