{"id":11615,"date":"2018-03-19T20:28:03","date_gmt":"2018-03-19T20:28:03","guid":{"rendered":"https:\/\/www.sfintranslation.com\/?p=11615"},"modified":"2026-05-03T04:57:50","modified_gmt":"2026-05-03T04:57:50","slug":"catalan-chinese","status":"publish","type":"post","link":"https:\/\/www.sfintranslation.com\/?p=11615","title":{"rendered":"Catalan–Chinese"},"content":{"rendered":"\n

Catalan<\/strong><\/span><\/p>\n\n\n\n

Besora, Max. The Fake Muse<\/em>, translated by Mara Faye Lethem (Open Letter, 2025).<\/p>\n\n\n\n

Guash, Pol. Napalm in the Heart<\/em>, translated by Mara Faye Lethem (Faber and Faber, 2024).<\/p>\n\n\n\n

Monz\u00f3, Quim. \u201cMy Brother,\u201d translated by Mary Ann Newman (Words Without Borders<\/em>, 2010). [read here<\/a>]<\/span><\/p>\n\n\n\n

de Palol, Miquel. The Garden of Seven Twilights<\/em>, translated by Adrian Nathan West (Dalkey Archive, 2023).<\/span><\/p>\n\n\n\n

de Pedrolo, Manuel. Typescript of the Second Origin<\/em>, translated by Sara Martin (Wesleyan University Press, 2018).<\/span><\/p>\n\n\n\n

Rodoreda, Merc\u00e8. War, So Much War<\/em>, translated by Maruxa Relano and Martha Tennent (Open Letter, 2015).<\/span><\/p>\n\n\n\n

\u2014-. Death in Spring<\/em>, translated by Martha Tennent (Open Letter, 2009).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Letter,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Dolls\u2019 Room,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe River and the Boat,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Gentleman and the Moon,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Salamander,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA White Geranium Petal,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMy Christina,\u201d translated by David H. Rosenthal (My Christina and Other Stories<\/em>, 1984).<\/span><\/p>\n\n\n\n

S\u00e1nchez Pi\u00f1ol, Albert. Cold Skin<\/em>, translated by Cheryl Leah Morgan (Canongate, 2007).<\/span><\/p>\n\n\n\n

\u2014-. Pandora in the Congo<\/em>, translated by Mara Faye Lethem (Penguin Canada, 2009).<\/span><\/p>\n\n\n\n

Sol\u00e0, Irene. When I Sing, Mountains Dance<\/em>, translated by Mara Faye Lethem (Graywolf Press, 2022).<\/p>\n\n\n\n

—-. I Gave You Eyes and You Looked Toward Darkness<\/em>, translated by Mara Faye Lethem (Graywolf Press, 2025).<\/p>\n\n\n\n

Solsona, Elisenda. \u201cMechanisms,\u201d translated by Mara Faye Lethem (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020).<\/span><\/p>\n\n\n\n

Torras, Carme. The Vestigial Heart: A Novel of the Robot Age<\/em>, translated by Josephine Swarbrick (MIT Press, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTeam Memory,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Chinese<\/strong><\/span><\/p>\n\n\n\n

A Que. \u201cFlower of the Other Shore,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

An, Di. \u201cBeyond the Western Pass,\u201d translated by Canaan Morse (Samovar Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

An Hao. “Action at a Distance,” translated by Andy Dudak (Clarkesworld<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Bai Fan Ru Shuang. “A Saccharophilic Earthworm,” translated by Ru-Ping Chen (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Alchemist of Lantian,” translated by Ru-Ping Chen (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Baoshu. \u201cPreserve Her Memory,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cWhat Has Passed Shall In Kinder Light Appear,\u201d translated by Ken Liu (The Magazine of Fantasy and Science Fiction<\/em>, 2015 \/ Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEverybody Loves Charles,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Lighthouse Girl,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSongs of Ancient Earth,\u201d translated by Adrian Thieret (The <\/em>Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. The Redemption of Time<\/em>, translated by Ken Liu (Head of Zeus, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cNiuniu,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHyperspace Partners,\u201d translated by S. Qiouyi Lu (Galaxy\u2019s Edge<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Absolution Experiment,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Bo, Jiang. \u201cThe Wings of Earth,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFace Changing,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Cai Jun. “Huangcun,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Can Xue. Frontier<\/em>, translated by Karen Gernant and Chen Zeping (Open Letter Books, 2017).<\/span><\/p>\n\n\n\n

\u2014- The Last Lover<\/em>, translated by Annelise Finegan Wasmoen (Yale UP, 2014).<\/span><\/p>\n\n\n\n

\u2014-. Love in the New Millennium<\/em>, translated by Annelise Finegan Wasmoen (Yale UP, 2018).<\/span><\/p>\n\n\n\n

\u2014-.  \u201cStory of the Slums,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOur Human Neighbors,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Old Cicadas,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Swamp,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span> 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSin,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014. \u201cThe Other Side of the Partition,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cShadow People,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCrow Mountain,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCatfish Pit,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEuphoria,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLu-er\u2019s Worries,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHer Old Home,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cI am a Willow Tree,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Outsiders,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Queen,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cVenus,\u201d translated by Karen Gernant and Chen Zeping (I Live in the Slums<\/em><\/span>, 2020).<\/span><\/p>\n\n\n\n

—-. “Mother River,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Stone Village,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Smog City,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Drummer Boy,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Neighborhood,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Young Man Who Loved to Think Deeply,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Something to Do with Poetry,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Inside Story,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Lion King,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “At the Edge of the Marsh,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Night in Xishuangbanna,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Goddess of Xishuangbanna,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

—-. “Love in Xishuangbanna,” translated by Karen Gernant and Chen Zeping (Mother River<\/em>, 2025).<\/p>\n\n\n\n

Chan, Chi Wa. \u201cThe Elephant,\u201d translated by Audrey Heijns (That We May Live: Speculative Chinese Fiction, <\/em>2020).<\/em><\/span><\/p>\n\n\n\n

Chang, Yu-ko. “The Fire Star Passes the Meridian,” translated by Lauren Harper (Samovar Magazine<\/em>, 2022). [read here<\/a>]<\/p>\n\n\n\n

Chen Chuncheng. “A Cloudcutter’s Diary,” translated by Jack Hargreaves (Samovar<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Chen Hongyu. \u201cWestern Heaven,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Che, Qian. \u201cCatching the K Beast,\u201d translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Inhuman Lovers,” translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “New Year Painting, Ink and Color on Rice Paper, Zhaoqiao Village,” translated by Emily Xueni Jin (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Chen Qiufan.\u201dSpace Leek,\u201d translated by Emily Jin (Slate<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014\u2013. \u201cBalin,\u201d translated by Ken Liu (Clarkesworld Magazine<\/i><\/em>, 2016 \/ The Reincarnated Giant<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cComing of the Light,\u201d translated by Ken Liu (Clarkesworld Magazine<\/i>, 2015 \/ Touchable Unreality<\/em>, 2017 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Endless Farewell,\u201d translated by Ken Liu (Pathlight<\/em>, 2013).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Fish of Lijiang,\u201d translated by Ken Liu (Clarkesworld Magazine<\/i><\/em>, 2011 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Flower of Shazui,\u201d translated by Ken Liu (Interzone<\/em> #243, 2012 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA History of Future Illnesses,\u201d translated by Ken Liu (Pathlight<\/em>, 2016 \/ Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLet There Be Light,\u201d translated by Ken Liu (Daily Science Fiction<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Man Out of Fashion,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Mao Ghost,\u201d translated by Ken Liu (Lightspeed<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cOblivion is a Crease Left by Memory,\u201d translated by Ken Liu (seat14c.com<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cOil of Angels,\u201d translated by Ken Liu (Upgraded<\/em>, ed. Neil Clarke, 2014).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Year of the Rat,\u201d translated by Ken Liu (The Magazine of Fantasy and Science Fiction<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Smog Society,\u201d translated by Ken Liu and Carmen Yiling Yan (Lightspeed,<\/i> 2015). [read here<\/a>] [hear an audio version<\/a> on the StarShipSofa podcast]).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Tomb,\u201d translated by the author (Apex Book of World SF 2<\/em>, 2012).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Reunion,\u201d translated by Emily Jin and Ken Liu (MIT Technology Review<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cIn This Moment, We Are Happy,\u201d translated by Rebecca Kuang (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cDebtless,\u201d translated by <\/span>Blake Stone-Banks (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. Waste Tide<\/em>, translated by Ken Liu (Tor Books, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cForger Mr. Z,\u201d translated by Andy Dudak (Asimov\u2019s<\/em>, 2020).<\/span><\/p>\n\n\n\n

—-. “Do You Hear the Fungi Sing,” translated by Emily Jin (Tomorrow’s Parties: Life in the Anthropocene<\/em>, 2022).<\/p>\n\n\n\n

Chen Si\u2019an. \u201cA Counterfeit Life,\u201d translated by Canaan Morse (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

Chi Hui. \u201cThe Calculations of Artificials,\u201d translated by John Chu (Clarkesworld Magazine,<\/em> 2016 \/ The Apex Book of World SF 5<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cDeep Sea Fish,\u201d translated by Brian Bies (The Magazine of Fantasy and Science Fiction<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Heaven-Moving Way,\u201d translated by Andy Dudak (Apex Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Rain Forest,\u201d translated by Jie Li (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRain Ship,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cNo Way Back,\u201d translated by John Chu (Clarkesworld<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “The Woman Carrying a Corpse,” translated by Judith Huang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Stars Don’t Dream,” translated by John Chu (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

—-. “Night Climb,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Chi Ta-wei. The Membranes<\/em>, translated by Ari Larissa Heinrich (Columbia University Press, 2021).<\/span><\/p>\n\n\n\n

Chu Shifan. “Giant Fish,” translated by Stella Jiayue Zhu (Clarkesworld<\/em>, 2022). [read here<\/a><\/span>]<\/p>\n\n\n\n

Chu Xidao. “The Portrait,” translated by Gigi Chang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Immortal Beauty,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Chuan Ge. “The Ying Yang Pot,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Count E. “The Tale of Wude’s Heavenly Tribulation,” translated by Mel Lee (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Dai, Da. \u201cRaising Mermaids,\u201d translated by S. Qiouyi Lu (Future Science Fiction Digest<\/em>, 2020). [read here]<\/span><\/p>\n\n\n\n

Deng, Yiguang. \u201cShenzhen is Located at 22\u00b027\u2019-22\u00b052\u2019 N,\u201d translated by Ken Liu (Pathlight<\/em>, Winter 2012).<\/span><\/p>\n\n\n\n

Dung, Kai-cheung. \u201cHistories of Time: The Luster of Mute Porcelain\u201d (excerpts), translated and introduced by Carlos Rojas (The Reincarnated Giant<\/em>, 2018). [Hong Kong]<\/span><\/p>\n\n\n\n

\u2014-. Atlas: The Archaeology of an Imaginary City<\/em>, translated by Anders Hansson, Bonnie S. McDougall, and the author (Columbia University Press, 2012).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFloating Life\u201d (excerpt from Beloved Wife, Part 2<\/em>), translated by Andrea Lingenfelter (Chinese Literature Today<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Fan Xiaoqing. \u201cWhere Did I Lose You?,\u201d translated by Paul Harris (Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Fan Xing. “Rat’s Tongue,” translated by Judith Huang (Future Science Fiction Digest<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Fan, Yilun. \u201cCity Lights,\u201d translated by S. Qiouyi Lu (Apex<\/em>, 2022).<\/span><\/p>\n\n\n\n

Fan Zhou. “The Waking Dream,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Fang Zeyu. “A Beautiful War,” translated by Nathan Faries (The Digital Aesthete<\/em>, 2023).<\/p>\n\n\n\n

Fei Dao. \u201cThe Demon\u2019s Head,\u201d translated by David Hull (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Robot Who Liked to Tell Tall Tales,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2017 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Fengnian, Wanxiang. \u201cThe Lord of Rivers,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThrough the Fog, a Distant Land Appears,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cKnights of the Phantom Realm,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Mountain of Dust,\u201d translated by Judith Huang (Future Science Fiction Digest<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Those Who Left History,” translated by Stella Jiayue Zhu (Clarkesworld Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Fu, Qiang. “Kill That Groundhog,” translated by Andy Dudak (Clarkesworld<\/em>, 2023). [read here<\/a>]<\/p>\n\n\n\n

Gelian. “Life Sentence,” translated by Blake Stone-Banks (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Ge Liang. \u201cDragon Boat,\u201d translated by Karen Curtis (Paper Republic<\/em>, October 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Gu Congyun \u2018Mu Ming\u2019. \u201cExpress to Beijing West Railway Station,\u201d translated by Kiera Johnson (Samovar<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. \u201cThe Serpentine Band,\u201d translated by Tian Huang (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Who Can Have the Moon,” translated by Tian Huang (Clarkesworld Magazine<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/span><\/p>\n\n\n\n

—-. “By Those Hands,” translated by Judith Huang (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Gu Shi. \u201cChimera,\u201d translated by <\/span>S. Qiouyi Lu and Ken Liu (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cM\u00f6bius Continuum,\u201d translated by <\/span>S. Qiouyi Lu (Clarkesworld Magazine<\/em>, September 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cReflection,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019 \/ Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “To Procure Jade,” translated by Yilin Wang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. \u201cIntroduction to 2181 Overture, Second Edition,” translated by Emily Jin (Clarkesworld<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “The Death of Nala,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

—-. “Antarctic Radio,” translated by Andy Dudak (Asimov’s<\/em>, 2026).<\/p>\n\n\n\n

Haitian, Pan. \u201cThe Hunger Tower,\u201d translated by <\/span>Nick Stember (Clarkesworld<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cLu Xun, Demon Hunter,\u201d translated by Nick Stember (LARB China Channel<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCity of Eternity,\u201d translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2021) [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Hanuman the Monkey King,” translated by Emily Jin (Clarkesworld Magazine<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “Dead Man Awake, Sing to the Sun!” translated by Joel Martinsen (The Best of World SF 2<\/em>, 2022).<\/span><\/p>\n\n\n\n

Han, Bella. \u201cAmorville,\u201d translated by the author (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “To Helen,” translated by the author (Clarkesworld Magazine<\/em>, 2023). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “De Profundis: A Space Love-Letter,” translated by the author (Clarkesworld Magazine<\/em>, 2023). [read here<\/a>]<\/p>\n\n\n\n

—-. “Sea of Fertility,” translated by the author (Clarkesworld Magazine<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Han Song. \u201cTwo Small Birds,\u201d translated by John Chu (The Big Book of Science Fiction<\/em>, 2016 \/ A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Great Wall,\u201d translated by Nathaniel Isaacson (Chinese Literature Today<\/em> 7.1, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Fundamental Nature of the Universe,\u201d translated by Nathaniel Isaacson (Chinese Literature Today<\/em> 7.1, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEarth is Flat,\u201d translated by Nathaniel Isaacson (Chinese Literature Today<\/em> 7.1, 2018 \/ A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRegenerated Bricks,\u201d translated by Theodore Huters (The <\/em>Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Passengers and the Creator,\u201d translated by Nathaniel Isaacson (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSalinger and the Koreans,\u201d translated by Ken Liu (Tales of Our Time<\/em>, the Robert H. N. Ho Family Foundation [Solomon R. Guggenheim Museum] catalogue, 2016 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSecurity Check,\u201d translated by <\/span>Ken Liu (Clarkesworld Magazine<\/i><\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wheel of Samsara,\u201d translated by the author (Apex Book of World SF<\/em>, 2009 \/ A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFinished,\u201d translated by Nick Stember (Pathlight Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSubmarines,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTransformation Subway,\u201d translated by Nathaniel Isaacson (A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFear of Seeing,\u201d translated by Nathaniel Isaacson (A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMy Country Does Not Dream,\u201d translated by Nathaniel Isaacson (A Primer to Han Song<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTombs of the Universe,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. Hospital (#1)<\/em>, translated by Michael Berry (AmazonCrossing, 2023).<\/p>\n\n\n\n

—-. Exorcism (#2)<\/em>, translated by Michael Berry (AmazonCrossing, 2023).<\/p>\n\n\n\n

—-. Dead Souls (#3)<\/em>, translated by Michael Berry (AmazonCrossing, 2025).<\/p>\n\n\n\n

Hao Jingfang. Vagabonds<\/em>, translated by Ken Liu (Gallery\/Saga Press, 2020). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cInvisible Planets,\u201d translated by Ken Liu (Lightspeed Magazine<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFolding Beijing,\u201d translated by Ken Liu (Uncanny Magazine<\/em>, 2015 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Loneliest Ward,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSummer at Grandma\u2019s House,\u201d translated by Carmen Yiling Yan (Touchable Unreality<\/em>, 2017).<\/span><\/span><\/p>\n\n\n\n

\u2014-. \u201cThe New Year Train,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cQiankun and Alex,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. Hospital<\/em>, translated by Michael Berry (AmazonCrossing, 2023).<\/span><\/p>\n\n\n\n

—-. Jumpnauts<\/em>, translated by Ken Liu (S&S\/Saga Press, 2024).<\/p>\n\n\n\n

He, Hao. \u201cAll Clear,\u201d translated by R. Orion Martin (Apex Magazine<\/em>, 2018). [read<\/a> here<\/a>]<\/span><\/p>\n\n\n\n

He, Xing. \u201cYour Multicolored Life,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here]<\/a><\/span><\/p>\n\n\n\n

Hefu, Suo. \u201cBlind Jump,\u201d translated by Cai Yingqian and Collin Kong (Alien Invasion Short Stories<\/em>, Flame Tree Publishing, 2018).<\/span><\/p>\n\n\n\n

Hon Lai Chu. Mending Bodies<\/em>, translated by Jacqueline Leung (Two Lines Press, 2025).<\/p>\n\n\n\n

Hong Nianzi. “The Girl in the Rain,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Hsu, Isaac (Shuntang). \u201cThe Affair,\u201d translated by Tze-lan Deborah Sang and Isaac (Shuntang) Hsu (Chinese Literature Today<\/em>, 2020). [Taiwan] [read here<\/a>]<\/span><\/p>\n\n\n\n

Hui Hu. “PTSD,” translated by Rebecca F. Kuang (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Hui Zhu. \u201cLip Service,\u201d translated by Michael Day (That We May Live: Speculative Chinese Fiction, <\/em>2020).<\/em><\/span><\/p>\n\n\n\n

Ji Yun. \u201cGuests From the Sky,\u201d translated by Yi Izzy Yu and John Yu Branscum (Samovar Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Jia Mai. \u201cTwo Young Women From Fuyang,\u201d translated by Yu Yan Chen (Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Jiang Bo. \u201cStarship: Library,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Jiang Yitan. \u201cConvince Me,\u201d translated by Alexander Clifford (Read Paper Republic<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

Jiang Yunsheng. \u201cBoundless Love,\u201d translated by Wu Dingbo (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Jingbo Cheng. \u201cGrave of the Fireflies,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cUnder a Dangling Sky,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

Jinkang, Wang. \u201cThe Reincarnated Giant,\u201d translated by Carlos Rojas (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

Ju Chu. “Tomorrow’s Beautiful Dream,” translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Kong, Xinwei. “Growth Rings of the Earth,” translated by the author (F&SF<\/em>, 2024).<\/p>\n\n\n\n

Koonchung, Chan. The Fat Years<\/em>, translated by <\/span> <\/span> <\/span> Michael S. Duke (Anchor, 2011).<\/span><\/span><\/p>\n\n\n\n

La, La. \u201cThe Radio Waves That Never Die,\u201d translated by Petula Parris-Huang (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

Lei, Xu. Search for the Buried Bomber<\/em>, translated by ? (AmazonCrossing, 2013).<\/span><\/p>\n\n\n\n

Li Zishu. \u201cThe Northern Border,\u201d translated by Joshua Dyer (Read<\/em> Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Liang, Ling. \u201cWordfall,\u201d translated by Nathan Faries and Zhao Li (Future Science Fiction Digest<\/em>, 2018).<\/span><\/p>\n\n\n\n

Liang Qingsan. “The Possibly Brief Life of Guang Hansheng,” translated by Andy Dudak (Clarkesworld<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “The Kite of Jinan,” translated by Emily Jin (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Liao Shubo. “The Postman,” translated by Rebecca F. Kuang (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Lin Hsin-Hui. “Hotel California,” translated by Ye Odelia Lu (Samovar<\/em>, 2025). [Taiwan] [read here<\/a>]<\/p>\n\n\n\n

Ling Chen. “The Name of the Dragon,” translated by Yilin Wang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Liu, Arthur. “Commencement Address,” translated by Stella Jiayue Zhu (Clarkesworld<\/em>, 2022). [read here<\/span>]<\/span><\/p>\n\n\n\n

Liu, Cixin. The Three-Body Problem<\/i> (Remembrance of Earth\u2019s Past #1), translated by Ken Liu (Tor Books, 2014). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. The Dark Forest<\/i> (Remembrance of Earth\u2019s Past #2), translated by Joel Martinsen (Chongqing Publishing Group, 2008 \/ Tor Books, 2015).<\/span><\/p>\n\n\n\n

\u2014-. Death\u2019s End<\/i> (Remembrance of Earth\u2019s Past #3), translated by Ken Liu (Tor Books, 2016).<\/span><\/p>\n\n\n\n

\u2014-. Ball Lightning<\/em>, translated by Joel Martinsen (Tor Books, 2018). [read an excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. Supernova Era<\/em>, translated by Joel Martinsen (Tor Books, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Circle,\u201d translated by Ken Liu (Carbide Tipped Pens,<\/em> 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFields of Gold,\u201d translated by Ken Liu (MIT Technology Review: <\/em>Twelve Tomorrows<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMountain,\u201d translated by Holger Nahm (Apex Magazine<\/i>, 2015 \/ The Wandering Earth<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Poetry Cloud,\u201d translated by Chi-yin Ip and Cheuk Wong (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSea of Dreams,\u201d translated by John Chu (Asimov\u2019s<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTaking Care of God,\u201d translated by Ken Liu (Pathlight, <\/em>2012 \/ Invisible Planets <\/em>anthology, 2016 \/ The Wandering Earth, <\/em>2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Thinkers,\u201d translated by Joel Martinsen (Read Paper Republic<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Village Schoolteacher,\u201d translated by Christopher Elford and Jiang Chenxin (The <\/em>Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Weight of Memories,\u201d translated by Ken Liu (Tor.com<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cYuan Yuan\u2019s Bubbles,\u201d translated by Carmen Yiling Yan (Touchable Unreality<\/em>, 2017).<\/span><\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wandering Earth,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOf Ants and Dinosaurs,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSun of China,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wages of Humanity,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCurse 5.0,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Micro-Age,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDevourer,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWith Her Eyes,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Longest Fall,\u201d translated by Holger Nahm (The Wandering Earth<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMoonlight,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014\u2013. \u201cContraction,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFull Spectrum Barrage Jamming,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFire in the Earth,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTime Migration,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOde to Joy,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMirror,\u201d translated by Joel Martinsen (To Hold Up the Sky<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Two Festivals That Cannot Coexist,\u201d translated by Nathan Faries (Words Without Borders<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Liu Maijia. “Giant Grandmother,” translated by Blake Stone-Banks (Clarkesworld Magazine<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Liu Yang. \u201cThe Opposite and the Adjacent,\u201d translated by Nick Stember (Clarkesworld Magazine,<\/em> 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Lumenfabulator,” translated by Landon Gao (Life Beyond Us,<\/em> 2023).<\/p>\n\n\n\n

Liu Xiao. “The Bridge,” translated by Andy Dudak (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Lo, Yi-chin. \u201cScience Fiction\u201d: A Chapter of Daughter<\/i>, translated by Thomas Moran and Jingling Chen (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

L\u00fc, Momo. \u201cWaking in the Cold and the Dark,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2019).<\/span><\/p>\n\n\n\n

Lu Qiucha. “Heavens Fall,” translated by Hal Y. Zhang (The Longlist Anthology 9, <\/em>2025). [read here<\/a>]<\/p>\n\n\n\n

Luo Longxiang. \u201cThe Foodie Federation\u2019s Dinosaur Farm,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/i><\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAway From Home,\u201d translated by <\/span>Nick Stember (Clarkesworld Magazine<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Ma Boyong. \u201cMark Twain Robots,\u201d translated by Ken Liu (TRSF,<\/em> September 2011- a special publication of MIT\u2019s Technology Review<\/em>).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe City of Silence,\u201d translated by Ken Liu (World SF Blog, 2011 \/ Apex Book of World SF 3<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe First Emperor\u2019s Games,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Great Migration,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Ma Jian. China Dream<\/em>, translated by Flora Drew (Counterpoint Press, 2019).<\/span><\/p>\n\n\n\n

Mo Xiong. \u201cOperation Spring Dawn,\u201d translated by Rebecca Kuang (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Nanpai Sanshu. “Records of Xiangxi,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Nian Yu. “A Brief History of Beinakan Disasters as Told in a Sinitic Language,” translated by Ru-Ping Chen (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

noc. \u201cThe Far Side of the Universe,\u201d translated by Michelle Deeter (Tor.com, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Oobmab. \u201cThe Flock of Ba-Hui,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cNadir,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBlack Taisui,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Ancient Tower,\u201d translated by Arthur Meursault and Akira (The Flock of Ba-Hui and Other Stories, 2020).<\/span><\/p>\n\n\n\n

Peng, Simeng. \u201cThe Love Letters,\u201d translated by <\/span>S. Qiouyi Lu (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Ping, Yang. \u201cWizard World\u201d (novelette), translated by the author (Apex Book of World SF<\/em>, 2009).<\/span><\/p>\n\n\n\n

Qi Ran. “One Flew Over the Songhua River,” translated by Andy Dudak (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Qi Tang. To the Sky Kingdom<\/em>, translated by Poppy Toland (And Other Stories, 2016).<\/span><\/p>\n\n\n\n

Que, A. \u201cAn Account of the Sky Whales,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cMrs. Griffin Prepares to Commit Suicide Tonight,\u201d translated by John Chu (Clarkesworld Magazine,<\/i> 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Power is Out,\u201d translated by Elizabeth Hanlon (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFarewell, Doraemon,\u201d translated by Emily Jin and Ken Liu (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSong Xiuyun,\u201d translated by Emily Jin (Clarkesworld Magazine<\/em>, 2019).<\/span><\/p>\n\n\n\n

Ren Zeyu. “The Sound of the Star,” translated by Jay Zhang (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Sanshu, Nanpai. “Whale Ocean,” translated by Xueting C. Ni (Samovar<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

ShakeSpace. \u201cThree Stories Conjured from Nothing,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Shanxiao. “Goodnight, Xiaoqing,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

She Cong Ge. “Those Who Walk at Night, Walk with Ghosts,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

She, Lao. Cat Country<\/i>, translated by William A. Lyell (Penguin Books Australia, 2015).<\/span><\/p>\n\n\n\n

Shen Dacheng. “Blackbird,” translated by Cara Healey (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Rambler,” translated by Cara Healy (Clarkesworld<\/em>, 2024). [read here<\/a><\/span>]<\/p>\n\n\n\n

Shen Yingying. “Dragonslaying,” translated by Emily Xueni Jin (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Shi Heiyao. “The Librarian and the Robot,” translated by Andy Dudak (Clarkesworld<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “Pixiu,” translated by Andy Dudak (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Shuang Chimu. “My Family and Other Evolving Animals,” translated by Carmen Yiling Yan (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

Shuang Xuetao. Rouge Street<\/em>, translated by Jeremy Tiang (Metropolitan Books, 2022).<\/span><\/p>\n\n\n\n

Su Min. \u201cThe Post-Conscious Age,\u201d translated by Nathan Faries (Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Ti’Naang,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Su Wei. The Invisible Valley<\/em>, translated by Austin Woerner (Small Beer Press, 2018). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

Suo Hefu. \u201cThe Butcher of New Tasmania,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

Tam, Enoch. \u201cAuntie Han\u2019s Modern Life,\u201d translated by Jeremy Tiang (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Mushroom Houses Proliferated in District M,\u201d translated by Jeremy Tiang (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

Tan Gang. “The Reflection of Sand,” translated by Emily Jin (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Tang Fei. \u201cA Universal Elegy,\u201d translated by John Chu (Clarkesworld Magazine<\/i>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCall Girl,\u201d translated by Ken Liu (Apex Magazine<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Path to Freedom,\u201d translated by Xueting Christine Ni (Read<\/em> Paper Republic<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Person Who Saw Cetus,\u201d translated by S. Qiouyi Lu (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cBroken Stars,\u201d translated by Ken Liu (SQ Magazine<\/em>, 2016 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cWu Ding\u2019s Journey to the West,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSpore,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201c1761,\u201d translated by Xueting Christine Ni (SFRA Review<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Heart of the Museum,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Ti, Sha. \u201cThe Final Test,\u201d translated by Judith Huang (Words Without Borders<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

Tong, Enzheng. \u201cThe Death of the World\u2019s First Robot,\u201d translated by Wu Dingbo (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDeath Ray on a Coral Island\u201d (novelette), translated by ? (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Tse, Dorothy. Snow and Shadow<\/em>, translated by Nicky Harman (Muse\/East Slope Publishing Ltd., 2014).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFish Tank Creatures,\u201d translated by Natascha Bruce and Nicky Harman (Anomaly 25<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSour Meat,\u201d translated by Natascha Bruce (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

—-. Owlish<\/em>, translated by Natascha Bruce (Graywolf Press, 2023).<\/p>\n\n\n\n

—-. City Like Water<\/em>, translated by Natascha Bruce (Graywolf Press, 2026).<\/p>\n\n\n\n

Wang Jinkang. Pathological<\/em>, translated by Jeremy Tiang (AmazonCrossing, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Return of Adam\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Wang Lixiong. China Tidal Wave,<\/i> translated by Anton Platero (Global Orient, 2008). [annotation<\/a>]<\/span><\/p>\n\n\n\n

Wang Nuonuo. “The Way Spring Arrives,” translated by Rebecca F. Kuang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Mountain and the Secret of Their Names,” translated by Rebecca F. Kuang (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Wang, Regina Kanyu. \u201cThe Brain Box,\u201d translated by Ken Liu (Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Winter Garden,\u201d translated by Emily Jin (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Tide of Moon City,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. “A Record of Lost Time,” translated by Rebecca F. Kuang (Lightspeed<\/em>, 2023). [read here<\/a>]<\/p>\n\n\n\n

Wang, Xiaobo. \u201cMister Lover,\u201d translated by Eric Abrahamsen (Read Paper Republic no. 5<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

Wang Xiaoda. \u201cThe Mysterious Wave\u201d (novelette), translated by Li Lianhan (Science Fiction From<\/em> China, 1989).<\/span><\/p>\n\n\n\n

Wang Yanzhong. “Beyond Everything,” translated by Stella Jiayue Zhu (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Wang Yuan. \u201cPainter of Stars,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/i><\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCasualties of the Quake,\u201d translated by Andy Dudak (Analog<\/em>, 2020).<\/span><\/p>\n\n\n\n

Wang Zhenzhen. \u201cThe Orbiting Guan Erye,\u201d translated by Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2021). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “The Hanging Tower of Babel,” translated by Carmen Yiling Yan (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Wei, Ma. \u201cFormerly Slow,\u201d translated by Andy Dudak (Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Wei, Yahua. \u201cConjugal Happiness in the Arms of Morpheus\u201d (novelette), translated by Wu Dingbo (Science Fiction From<\/em> China, 1989).<\/span><\/p>\n\n\n\n

Wu, Anna. \u201cThe Restaurant at the End of the Universe: Laba Porridge,\u201d translated by Carmen Yiling Yan and Ken Liu (Galaxy\u2019s Edge<\/em>, 2015 \/ Broken Stars<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMeisje met de Parel,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. “The Restaurant at the End of the Universe: Tai-Chi Mashed Taro,’ translated by Carmen Yiling Yan (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Wu Guan. \u201cR\u0153sin,\u201d translated by Judith Huang (Future Science Fiction Digest<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Wu Jianren. New Story of the Stone<\/em>, translated by Liz Evans Weber (Columbia University Press, 2025).<\/p>\n\n\n\n

Wu Ming-Yi. The Man With the Compound Eyes<\/em>, translated by Darryl Sterk (Vintage, 2014).<\/span><\/p>\n\n\n\n

Wu Yan. \u201cMouse Pad,\u201d translated by Han Song (InterNova 1: Unexplored Territories<\/em>, 2005).<\/span><\/p>\n\n\n\n

Xia Jia. \u201cThe Demon-Enslaving Flask,\u201d translated by Linda Rui Feng (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cGoodnight, Melancholy,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2017 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHeat Island,\u201d translated by Ken Liu (Pathlight<\/em>, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Hundred Ghosts Parade Tonight,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2012 \/ Apex Book of World SF 3<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cIf on a Winter\u2019s Night a Traveler,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cNight Journey of the Dragon-Horse,\u201d translated by Ken Liu (Invisible Planets <\/em>anthology, 2016 \/ Lightspeed<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Psychology Game,\u201d translated by <\/span>Emily Jin and Ken Liu (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSpring Festival: Happiness, Anger, Love, Sorrow, Joy,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cTongtong\u2019s Summer,\u201d translated by Ken Liu (Clarkesworld Magazine<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cValentine\u2019s Day,\u201d translated by Ken Liu (Motherboard<\/em>, 2015 \/ Anomaly 25<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Monk of Lingyin Temple,\u201d translated by Ken Liu (Entanglements: Tomorrow\u2019s Lovers, Families, and Friends<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cUp in the Air,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMeeting Anna,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOn Miluo River,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Time Beyond Your Reach,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTick-Tock,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEternal Summer Dream,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDuet of Love,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLight of Their Days,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAll You Need is Love,\u201d translated by ? (A Summer Beyond Your Reach<\/em>, 2020).<\/span><\/p>\n\n\n\n

—-. “The Stars We Raised,” translated by Judy Yi Zhou (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

Xiu, Xinyu. \u201cFarewell, Adam,\u201d translated by <\/span>Blake Stone-Banks (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAll Living Creation,\u201d translated by Elizabeth Hanlon (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Xue Yiwei. \u201cThe Taxi Driver,\u201d translated by Ken Liu (Pathlight<\/em>, 2012).<\/span><\/p>\n\n\n\n

Xuetao, Shuang. <\/em>“Heart,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Yang Guangyi,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Up at Night,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Theater,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Premonition,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Sen,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Daughter,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Martial Artist,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

—-. “Hunter,” translated by Jeremy Tiang (Hunter<\/em>, 2025).<\/p>\n\n\n\n

Yan Ge. \u201cFlourishing Beasts,\u201d translated by Jeremy Tiang (That We May Live: Speculative Chinese Fiction<\/em>, 2020).<\/span><\/p>\n\n\n\n

\u2014-. Strange Beasts of China<\/em>, translated by Jeremy Tiang (Melville House, 2021).<\/span><\/p>\n\n\n\n

Yan Lianke. The Day the Sun Died<\/em>, translated by Carlos Rojas (Grove Atlantic, 2018).<\/span><\/p>\n\n\n\n

Yang Lu. \u201cSilver Tiger,\u201d translated by Eric Abrahamsen (New Yorker<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Yang Wanqing. “Tombstone,” translated by Andy Dudak (New Voices in Chinese Science Fiction<\/em>, 2022).<\/p>\n\n\n\n

—-. “The Peregrine Falcon Flies West,” translated by Jay Zhang (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Ye Teng. \u201cUniversal Cigarettes,\u201d translated by Yuzhi Yang (Future Science Fiction Digest<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Ye Yonglie. \u201cThe Thursday Events,\u201d translated by ? (Tales from the Planet Earth<\/em>, 1986).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCorrosion\u201d (novelette), translated by Minxin Pei (Science Fiction From China<\/em>, 1989 \/ translated by Renmin Yang, The Road to Science Fiction 6<\/em>, 1998).<\/span><\/p>\n\n\n\n

\u2014-. \u201cReap as You Have Sown,\u201d translated by Minxin Pei & Renmin Yang (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Yimei Tangguo. “The Ghost Wedding,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Yong, Jin (Louis Cha). The Book and the Sword<\/em>, translated by Graham Earnshaw (Oxford University Press, 2005).<\/span><\/p>\n\n\n\n

\u2014-. A Hero Born <\/i>(Legends of the Condor Heroes #1), translated by Anna Holmwood (MacLehose Press, 2018).<\/span><\/p>\n\n\n\n

\u2014-. A Bond Undone <\/i>(Legends of the Condor Heroes #2), translated by Gigi Chang (MacLehose Press, 2019).<\/span><\/p>\n\n\n\n

\u2014-. A Snake Lies Waiting<\/em> (Legends of the Condor Heroes #3), translated by Anna Holmwood and Gigi Chang (MacLehose Press, 2020).<\/span><\/p>\n\n\n\n

\u2014-. A Heart Divided (<\/em>Legends of the Condor Heroes #4), translated by Gigi Chang and Shelly Bryant (MacLehose Press, 2021).<\/span><\/p>\n\n\n\n

Yu Nian. \u201cIn Search of Your Memories,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCat\u2019s Chance in Hell,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

Yue Qi. \u201cTo Fly Like a Fallen Angel,\u201d translated by Elizabeth Hanlon (Clarkesworld Magazine<\/em>, 2018). [read here]<\/a><\/span><\/p>\n\n\n\n

Yue Zhu. \u201cThe Death of Zernik,\u201d translated by David Haysom (Read Paper Republic no.6<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

Zhang Ran. \u201cAn Age of Ice,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cEther,\u201d translated by Carmen Yiling Yan and Ken Liu (Clarkesworld Magazine<\/i>, 2015 \/ Touchable Unreality<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Snow of Jinyang,\u201d translated by <\/span>Ken Liu and Carmen Yiling Yan (Clarkesworld Magazine<\/em>, 2016 \/ Broken Stars<\/em>, 2019). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cMaster Zhao: The Tale of an Ordinary Time Traveler,\u201d translated by <\/span>Andy Dudak (Clarkesworld Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Still Water,” translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Zhang Xinxin. \u201cDragonworld,\u201d translated by Helen Wang (Paper Republic,<\/em> 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Zhang Yueran. “Whitebone Harp,” translated by Jeremy Tiang (The Valancourt Book of World Horror Stories, Vol.2<\/em>, 2022).<\/span><\/p>\n\n\n\n

Zhao Haihong. \u201cExuviation,\u201d translated by Ken Liu (Lightspeed<\/em>, 2010). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201c1923: A Fantasy,\u201d translated by Nicky Harman and Pang Zhaoxia (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRendezvous: 1937,\u201d translated by Xueting Christine Ni (Sinopticon<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. “Baby, I Love You,” translated by Elizabeth Hanlon (The Way Spring Arrives and Other Stories<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Scent of Memory,” translated by S. Qiouyi Lu (Clarkesworld<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Zheng Egoyan. The Dream Devourer<\/i> (chapters 5\u20137), translated by Cara Healey (The Reincarnated Giant<\/em>, 2018).<\/span><\/p>\n\n\n\n

Zheng Wenguang. \u201cThe Mirror Image of the Earth,\u201d translated by Sun Liang (Science Fiction From China<\/em>, 1989).<\/span><\/p>\n\n\n\n

Zhou Dedong. “Have You Heard of Ancient Glory,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Zhou Haohui. Valley of Terror<\/em>, translated by Bonnie Hui (AmazonCrossing, 2017).<\/p>\n\n\n\n

—-. “Forbidden Rooms,” translated by Xueting C. Ni (Sinophagia<\/em>, 2024).<\/p>\n\n\n\n

Zhou Wen. “How the Stars were Connected,” translated by Judith Huang (Future Science Fiction Digest<\/em>, 2022). [read here<\/a>]<\/p>\n\n\n\n

—-. “A World of Tragic Heroes,” translated by Judith Huang (The Digital Aesthete<\/em>, 2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Catalan Besora, Max. The Fake Muse, translated by Mara Faye Lethem (Open Letter, 2025). Guash, Pol. Napalm in the Heart, translated by Mara Faye Lethem (Faber and Faber, 2024). Monz\u00f3, Quim. \u201cMy Brother,\u201d translated by Mary Ann Newman (Words Without Borders, 2010). [read here] de Palol, Miquel. The Garden of Seven Twilights, translated by Adrian<\/p>\n

Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11615"}],"collection":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11615"}],"version-history":[{"count":78,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11615\/revisions"}],"predecessor-version":[{"id":16808,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11615\/revisions\/16808"}],"wp:attachment":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}