{"id":11637,"date":"2018-03-20T00:10:39","date_gmt":"2018-03-20T00:10:39","guid":{"rendered":"https:\/\/www.sfintranslation.com\/?p=11637"},"modified":"2026-04-07T17:50:51","modified_gmt":"2026-04-07T17:50:51","slug":"hebrew-irish","status":"publish","type":"post","link":"https:\/\/www.sfintranslation.com\/?p=11637","title":{"rendered":"Hebrew–Irish"},"content":{"rendered":"\n
\n\n\n\n

Hebrew<\/strong><\/span><\/p>\n\n\n\n

Adaf, Shimon. Sunburnt Faces<\/em>, translated by Margalit Rodgers & Anthony Berris (PS Publishing, 2013).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThey Had to Move,\u201d translated by Emanuel Lottem (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cIshmael,\u201d translated by Leanne Raday (The Short Story Project<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “My Father’s Kingdom,” translated by Yardenne Greenspan (Tel Aviv Noir<\/em>, 2014).<\/span><\/p>\n\n\n\n

—-. “Like a Coin Entrusted in Faith,” translated by the author (Jews vs. Zombies<\/em>, 2015).<\/span><\/p>\n\n\n\n

—-. One Mile and Two Days Before Sunset<\/em>, translated by Yardenne Greenspan (Picador, 2022).<\/span><\/p>\n\n\n\n

—-. A Detective’s Complaint<\/em>, translated by Yardenne Greenspan (Picador, 2022).<\/span><\/p>\n\n\n\n

—-. Take Up and Read<\/em>, translated by Yardenne Greenspan (Picador, 2022).<\/span><\/p>\n\n\n\n

Agnon, S. Y. “The Lady and the Peddler,” translated by Robert Alter (Commentary<\/em>, ?). [read here<\/a>]<\/p>\n\n\n\n

Asgad, Yivsam. \u201cLife in a Movie,\u201d translated by Emanuel Lottem (More Zion\u2019s<\/em> Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Ashery, Asaf. Simantov<\/em>, translated by Marganit Weinberger-Rotman (Angry Robot Books, 2020).<\/span><\/p>\n\n\n\n

Azoulay, Shay. \u201cJacob Wallenstein, Notes For a Future Biography,\u201d translated by the author (The Short Story Project<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

Baruchin, Rotem. \u201cIn the Mirror,\u201d translated by David Chanoch (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLatte, To Go,\u201d translated by Rehavia Berman (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Ben Ari, Gon. “Clear Recent History,” translated by Yardenne Greenspan (Tel Aviv Noir<\/em>, 2014).<\/span><\/p>\n\n\n\n

Benyovits-Hoffman, Hila. \u201cFive Four Three Two One,\u201d translated by Rehavia Berman (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Blum, Yoav. The Coincidence Makers<\/em>, translated by Ira Moskowitz (St. Martin\u2019s Press, 2018). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

—-. The Unswitchable<\/em>, translated by Ira Moskowitz (independently published, 2025).<\/p>\n\n\n\n

—-. In the Blink of an Eye<\/em>, translated by Galia Vurgam (independently published, 2025).<\/p>\n\n\n\n

Burstein, Dror. Muck<\/em>, translated by Gabriel Levin (FSG, 2018).<\/span><\/p>\n\n\n\n

Carlibach, Galit Dahan. \u201cComposting,\u201d translated by Ronnie Hope (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Castel-Bloom, Orly. Human Parts<\/em>, translated by Dalya Bilu (David R. Godine, 2003).<\/span><\/p>\n\n\n\n

\u2014-. Dolly City<\/em>, translated by Dalya Bilu (Dalkey Archive Press, 2010).<\/span><\/p>\n\n\n\n

—-. “Ummi Fi Shurl,” translated by Dalya Bilu (Ribcage: Israeli Women’s Fiction<\/em>, 1994).<\/p>\n\n\n\n

Damron, Hillel F. Sex War One<\/em>, translated by the author (HillelBridge Publications, 2014).<\/span><\/p>\n\n\n\n

Epstein, Alex. “Death in Pyjamas,” translated by Yardenne Greenspan (Tel Aviv Noir<\/em>, 2014).<\/span><\/p>\n\n\n\n

Feldman, Dafna. \u201cAskuni-Askuni,\u201d translated by Emanuel Lottem (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Furman, Yael. \u201cA Man\u2019s Dream,\u201d translated by Nadav Miller Almog (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSet in Stone,\u201d translated by Sarit Shalhevet (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Gafla, Ofir Touch\u00e9. “Velocity,” translated by Gilah Kahn-Hoffmann (Words Without Borders<\/em>, 2012). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. The World of the End<\/em>, translated by Mitch Ginsberg (Tor Books, 2013).<\/span><\/p>\n\n\n\n

Gefen, Iddo. “The Geriatric Platoon,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “Exit,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “The Jerusalem Beach,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “Neptune,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “The Girl Who Lived Near the Sun,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “Debby’s Dream House,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “101.3 FM,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “The Meaning of Life Ltd.,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “Three Hours From Berlin,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “How to Remember a Desert,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “Anita Shabtai,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. “Flies and Porcupines,” translated by Daniella Zamir (Jerusalem Beach<\/em>, 2021).<\/p>\n\n\n\n

—-. Mrs. Lilienblum\u2019s Cloud Factory<\/em>, translated by Daniella Zamir (Astra Publishing House, 2025).<\/p>\n\n\n\n

Hareven, Gail. \u201cThe Slows,\u201d translated by Yaacov Jeffrey Green (The New Yorker, <\/em>2009 \/ Apex Book of World SF 2<\/em>, 2012 \/ Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cDress,\u201d translated by Adriana X. Jacobs (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Hermoni, Matan. “Women,” translated by Yardenne Greenspan (Tel Aviv Noir<\/em>, 2014).<\/span><\/p>\n\n\n\n

Kenan, Amoz. The Road to Ein Harod<\/em>, translated by ? (Saqi Books, 2001).<\/span><\/p>\n\n\n\n

Keret, Etgar. \u201cFly Already,\u201d translated by Sondra Silverston (Fly Already<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOne Gram Short,\u201d translated by Nathan Englander (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Next-to-Last Time I Was Shot out of a Cannon,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTodd,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTabula Rasa,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCar Concentrate,\u201d translated by Nathan Englander (Fly Already<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAt Night,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWindows,\u201d translated by Sondra Silverston (Fly Already<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTo the Moon and Back,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cGooDeed,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCrumb Cake,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDad with Mashed Potatoes,\u201d translated by ? (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cArctic Lizard,\u201d translated by Jessica Cohen (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLadder,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cYad Vashem,\u201d translated by Miriam Schlesinger (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Birthday of a Failed Revolutionary,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014\u2013.\u201cAllergies,\u201d translated by Yardenne Greenspan (Fly Already<\/em><\/span><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFungus,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cChips,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHome,\u201d translated by Sondra Silverston (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPineapple Crush,\u201d translated by Jessica Cohen (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEvolution of a Breakup,\u201d translated by Jessica Cohen (Fly Already<\/em><\/span>, 2019).<\/span><\/p>\n\n\n\n

—-. “Kneller’s Happy Campers,” translated by Miriam Schlesinger (The Bus Driver Who Wanted to be God<\/em>, 2015).<\/p>\n\n\n\n

—-. “A World Without Selfie Sticks,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Gondola,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Point of No Return,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Mesopotamian Hell,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Mitzvah,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Modern Dance,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Suolo,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Good as New,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Genesis, Chapter 0,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Eating Olives at the End of the World,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Strong Opinions on Burning Issues,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Autocorrect,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Future is Not What it Used to Be,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Guided Tour,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Outside,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “A Dog for a Dog,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Present Perfect,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Director’s Cut,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Gravity,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Chinese Singles Day,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Insomnia,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Zen for Beginners,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Squirrels,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Life: Spoiler Alert,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “A Hypothetical Question,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Cherry Garcia Memories with M&M’s on Top,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Lucky Us,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Earthquake,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-.”Undo,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Corners,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “For the Woman Who Has Everything,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Intention,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

—-. “Polar Bear,” translated by Jessica Cohen and Sondra Silverston (Autocorrect<\/em>, 2025).<\/p>\n\n\n\n

Kimhi, Alona. Lily la Tigresse<\/em>, translated by Dalya Bilu (Dalkey Archive Press, 2013).<\/p>\n\n\n\n

Landsman, Keren. \u201cBurn Alexandria,\u201d translated by Emanuel Lottem (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. The Heart of the Circle<\/em>, translated by Daniela Zamir (Angry Robot Books, 2019). [read excerpt here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSchr\u00f6dinger\u2019s Gorgon,\u201d translated by Emanuel Lottem (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Levin, Hamutal. \u201cMe and Nana Go Shopping,\u201d translated by Emanuel Lottem (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Liebrecht, Savyon. \u201cA Good Place For the Night,\u201d translated by Sondra Silverston (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

Neuman, Nadav. “Harvest,” translated by Geremy Forman (The Short Story Project<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Peretz, Nitay. \u201cMy Crappy Autumn,\u201d translated by Emanuel Lottem (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

Sasson, Mordechai. \u201cThe Stern-Gerlach Mice,\u201d translated by Emanuel Lottem (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

Semel, Nava. Isra Isle<\/em>, translated by Jessica Cohen (Mandel Vilar Press, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHunter of Stars,\u201d translated by Emanuel Lottem (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature<\/em>, 2018).<\/span><\/p>\n\n\n\n

—-. And the Rat Laughed<\/em>, translated by Miriam Shlesinger (Hybrid Publishers, 2008).<\/p>\n\n\n\n

Shalheveth, Rami. \u201cDragon Control,\u201d translated by Rehavia Berman (More Zion\u2019s Fiction<\/em>, 2021).<\/span><\/p>\n\n\n\n

Sokolovsky, Ido. \u201cSmile of the Monster,\u201d translated by Yehudit Keshet (World SF Blog<\/em>, 2013). [read here<\/a>]<\/span><\/p>\n\n\n\n

Tidhar, Lavie. \u201cShira,\u201d translated by the author (The Del Rey Book of Science Fiction and Fantasy<\/em>, 2008 \/ Samovar Magazine<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

Tochterman, Vered. \u201cHunting a Unicorn,\u201d translated by the author (The Magazine of Fantasy and Science Fiction<\/em>, 2003).<\/span><\/p>\n\n\n\n

Weil, Uzi. \u201cThe Man Who Moved the Western Wall,\u201d translated by Sondra Silverston (The Short Story Project<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAnother Love Story,\u201d translated by Sondra Silverston (The Short Story Project<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

Weiss-Gabbay, Tamar. \u201cThe Weather Woman,\u201d translated by Jessica Cohen (Elemental: Earth Stories<\/em>, 2021).<\/span><\/p>\n\n\n\n

Yaniv, Nir. \u201cThe Believers,\u201d translated by the author (The Love Machine & Other Contraptions<\/i>, 2012).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBenjamin Schneider\u2019s Little Greys,\u201d translated by Lavie Tidhar (Apex Magazine<\/em>, 2009). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Word of God,\u201d translated by Lavie Tidhar (Trabuco Road, <\/em>2006 \/ The World SF Blog<\/em>, 2010). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Painter, a Sheep, and a Boa Constrictor,\u201d translated by Lavie Tidhar (Shimmer Magazine<\/em>, 2009).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCinderers,\u201d translated by Lavie Tidhar (Apex Book of World SF<\/em>, 2009).<\/span><\/p>\n\n\n\n

—-. “The Story Ends,” translated by Lavie Tidhar (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

—-. “Vegescan,” translated by Joe D. Brown (The Love Machine & Other Contraptions<\/em>, 2012).<\/span><\/p>\n\n\n\n

—-. “A Wizard on the Road,” translated by Lavie Tidhar (Shimmer Magazine<\/em>, 2006).<\/span><\/p>\n\n\n\n

—-. “The Dream of the Blue Man,” translated by the author (Weird Tales<\/em>, 2008).<\/span><\/p>\n\n\n\n

—-. “My Uncle Gave Me a Time Machine,” translated by the author (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

—-. “I’m Not as Old as I Used to Be,” translated by Lavie Tidhar (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

—-. “Love Machine,” translated by Ido Reif (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

—-. “Aquarius Falls,” translated by Lavie Tidhar (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

—-. “Truth in Advertising,” translated by Joe D. Brown (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

—-. “Final Moments,” translated by the author (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

—-. “Undercity,” translated by the author (The Love Machine & Other Contraptions, <\/em>2012).<\/span><\/p>\n\n\n\n

Zarchi, Nurit. \u201cMadame Bovary in Neve Tsedek,\u201d translated by Miriyam Glazer (Dreaming the Actual<\/em>, 2000). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Hindi<\/strong><\/span><\/p>\n\n\n\n

Mewari, Devendra. \u201cGoodbye, Mr. Khanna,\u201d translated by ? (It Happened Tomorrow<\/em>, 1993).<\/span><\/p>\n\n\n\n

Mishra, Arvind. \u201cThe Adopted Son,\u201d translated by ? (It Happened Tomorrow<\/em>, 1993).<\/span><\/p>\n\n\n\n

Parsai, Harishankar. \u201cInspector Matadeen On The Moon,\u201d translated by C. M. Nais (Affiliated East-West Press, 1994 \/ The Gollancz Book of South Asian Science Fiction<\/em>, 2019).<\/span><\/p>\n\n\n\n

Sankrityayan, Rahul. \u201cThe Twenty-Second Century,\u201d translated by Maya Joshi (The Gollancz Book of South Asian Science Fiction<\/em>, 2019).<\/span><\/p>\n\n\n\n

Shree, Geetanjali. Tomb of Sand<\/em>, translated by Daisy Rockwell (HarperVia, 2023).<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Hungarian<\/strong><\/span><\/p>\n\n\n\n

Babits, Mihaly. The Nightmare,<\/em> translated by Eva Racz (Corvina Books, 1966).<\/p>\n\n\n\n

Bodor, \u00c1d\u00e1m. The Sinistra Zone<\/em>, translated by Paul Olchv\u00e1ry (New Directions, 2013).<\/span><\/p>\n\n\n\n

Cs\u00e1th, G\u00e9za. “A Joseph in Egypt,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Souvenir,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Opium,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “The Pass,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “An Afternoon Dream,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Matricide,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “The Magician’s Garden,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Paul and Virginia,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Saturday Evening,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Trepov on the Dissecting Table,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Erna,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “The Surgeon,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Meeting Mother,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Murder,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Little Emma,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “A Young Lady,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Festal Slaughter,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Musicians,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “The Black Silence,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Railroad,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Toad,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “A Dream Forgotten,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “Father, Son,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

—-. “The Magician Dies,” translated by Jascha Kessler and Charlotte Rogers (The Magician’s Garden and Other Stories<\/em>, 1980).<\/p>\n\n\n\n

Dalos, Gyorgy. 1985: A Historical Report<\/em>, translated by Stuart Hood and Estella Schmid (Pantheon Books, 1984).<\/span><\/p>\n\n\n\n

Dragom\u00e1n, Gy\u00f6rgy. The Bone Fire,<\/em> translated by Ottilie Mulzet (Mariner, 2021).<\/span><\/p>\n\n\n\n

Jokai, Mor. “The Drop of Blood,” translated by ? (The Fifteenth Fontana Book of Great Horror Stories<\/em>, 1982).<\/p>\n\n\n\n

Karinthy, Ferenc. Metropole<\/em>, translated by George Szirtes (Telegram Books, 2008).<\/span><\/p>\n\n\n\n

Karinthy, Frigyes. Voyage to Faremido and Capillaria, <\/em>translated by Paul Tabori (Corvina Books, 1965).<\/p>\n\n\n\n

K\u00e9pes, G\u00e1bor. “House on the Edge of the Crater,” translated by Anna K\u00e1llai (Samovar<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Kleinheincz, Csilla. \u201cRabbits,\u201d translated by the author (Expanded Horizons<\/em>, 2010 \/ Heiresses of Russ<\/em>, 2011 \/ Sunspot Jungle, Volume One<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Single Year,\u201d translated by No\u00e9mi Szel\u00e9nyi (The<\/em> Apex Book of World SF<\/em> 2, 2012).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Drop of Raspberry,\u201d translated by No\u00e9mi Szel\u00e9nyi (Interfictions: An Anthology of Interstitial Writing<\/em>, 2007).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAfter Midnight, Before Dawn,\u201d translated by ? (Black Petals #39, <\/em>2007).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMermaidsong,\u201d translated by Bogi Tak\u00e1cs (Mermaids Monthly<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Konrad, George. “Jeremiah’s Terrible Tale,” translated by Ivan Sanders (Best European Fiction 2010<\/em>, 2010).<\/p>\n\n\n\n

Lengyel, Peter. “Rising Sun,” translated by Oliver A. I. Botar (The Penguin World Omnibus of Science Fiction<\/em>, 1986).<\/p>\n\n\n\n

L\u0151rinczy, Judit. \u201cThe Colors of Creation,\u201d translated by \u00c1gnes K\u00f6rmendi and the author (International Speculative Fiction<\/em>, 2012). [read here<\/a>]<\/span><\/p>\n\n\n\n

Makai, M\u00e1t\u00e9. “The Last Terrorist,” translated by Owen Good (Continental Magazine<\/em>, 2022). [read here<\/a>]<\/p>\n\n\n\n

Michaleczky, Peter. “The Sphinx Has Gone to Sleep,” translated by the author (Souvenir Book Eurocon, 2016).<\/p>\n\n\n\n

Mosk\u00e1t, Anita. “Skin and Hide,” translated by Austin Wagner (Hungarian Literature Online<\/em>, 2022). [read here<\/a>]<\/p>\n\n\n\n

—-. “Liecraft,” translated by Austin Wagner (Apex Magazine<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Nagy, Lajos Parti. “Oh, Those Chubby Genes,” translated by Judith Sollosy (Words Without Borders,<\/em> 2010). [read here<\/a>]<\/p>\n\n\n\n

Raas, Raana and Etelka Suhajda. A Time to Heal <\/em>(Wondertimes Book 1), translated by Judit Sz\u00e9k\u00e1cs (independently published, 2025).<\/p>\n\n\n\n

Rusvai, M\u00f3nika. “Bone by Bone,” translated by Vivien Urban (Samovar Magazine<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

S\u00fcmegi, Attila. “Dad Bought a Teleport Device,” unknown translator (International Speculative Fiction, <\/em>2012).<\/p>\n\n\n\n

Szathm\u00e1ri, S\u00e1ndor. Voyage to Kazohinia<\/em>, translated by Inez Kemenes (Corvina Books, 1975).<\/p>\n\n\n\n

Sz\u00e9csi, No\u00e9mi. The Finno-Ugrian Vampire, <\/em>translated by Peter Sherwood (Stork Press, 2012).<\/p>\n\n\n\n

Sz\u00e9lesi, S\u00e1ndor. \u201cCreative Years,\u201d translated by Gergely Kamper (Creatures of Glass and Light<\/em>, 2007).<\/p>\n\n\n\n

—-. “You Will Go, You Will Return,” unknown translator (The Viral Curtain<\/em>, 2021).<\/p>\n\n\n\n

T\u00f3th, Krisztina. Eye of the Monkey,<\/em> translated by Ottilie Mulzet (Seven Stories Press, 2025). [read excerpt here<\/a>]<\/p>\n\n\n\n

Veres, Attila. \u201cThe Time Remaining,\u201d translated by Luca Kar\u00e1fiath (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020).<\/span><\/p>\n\n\n\n

—-. “In the Snow, Sleeping,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “Return to the Midnight School,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “Multiplied by Zero,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “The Black Maybe,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “Fogtown,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “The Amber Complex,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “Sky Filled With Crows, Then Nothing At All,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “To Bite a Dog,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. “Walks Among You,” translated by Luca Kar\u00e1fiath<\/span> (The Black Maybe: Liminal Tales<\/em>, 2022).<\/p>\n\n\n\n

—-. ” ‘a pit full of teeth’,” translated by the author (This’ll Make Things a Little Easier<\/em>, 2026).<\/p>\n\n\n\n

—-. “Transistor,” translated by the author (This’ll Make Things a Little Easier<\/em>, 2026).<\/p>\n\n\n\n

—-. “The Designated Contact Individual,” translated by the author (This’ll Make Things a Little Easier<\/em>, 2026).<\/p>\n\n\n\n

—-. “Damage d10+7,” translated by the author (This’ll Make Things a Little Easier<\/em>, 2026).<\/p>\n\n\n\n

—-. “The Summer I Chose to Die,” translated by the author (This’ll Make Things a Little Easier<\/em>, 2026).<\/p>\n\n\n\n

—-. “This’ll Make Things a Little Easier,” translated by the author (This’ll Make Things a Little Easier<\/em>, 2026).<\/p>\n\n\n\n

Zsoldos, P\u00e9ter. The Mission<\/em>, translated by Andr\u00e1s Szabados (Profiford Bt., 2018).<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Icelandic<\/strong><\/span><\/p>\n\n\n\n

Bragi, Steinar. The Ice Lands<\/em>, translated by Lorenzo Garcia (Macmillan UK, 2016).<\/span><\/p>\n\n\n\n

—-. “The Bell,” translated by Larissa Kyzer (The Valancourt Book of World Horror Stories, Vol.2<\/em>, 2022).<\/span><\/p>\n\n\n\n

Helgad\u00f3ttir, Th\u00f3rd\u00eds. \u201cThe Sea Gives Us Children,\u201d translated by Larissa Kyzer (Words Without Borders<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Kn\u00fatsd\u00f3ttir, Hildur. The Night Guest<\/em>, translated by Mary Robinette Kowal (Tor Nightfire, 2024).<\/p>\n\n\n\n

Magnason, Andri Snaer. LoveStar<\/em>, translated by Victoria Cribb (Seven Stories Press, 2012).<\/span><\/p>\n\n\n\n

Petersen, Emil H. \u201cThe Cryptid,\u201d translated by the author (The Best of World SF<\/em>, 2021).<\/span><\/p>\n\n\n\n

Sigurdardottir, Yrsa. I Remember You<\/em>, translated by Philip Roughton (Minotaur Books, 2012).<\/span><\/p>\n\n\n\n

\u2014-. The Undesired<\/em>, translated by Victoria Cribb (Hodder & Stoughton, 2015).<\/span><\/p>\n\n\n\n

Sj\u00f3n. The Whispering Muse<\/em>, translated by Victoria Cribb (Telegram, 2012).<\/span><\/p>\n\n\n\n

\u2014-. CoDex 1962<\/em>, translated by Victoria Cribb (FSG, 2018).<\/span><\/p>\n\n\n\n

Vilhj\u00e1lmsson, Alexander Dan. Shadows of the Short Days<\/em>, translated by the author (Gollancz, 2019).<\/span><\/p>\n\n\n\n

—-. “Hamraborg Babylon,” translated by Quentin Bates (Nordic Visions<\/em>, 2023).<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Indonesian<\/strong><\/span><\/p>\n\n\n\n

Anugrah, Dea. “The Tale of Afonso,” translated by Annie Tucker (kh\u014dr\u00e9\u014d magazine<\/em>, 2026).<\/p>\n\n\n\n

Fauzi, Azrin. “Panorama People,” translated by Ali Aiman Mazwin (Samovar<\/em>, 2022). [Malaysia] [read here<\/a>]<\/p>\n\n\n\n

Johan, Rio. \u201cMysteries of Visiocherries,\u201d translated by the author (Samovar<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Kurniawan, Eka. Beauty is a Wound<\/em>, translated by Annie Tucker (New Directions, 2015).<\/span><\/p>\n\n\n\n

—-. Man Tiger<\/em>, translated by Labodalih Sembiring (Verso, 2015).<\/p>\n\n\n\n

—- \u201cThe Stone\u2019s Story,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Making an Elephant Happy,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Caronang,” translated by Tiffany Tsao (Lontar #6<\/em>, 2016). [read here<\/a>]<\/p>\n\n\n\n

—-. “Don’t Piss Here,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Rotten Stench,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Auntie,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “My Lipstick is Red, Darling,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Kitchen Curse,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Dimples,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “The Night Watchman,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Pigpen,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Graffiti in the Toilet,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Easing into a Long Sleep,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “No Crazies in this Town,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “The Otter Amulet,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

—-. “Peter Pan,” translated by ? (Kitchen Curse<\/em>, 2019).<\/p>\n\n\n\n

Ng, Clara. \u201cMeteors,\u201d translated by Toni Pollard (Words Without Borders<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Paramaditha, Intan. <\/span>\u201cThe Blind Woman Without a Toe,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cBlood,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cDoors,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cKuchuk Hanem,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cScream in a Bottle,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cThe Queen,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cVampire,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cBeauty and the Seventh Dwarf,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cThe Well,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cThe Obsessive Twist,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cThe Porcelain Doll,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. “Apple and Knife,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. \u201cA Single Firefly, a Thousand Rats,\u201d translated by Stephen J. Epstein (Apple and Knife<\/em>, 2018).<\/p>\n\n\n\n

—-. The Wandering<\/em>, translated by Stephen J. Epstein (Harvill Secker, 2020).<\/p>\n\n\n\n

Pasaribu, Norman Erikson.<\/span> “Enkidu Comes Knocking on New Year’s Eve,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. A Bedtime Story for Your Long Sleep,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “So What’s Your Name, Sandra?,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “A Young Poet’s Guide to Surviving a Broken Heart,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—. “The True Story of the Story of the Giant,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “Three Love You, Four Despise You,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “Metaxu: Jakarta, 2038,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “Deep Brown, Verging on Black,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “Welcome to the Department of Unanswered Prayers,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “Ad mairen dei gloriam,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “Our Descendants Will be as Numerous as the Clouds in the Sky,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. “Her Story,” translated by Tiffany Tsao (Happy Stories, Mostly<\/em>, 2021).<\/p>\n\n\n\n

—-. Happy Stories, Mostly<\/em>, translated by Tiffany Tsao (Tilted Axis, 2021).<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Irish<\/strong><\/span><\/p>\n\n\n\n

Bair\u00e9ad, Tom\u00e1s. “The Third Woman,” translated by Jack Fennell (Your Own Dark Shadow: A Selection of Lost Irish Horror Stories<\/em>, 2024).<\/p>\n\n\n\n

mac Liamm\u00f3ir, Mich\u00e9al. \u201cAonghus \u00d3 Cruadhlaoich” translated by Jack Fennell (Your Own Dark Shadow: A Selection of Lost Irish Horror Stories<\/em>, 2024).<\/p>\n\n\n\n

\u00d3 Gr\u00edobhtha, M\u00edche\u00e1l. “The Mule,” translated by Jack Fennell (It Rose Up: A Selection of Lost Irish Fantasy Stories<\/em>, 2021).<\/p>\n\n\n\n

\u00d3 hUid, Tarlach. \u201cThe Chronotron,\u201d translated by Jack Fennell (A Brilliant Void: A Selection of Classic Irish Science Fiction<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u00d3 M\u00e1ille, Tom\u00e1s. “Mac Dath\u00f3’s Pig, and What Came After,” translated by Jack Fennell (It Rose Up: A Selection of Lost Irish Fantasy Stories<\/em>, 2021).<\/p>\n\n\n\n

\u00d3 Riain, Art. \u201cA Vision,\u201d translated by Jack Fennell (A Brilliant Void: A Selection of Classic Irish Science Fiction<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u00d3 Sandair, Cathal. \u201cThe Exile,\u201d translated by Jack Fennell (A Brilliant Void: A Selection of Classic Irish Science Fiction<\/em>, 2019).<\/span><\/p>\n\n\n\n

\n","protected":false},"excerpt":{"rendered":"

Hebrew Adaf, Shimon. Sunburnt Faces, translated by Margalit Rodgers & Anthony Berris (PS Publishing, 2013). \u2014-. \u201cThey Had to Move,\u201d translated by Emanuel Lottem (Zion\u2019s Fiction: A Treasury of Israeli Speculative Literature, 2018). \u2014-. \u201cIshmael,\u201d translated by Leanne Raday (The Short Story Project, 2016). [read here] —-. “My Father’s Kingdom,” translated by Yardenne Greenspan (Tel<\/p>\n

Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11637"}],"collection":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11637"}],"version-history":[{"count":72,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11637\/revisions"}],"predecessor-version":[{"id":16651,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11637\/revisions\/16651"}],"wp:attachment":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

Gaura, \u00c1gnes. “The Heart of the Forest,” translated by Vivien Urban (Samovar Magazine, <\/em>2025). [read here<\/a>]<\/p>\n\n\n\n