{"id":11641,"date":"2018-03-20T00:17:33","date_gmt":"2018-03-20T00:17:33","guid":{"rendered":"https:\/\/www.sfintranslation.com\/?p=11641"},"modified":"2026-05-03T04:51:35","modified_gmt":"2026-05-03T04:51:35","slug":"kannada-kurdish","status":"publish","type":"post","link":"https:\/\/www.sfintranslation.com\/?p=11641","title":{"rendered":"Kannada\u2014Kyrgyz"},"content":{"rendered":"\n
\n\n\n\n

Kannada<\/strong><\/span><\/p>\n\n\n\n

Bhoosnurmath, Rajashekar. \u201cVenus is watching,\u201d translated by ? (It Happened Tomorrow<\/em>, 1993). [India]<\/span><\/p>\n\n\n\n

Havanur, Sanjay. “The Lift,” translated by the author (It Happened Tomorrow<\/em>, 1993).<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Kikuyu<\/strong><\/span><\/p>\n\n\n\n

Ngugi Wa Thiong\u2019o. <\/span>“The Hermit in the Helmet,” translated by the author (Nairobi Noir<\/em>, 2020). [Kenya]<\/p>\n\n\n\n

—-. Wizard of the Crow<\/em>, translated by the author (Pantheon, 2006).<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Korean<\/strong><\/span><\/p>\n\n\n\n

Bae Myung-hoon. <\/span>“Art and the Acceleration of Gravity,” translated by Se-Woong Koo (Azalea<\/em>, 2013).<\/p>\n\n\n\n

—-. \u201cTaklamakan Misdelivery,\u201d translated by Sung Ryu (Asymptote<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. Tower<\/em>, translated by Sung Ryu (Honford Star, 2021).<\/p>\n\n\n\n

—-. Launch Something!<\/em>, translated by Stella Kim (Honford Star, 2023).<\/p>\n\n\n\n

—-. The Proposal<\/em>, translated by Stella Kim (Honford Star, 2025).<\/p>\n\n\n\n

Bok Geo-il. The Jovian Sayings<\/em>, translated by the author (Stallion Press, 2014).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAlong the Fragments of My Body,\u201d translated by Travis Workman (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFlowers on My Face,\u201d translated by Elisa Sinn and Justin Howe (Clarkesworld Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Cheon Seon-ran. A Thousand Blues<\/em>, translated by Chi-Young Kim (Transworld Digital, 2025).<\/p>\n\n\n\n

Cheon Seon-ran. The Midnight Shift<\/em>, translated by Gene Png (Bloomsbury Publishing, 2025).<\/p>\n\n\n\n

Cho Sehui. The Dwarf<\/em>, translated by Bruce and Ju-Chan Fulton (University of Hawaii Press, 2006).<\/span><\/p>\n\n\n\n

Cho Yeeun. The New Seoul Park Jelly Massacre<\/em>, translated by Yewon Jung (Honford Star, 2024).<\/p>\n\n\n\n

—-. “Meat and Pomegranate,” translated by Sung Ryu (Words Without Borders<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

—-. “A Swamp’s Love,” translated by Giulia Ratti (I Was Alive Here Once: Ghost Stories<\/em>, 2026).<\/p>\n\n\n\n

Choi In-hun. \u201cDori and Jina,\u201d translated by So J. Lee (Words Without Borders<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cEmpire Radio, Live Transmission\u201d (excerpt), translated by Jenny Wang Medina (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

Choi, JaeHoon. The Call of the Friend<\/em>, translated by Janet Hong (Honford Star, 2025).<\/p>\n\n\n\n

Choi Jeong-Hwa. The White City Tale<\/em>, translated by Janet Hong (Restless Books, <\/em>2023).<\/span><\/p>\n\n\n\n

Choi Jin-young. To the Warm Horizon<\/em>, translated by Soje (Honford Star, 2021).<\/span><\/p>\n\n\n\n

Chung, Bora. \u201cThe Head,\u201d translated by Anton Hur (Samovar Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Embodiment,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCursed Bunny,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFrozen Finger,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSnare,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cGoodbye, My Love,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cScar,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHome Sweet Home,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRuler of the Winds and Sands,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cReunion,\u201d translated by Anton Hur (Cursed Bunny<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. “The Mask,” translated by Anton Hur (The Valancourt Book of World Horror Stories, Vol.2<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “A Song for Sleep” (excerpt from Your Utopia<\/em>), translated by Anton Hur (Words Without Borders<\/em>). [read here<\/a>]<\/p>\n\n\n\n

—-. “The Center for Immortality Research,” translated by Anton Hur (Your Utopia<\/em>, 2024).<\/p>\n\n\n\n

—-. “Seed,” translated by Anton Hur (Your Utopia<\/em>, 2024).<\/p>\n\n\n\n

—-. “The End of the Voyage,” translated by Anton Hur (Your Utopia<\/em>, 2024).<\/p>\n\n\n\n

—-. “To Meet Her,” translated by Anton Hur (Your Utopia<\/em>, 2024).<\/p>\n\n\n\n

—-. “A Small Extinction, Part 1,” translated by Anton Hur (Words Without Borders<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

—-. “A Small Extinction, Part 2,” translated by Anton Hur (Words Without Borders<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

—. Red Sword<\/em>, translated by Anton Hur (Honford Star, 2025).<\/p>\n\n\n\n

—-. Midnight Timetable<\/em>, translated by Anton Hur (Hachette, 2025).<\/p>\n\n\n\n

Djuna. \u201cSquaredance,\u201d translated by Larisa McNeil (Acta Koreana<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cTrans-Pacific Express,\u201d translated by Larisa McNeil (Acta Koreana<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Bloody Battle of Broccoli Plain,\u201d translated by Adrian Thieret (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Second Nanny,\u201d translated by Sophie Bowman (Clarkesworld Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. “Perpetual Motion,” translated by Larisa Laerie McNeil (Azalea<\/em>, 2021).<\/p>\n\n\n\n

—-. Counterweight<\/em>, translated by Anton Hur (Pantheon, 2023).<\/span><\/p>\n\n\n\n

—-. “The People from the Dead Whale,” translated by Jihyun Park and Gord Sellar (Clarkesworld<\/em>, 2023). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “The Rabbit Hole,” translated by Adrian Thieret (Everything Good Dies Here, <\/em>2024). [read here<\/a>]<\/p>\n\n\n\n

—-. “Through the Mirror,” translated by Adrian Thieret (Everything Good Dies Here, <\/em>2024).<\/p>\n\n\n\n

—-. “Memoir of a Joseon Bride,” translated by Adrian Thieret (Everything Good Dies Here, <\/em>2024).<\/p>\n\n\n\n

—-. \u201cUnder the Sphinx,” translated by Adrian Thieret (Everything Good Dies Here, <\/em>2024).<\/p>\n\n\n\n

—-. \u201cSea of Fog,” translated by Adrian Thieret (Everything Good Dies Here, <\/em>2024).<\/p>\n\n\n\n

—-. \u201cJezebel,” translated by Adrian Thieret (Everything Good Dies Here, <\/em>2024).<\/p>\n\n\n\n

Ha Seong-Nan. \u201cThe Woman Next Door\u201d (from Flowers of Mold<\/em>), translated by Janet Hong (The Yale Review<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. <\/em>“Daydreams of a River,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “Wafers,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “1984,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “House of Wafers,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “Deathbed,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “Daytime to Daytime,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “That’s Life,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “Autobiography,” translated by Janet Hong (Wafers<\/em>, 2024).<\/p>\n\n\n\n

—-. “The Star Shaped Stain,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “Bluebeard’s First Wife,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “Flies,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “Night Poaching,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “O Father,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “Joy to the World,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “The Dress Shirt,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “Oh that Green, Green Grass,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “A Quiet Night,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “Pinky Finger,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

—-. “Daisy Fleabane,” translated by Janet Hong (Bluebeard’s First Wife<\/em>, 2020).<\/p>\n\n\n\n

Han, Kang. The Vegetarian<\/em>, translated by Deborah Smith (Tilted Axis, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Fruit of My Woman,\u201d translated by Deborah Smith (Granta<\/em>, 2016). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. “Is it Gravitation? Is it Repulsion?,” translated by Kevin Alexander Fry (Azalea<\/em>, 2013).<\/p>\n\n\n\n

Hwang Jungeun. Excerpt from One Hundred Shadows<\/em>, translated by Jung Yewon (The Guardian<\/em>, 2016). [read here<\/a>]<\/p>\n\n\n\n

Hwang, Sok-yong. Familiar Things<\/em>, translated by Sora Kim-Russell (Scribe UK, 2017).<\/p>\n\n\n\n

Jeon, Sam-hye. \u201cA Spell to Invoke the White Dolphin,\u201d translated by Anton Hur (Anomaly<\/em> 25<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cGenesis,\u201d translated by Anton Hur (Words Without Borders,<\/em> 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Jeong, Soyeon. \u201cHome,\u201d translated by Sophie Bowman (Guernica<\/em>, 2019). [<\/strong>read<\/a>]<\/strong><\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Flowering,\u201d translated by Jihyun Park and Gord Sellar (Clarkesworld Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCosmic Go,\u201d translated by Kimberly Chung (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEnsign,\u201d translated by Paige Aniyah Morris (Samovar<\/em>, 2021). [read her<\/u><\/a>e]<\/span><\/p>\n\n\n\n

Jungeun, Hwang. One Hundred Shadows<\/em>, translated by Jung Yewon (Tilted Axis Press, 2016). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

Kim, Bo-young. \u201cAn Evolutionary Myth,\u201d translated by Gord Sellar and Jihyun Park (Clarkesworld Magazine,<\/i> 2015 \/ The Apex Book of World SF 5<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cBetween Zero and One,\u201d translated by Eunhae Jo and Melissa Mei-lin Chan (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHow Alike Are We,\u201d translated by Jihyun Park and Gord Sellar (Clarkesworld Magazine<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWhale Snows Down,\u201d translated by Sophie Bowman (Future Science Fiction Digest<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cI\u2019m Waiting For You,\u201d translated by Sophie Bowman and Sung Ryu (I\u2019m Waiting For You: And Other Stories<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOn My Way,\u201d translated by Sophie Bowman and Sung Ryu (I\u2019m Waiting For You: And Other Stories<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Prophet of Corruption,\u201d translated by Sophie Bowman and Sung Ryu (I\u2019m Waiting For You: And Other Stories<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThat One Life,\u201d translated by Sophie Bowman and Sung Ryu (I\u2019m Waiting For You: And Other Stories<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cScripter,\u201d translated by Sora Kim-Russell (On the Origin of Species<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLast of the Wolves,\u201d translated by Sora Kim-Russell (On the Origin of Species<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOn the Origin of Species,\u201d translated by Sora Kim-Russell (On the Origin of Species<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cStars Shine in the Earth\u2019s Sky,\u201d translated by Sora Kim-Russell (On the Origin of Species<\/em>, 2021).<\/span><\/p>\n\n\n\n

Kim, Changgyu. \u201cOur Banished World,\u201d translated by Jihyun Park and Gord Sellar (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSentinel,\u201d translated by Charles La Shure (Clarkesworld Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Kim, Choyeop. \u201cSymbiosis Theory,\u201d translated by Joungmin Lee Comfort (Clarkesworld Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. Excerpt from If We Can\u2019t Go at the Speed of Light<\/em>, translated by Youngjae Josephine Bae (Korean Literature Now<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Kim Ewhan. Black Orb<\/em>, translated by Sean Lin Hilbert (Serpent’s Tail, 2025).<\/p>\n\n\n\n

Kim Huiseon. “Motel Prostitute,” translated by Aeri Kymberly Song (Azalea<\/em>, 2021).<\/p>\n\n\n\n

Kim Jung-hyuk. \u201cWhere Boats Go,\u201d translated by Sora Kim-Russell (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201c1F\/B1,\u201d translated by Caleb Young Woo Park (Azalea<\/em>, 2013).<\/span><\/p>\n\n\n\n

Kim Kyung-uk. “Young Hearts Never Grow Old,” translated by Deborah Smith (Azalea<\/em>, 2013).<\/p>\n\n\n\n

Kim Man-jung. The Nine Cloud Dream<\/em>, translated by Heinz Insu Fenkl (Penguin Classics, 2019).<\/span><\/p>\n\n\n\n

Kim Seong Joong. \u201cMars Child,\u201d translated by Victoria Caudle (Nabillera<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Kim Sung-il. Blood of the Old Kings (#1)<\/em>, translated by Anton Hur (Tor Books, 2024).<\/p>\n\n\n\n

—-. Blood for the Undying Throne (#2)<\/em>, translated by Anton Hur (Tor Books, 2025).<\/p>\n\n\n\n

Kim Un-su. The Plotters<\/em>, translated by Sora Kim-Russell (Text Publishing, 2018).<\/span><\/p>\n\n\n\n

\u2014-. The Cabinet<\/em>, translated by Sean Lin Halbert (Angry Robot Books, 2021).<\/span><\/p>\n\n\n\n

Kim Young-ha. \u201cQuiz Show,\u201d translated by Haerin Shin (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

Lee, Jong San. \u201cCustomer,\u201d translated by Victoria Caudle (Words Without Borders<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Lee, J. M. Artificial Truth<\/em>, translated by Sean Lin Halbert (Amazon Crossing, 2025). [read excerpt here<\/a>]<\/p>\n\n\n\n

Lee, Miye. The Dallergut Dream Department Store, <\/em>translated by Sandy Joosun Lee (Hanover Square Press, 2024).<\/p>\n\n\n\n

Lee Suhyeon. Alien Gods<\/em>, translated by Anton Hur (Honford Star, 2025).<\/p>\n\n\n\n

Lim Sunwoo. “With the Heart of a Ghost,” translated by Chi-Young Kim (With the Heart of a Ghost<\/em>, 2026).<\/p>\n\n\n\n

—-. “You’re Not Glowing,” translated by Chi-Young Kim (With the Heart of a Ghost<\/em>, 2026).<\/p>\n\n\n\n

—-. “Summer, Like the Color of Water,” translated by Chi-Young Kim (With the Heart of a Ghost<\/em>, 2026).<\/p>\n\n\n\n

—-. “That Hibernating Guy,” translated by Chi-Young Kim (With the Heart of a Ghost<\/em>, 2026).<\/p>\n\n\n\n

—-. “Even Though It’s Not Alaska,” translated by Chi-Young Kim (With the Heart of a Ghost<\/em>, 2026).<\/p>\n\n\n\n

—-. “Curtain Call, Extra Inning, Last Pang,” translated by Chi-Young Kim (With the Heart of a Ghost<\/em>, 2026).<\/p>\n\n\n\n

Lim Taewoon. \u201cStorm Between My Teeth,\u201d translated by Sunyoung Park and Randi Vaughan (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

Min, Dolki. Walking Practice<\/em>, translated by Victoria Caudle (HarperVia, 2023).<\/p>\n\n\n\n

Mun, Yunseong. \u201cPerfect Society\u201d (excerpt), translated by Sunyoung Park and Dagmar van Engen (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

Nam, Youha. \u201cNational Center for the Preservation of Human Dignity,\u201d translated by Elisa Sinn and Justin Howe (Clarkesworld Magazine<\/em>, 2019).<\/span><\/p>\n\n\n\n

O Jeonghui. “The Fastest of Them All,” translated by Bruce Fulton and Ju-Chan Fulton (Azalea<\/em>, 2021).<\/p>\n\n\n\n

Park, Chansoon. \u201cThe Man Who Wanted to Become a Snail,\u201d translated by Cho Yoon-jung (The Best Asian Speculative Fiction<\/em>, 2018).<\/span><\/p>\n\n\n\n

Park, Min-gyu. \u201cAre You Gonna Keep This Up?\u201d translated by Agnel Joseph (Litro Magazine<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAspirin,\u201d translated by Agnel Joseph (Asymptote<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cRoadkill,\u201d translated by Esther Song and Gord Sellar (Azalea<\/em>, 2013).<\/span><\/p>\n\n\n\n

Park, Moon Young. “The Tiger in the Room,” translated by Paige Aniyah Morris (Samovar, 2026). [read here<\/a>]<\/p>\n\n\n\n

Park, Seonghwan. \u201cReadymade Bodhisattva,\u201d translated by Jihyun Park and Gord Sellar (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

Pyun, Hye-young. The Hole<\/em>, translated by Sora Kim-Russell (Arcade Publishing, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCaring for Plants,\u201d translated by Sora Kim-Russell (The New Yorker<\/em>, 2017). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. City of Ash and Red<\/em>, translated by Sora Kim-Russell (Arcade Publishing, 2018).<\/p>\n\n\n\n

—-. The Owl Cries<\/em>, translated by Sora Kim-Russell (Skyhorse Publishing, 2023).<\/p>\n\n\n\n

Suah, Bae. \u201cThe English Garden,\u201d translated by Janet Hong (The Best Asian Speculative Fiction<\/em>, 2018).<\/span><\/p>\n\n\n\n

Yi Seoyoung. Come Down to a Lower Place<\/em>, translated by Janet Hong (Honford Star, 2025).<\/p>\n\n\n\n

Yun, I-hyeong. \u201cThe Sky Walker,\u201d translated by Kyunghee Eo (Readymade Bodhisattva<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Perfect Sail,\u201d translated by Elisa Sinn and Justin Howe (Clarkesworld Magazine<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Yun, Ko-Eun. <\/span>Table for One<\/em>, translated by Lizzie Buehler <\/span>(Columbia University Press, 2018).<\/p>\n\n\n\n

—-. The Disaster Tourist<\/em>, translated by Lizzie Buehler (Counterpoint Press, 2020).<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Kurdish<\/strong><\/span><\/p>\n\n\n\n

Ali, Bakhtiyar. \u201cJamshid Khan,\u201d translated by Basir Borhani and Shirzad Alipour (Elemental: Earth Stories<\/em>, 2021).<\/span><\/p>\n\n\n\n

\n\n\n\n

Kurmanji<\/strong><\/p>\n\n\n\n

Agid, Qadir. “The Last Hope,” translated by Kate Ferguson and D\u00eebar Celik (Kurdistan + 100<\/em>, 2023). [Syria]<\/p>\n\n\n\n

Cakar, Yikdiz. “The Age of the Iron Locusts,” translated by Harriet Paintin (Kurdistan + 100<\/em>, 2023). [Turkey]<\/p>\n\n\n\n

Dilsoz, \u00d6mer. “Rising Like Water,” translated by Rojin Shekh-Hamo (Kurdistan + 100<\/em>, 2023). [Syria]<\/p>\n\n\n\n

Evdike, Nariman. “The Letter,” translated by Rojin Shekh-Hamo (Kurdistan + 100<\/em>, 2023). [Syria]<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Kyrgyz<\/strong><\/span><\/p>\n\n\n\n

Ismailov, Hamid. We Computers<\/em>, translated by Shelley Fairweather-Vega (Yale University Press, 2025). [Uzbekistan]<\/p>\n\n\n\n

Raev, Sultan. Castigation<\/em>, translated by Shelley Fairweather-Vega (Syracuse UP, 2025).<\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Kannada Bhoosnurmath, Rajashekar. \u201cVenus is watching,\u201d translated by ? (It Happened Tomorrow, 1993). [India] Havanur, Sanjay. “The Lift,” translated by the author (It Happened Tomorrow, 1993). Kikuyu Ngugi Wa Thiong\u2019o. “The Hermit in the Helmet,” translated by the author (Nairobi Noir, 2020). [Kenya] —-. Wizard of the Crow, translated by the author (Pantheon, 2006). Korean<\/p>\n

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