{"id":11649,"date":"2018-03-20T00:25:00","date_gmt":"2018-03-20T00:25:00","guid":{"rendered":"https:\/\/www.sfintranslation.com\/?p=11649"},"modified":"2026-03-20T17:43:23","modified_gmt":"2026-03-20T17:43:23","slug":"slovak-spanish","status":"publish","type":"post","link":"https:\/\/www.sfintranslation.com\/?p=11649","title":{"rendered":"Slovak\u2014Spanish"},"content":{"rendered":"\n
\n\n\n\n

Slovak<\/strong><\/span><\/p>\n\n\n\n

Balla. In the Name of the Father & Other Stories<\/em>, translated by Julia & Peter Sherwood (Jantar Publishing, 2017).<\/p>\n\n\n\n

Kovalyk, Ur\u0161u\u013ea. The Night Circus and Other Stories<\/em>, translated by Julia Sherwood and Peter Sherwood (Parthian Books, 2019).<\/span><\/p>\n\n\n\n

Molnarova-Dubkova, Ivana and Marek Brenisin. “The Scorpion Sting,” unknown translator (The Viral Curtain<\/em>, 2021).<\/p>\n\n\n\n

Reuss, Gustav. The Science of the Stars<\/em>, translated by David Short (Jantar Publishing, 2023).<\/p>\n\n\n\n

\u0160imkovi\u010dov\u00e1, Monika. Vigil<\/em>, translated by Petra Schultze (Publixing Ltd., 2017).<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Slovenian<\/strong><\/p>\n\n\n\n

Suba\u0161i\u010d, Majda Arhnauer. “Anger of the Goddess Ekvorna,” unknown translator (The Viral Curtain<\/em>, 2021).<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Southern Sotho<\/strong><\/p>\n\n\n\n

Mofolo, Thomas. Chaka<\/em>, translated by Daniel P. Kunene (Heinemann, 1981).<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Sorani<\/strong><\/p>\n\n\n\n

Mahmoudveysi, Jahangir. “The Snuffed-Out Candle,” translated by Darya Najim and Khazan Jangiz (Kurdistan + 100<\/em>, 2023). [Iran]<\/p>\n\n\n\n

\n\n\n\n

Spanish<\/strong><\/span><\/p>\n\n\n\n

Adolph, Jos\u00e9 B. \u201cThe Falsifier,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Adorno, Juan Nepomuceno. \u201cThe Distant Future,\u201d translated by Andrea Bell (CAdorno, Juan Nepomuceno. \u201cThe Distant Future,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).osmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Aguilera, Juan Miguel. \u201cThe Forest of Ice,\u201d translated by Gwyneth Box (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

Aguirre, Maria Isabel. \u201cToday, You Walk Along a Narrow Path,\u201d translated by Rebecca Huerta (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

Aira, C\u00e9sar. Ghosts<\/em>, translated by Chris Andrews (New Directions, 2009). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. The Little Buddhist Monk<\/em>, translated by Nick Caistor (And Other Stories, 2017).<\/span><\/p>\n\n\n\n

—-. The Famous Magician<\/em>, translated by Chris Andrews (New Directions, 2022).<\/span><\/p>\n\n\n\n

—-. Festival & Game of the Worlds<\/em>, translated by Katherine Silver (New Directions, 2024).<\/p>\n\n\n\n

—-. “Musical Brushstrokes,” translated by Chris Andrews (Amulet<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Alamo, Alfredo. \u201cHatter\u2019s Rust,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Alonso, Israel. \u201cYou Will See the Moon Rise,\u201d translated by Steve Redwood (The Apex Book of World SF 5<\/em>, 2018). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFirst Blood,\u201d translated by Lawrence Schimel (Supersonic <\/i>#9 Special English Issue, 2017).<\/span><\/p>\n\n\n\n

\u00c1lvarez Betancourt, Denis. \u201cPaper Men,\u201d translated by Toshiya Kamei (Unfit<\/em> Magazine<\/em>, 2018).<\/span><\/p>\n\n\n\n

Ampuero, Mar\u00eda Fernanda. “Believers,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). [Ecuador]<\/p>\n\n\n\n

—-. “Whistle,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Chosen,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Sister,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Lorena,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Leeches,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Invaders,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Pieta,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Sacrifices,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Edith,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

—-. “Freaks,” translated by Frances Riddle (Human Sacrifices<\/em>, 2023). <\/p>\n\n\n\n

\u00c1nchel, V.  and J. Revuelta. \u201cEvil Hour,\u201d translated by J. Revuelta (Creatures of Glass and Light<\/em>, 2007). [Spain]<\/span><\/p>\n\n\n\n

Aquino, Isis. “The Abyss in the Depths of Her Eyes,” translated by Monica Louzon (foofaraw<\/em>, 2026). [Dominican Republic]<\/p>\n\n\n\n

Araguz, Javi and Isabel Hierro. \u201cBoard Them!,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Arango, \u00c1ngel. \u201cThe Cosmonaut,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Arreola, Juan Jos\u00e9. \u201cBaby H.P.,\u201d translated by Larry Nolen (The Big Book of Science Fiction<\/em>, 2016). [Mexico]<\/span><\/p>\n\n\n\n

Arsenal, Le\u00f3n. \u201cIn the Martian Forges,\u201d translated by L. Finch (Castles in Spain<\/em>, 2016). [Spain]<\/span><\/p>\n\n\n\n

Baradit, Jorge. \u201cContrera\u2019s Dream,\u201d translated by Gabriel Saxton-Ruiz (Words Without Borders<\/em>, 2015). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Barba, Andr\u00e9s. A Luminous Republic<\/em>, translated by Lisa Dillman (HMH, 2020).<\/span><\/p>\n\n\n\n

Barberena-Jonas, Diana. \u201cYou, or Dissociation as a Survival Tool in Pursuit of Finding a Mental Haven of Sanity and Companionship,\u201d translated by the author (Samovar Magazine<\/em>). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Barcel\u00f3, Elia. \u201cFirst Time,\u201d translated by Ted Angell (Cosmos Latinos<\/em>, 2003). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. Heart of Tango<\/em>, translated by David Frye (MacLehose Press, 2010).<\/span><\/p>\n\n\n\n

\u2014-. The Goldsmith\u2019s Secret<\/em>, translated by David Frye (MacLehose Press, 2011).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Star,\u201d translated by Nur-Huda el Masri (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

—-. Natural Consequences<\/em>, translated by Yolanda Molina-Gavil\u00e1n and Andrea Bell (Vanderbilt University Press, 2021).<\/p>\n\n\n\n

Barrag\u00e1n Castro, Luis Carlos. “Cephalomorphs,” translated from the Spanish by isaac dwyer (Asymptote Journal<\/em>, 2025). [Colombia] [read here<\/a>]<\/p>\n\n\n\n

—-. “The Face,” translated by isaac dwyer (Body Shots<\/em>, 2025).<\/p>\n\n\n\n

Barrera, Ave. Restoration<\/em>, translated by Ellen Jones and Robin Myers (Charco Press, 2025). [Mexico]<\/p>\n\n\n\n

Barrientos, Maximiliano. “The Third Transformation,” translated by Tim Gutteridge (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Bazterrica, Agustina. Tender is the Flesh<\/em>, translated by Sarah Moses (Scribner, 2020). [Argentina]<\/p>\n\n\n\n

—-. Nineteen Claws and a Blackbird<\/em>, translated by Sarah Moses (Scribner, 2023).<\/p>\n\n\n\n

—-. The Unworthy<\/em>, translated by Sarah Moses (Scribner, 2025).<\/p>\n\n\n\n

B\u00e9cquer, Gustavo Adolfo. \u201cMemoir of a Turkey,\u201d translated by Kayla Andrews (Asymptote Journal<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

Belli, Gioconda. Infinity in the Palm of Her Hand<\/em>, translated by Margaret Sayers Peden (Harper, 2009). [Nicaragua]<\/p>\n\n\n\n

Benavides, Jorge Eduardo. \u201cDistinguishing Marks: None,\u201d translated by Gabriel Saxton-Ruiz (Words Without Borders<\/em>, 2015). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Berm\u00fadez Castillo, Gabriel. \u201cOpportunities Galore,\u201d translated by ? (Terra SF: The Year\u2019s Best European SF,<\/em> 1981). [Spain]<\/span><\/p>\n\n\n\n

Bernal, Rafael. His Name was Death<\/em>, translated by Kit Schluter (New Directions, 2021). [Mexico]<\/span><\/p>\n\n\n\n

Bilbao, Jon. The Strangers<\/em>, translated by Katie Whittemore (Dalkey Archive Press, 2023). [Spain]<\/span><\/p>\n\n\n\n

Bioy Casares, Adolfo. \u201cThe Squid Chooses Its Own Ink,\u201d translated by Marian Womack (The Big Book of Science Fiction<\/em>, 2016). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. The Invention of Morel<\/em>, translated by Ruth L. C. Simms (NYRB Classics, 2003).<\/span><\/p>\n\n\n\n

\u2014-. Diary of the War of the Pig<\/em>, translated by Gregory Woodruff and Donald A. Yates (McGraw-Hill, 1972).<\/span><\/p>\n\n\n\n

\u2014-. A Plan for Escape<\/em>, translated by Suzanne Jill Levine (E. P. Dutton, 1975).<\/span><\/p>\n\n\n\n

\u2014-. Asleep in the Sun<\/em>, translated by Suzanne Jill Levine (Persea, 1978).<\/span><\/p>\n\n\n\n

\u2014-. The Dream of Heroes<\/em>, translated by Diana Thorold (Quartet Books, 1987).<\/span><\/p>\n\n\n\n

Bodoc, Liliana. The Days of the Deer<\/em>, translated by Nick Caistor and Lucia Caistor Arendar (Atlantic Books, 2014). [Argentina]<\/span><\/p>\n\n\n\n

Bola\u00f1o, Roberto. Nazi Literature in the Americas<\/em>, translated by Chris Andrews (New Directions, 2008).<\/span><\/p>\n\n\n\n

Bombal, Maria Luisa. \u201cThe Story of Maria Griselda,\u201d translated by the author (?) (The Secret Weavers<\/em>, 1991). [Chile]<\/span><\/p>\n\n\n\n

Borges, Jorge Luis. \u201cThe Babylon Lottery,\u201d translated by Anthony Kerrigan (The Road to Science Fiction 6<\/em>, 1998). [Argentina]<\/span><\/p>\n\n\n\n

Boullosa, Carmen. Heavens on Earth<\/em>, translated by Shelby Vincent (Deep Vellum, 2017). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. Before<\/em>, translated by Peter Bush (Deep Vellum, 2016).<\/span><\/p>\n\n\n\n

Brescia, Pablo. “Code 51,” translated by the author (Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy<\/em>, 2017).<\/p>\n\n\n\n

Britto Garc\u00eda, Luis. \u201cFuture,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Brown, Carolina. “Anthropocene,” translated by Jessica Powell (Asymptote Journal<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Bustos, M\u00f3nica. “Warm Beds,” translated by Anal\u00eda Villagra (Samovar<\/em>, 2022). [Paraguay] [read here<\/a><\/span>]<\/p>\n\n\n\n

Cabiya, Pedro. Wicked Weeds<\/em>, translated by Jessica Powell (Mandel Vilar Press, 2016). [Dominican Republic]<\/span><\/p>\n\n\n\n

Cadena, Agustin. \u201cMurillo Park,\u201d translated by C. M. Mayo (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

Calvo, Javier. Wonderful World<\/em>, translated by Mara Faye Lethem (HarperCollins, 2009). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Lost Rivers,\u201d translated by Marian Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Camacho, Bibiana. \u201cThe Other Woman,\u201d translated by Cecilia Weddell (World Literature Today<\/em>, 2020). [Mexico] [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Ca\u00f1adas, Jes\u00fas. \u201cShots to the Gut,\u201d translated by Marian and James Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Capanna, Pablo. \u201cAcronia,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Carletti, Eduardo J. \u201cGod\u2019s Gut,\u201d translated by Claudia De Bella (Axx\u00f3n<\/em>, 2004 \/ InterNova 1: Unexplored Territories<\/em>, 2005). [read here] [Argentina]<\/span><\/p>\n\n\n\n

C\u00e1rdenas, Juan. The Devil of the Provinces<\/em>, translated by Lizzie Davis (Coffee House Press, 2023).<\/p>\n\n\n\n

Carpentier, Alejo. \u201cThe Highroad of Saint James,\u201d translated by Francis Partridge (Gollancz, 1970). [Switzerland]<\/span><\/p>\n\n\n\n

\u2014-. \u201cRight of Sanctuary,\u201d translated by Francis Partridge (Gollancz, 1970).<\/span><\/p>\n\n\n\n

\u2014-. \u201cJourney Back to the Source,\u201d translated by Francis Partridge (Gollancz, 1970).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLike the Night,\u201d translated by Francis Partridge (Gollancz, 1970).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Chosen,\u201d translated by Francis Partridge (Gollancz, 1970).<\/span><\/p>\n\n\n\n

de la Casa, Ricard and Pedro Jorge Romero. \u201cThe Day We Went Through the Transition,\u201d translated by Yolanda Molina-Gavil\u00e1n and James Stevens-Arce (The SFWA European Hall of Fame<\/em>, 2007). [Spain]<\/span><\/p>\n\n\n\n

Castagnet, Martin Felipe. Bodies of Summer<\/em>, translated by Frances Riddle (Dalkey Archive Press, 2017). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cBonsai,\u201d translated by George Hensen (Latin American Literature Today<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cInside Outdoors,\u201d translated by Frances Riddle (The Short Story Project<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Castro, Pablo A. \u201cExerion,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cReflections,\u201d translated by Andrea Bell (Words Without Borders<\/em>, 2009). [read here<\/a>]<\/span><\/p>\n\n\n\n

Castro, Raquel. \u201cThe Attack of the Zombies, Part 1,523,\u201d translated by Lawrence Schimel (Anomaly 25<\/em>, 2017) [Mexico]. [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAstrolabe,\u201d translated by Lawrence Schimel (Cascadia Subduction Zone<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cI Have a Secret,\u201d translated by Lawrence Schimel (Tales From the Shadow Booth Vol.3<\/em>, 2019).<\/span><\/p>\n\n\n\n

—-. “Ring a Ring o’ Roses,” translated by Ruth Clarke (A Larger Reality<\/em>, 2018).<\/p>\n\n\n\n

Catrileo, Daniela. Chilco, <\/em>translated by Jacob Edelstein (FSG, 2025). [Chile]<\/p>\n\n\n\n

Chacek, Karen. \u201cThe Hour of the Fireflies,\u201d translated by Michael J. DeLuca (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

Chapela, Andrea. \u201cThe Person You Are Trying to Reach is Not Available,\u201d translated by the author (Samovar Magazine<\/em>, 2017). [Mexico] [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cNow You Feel It,\u201d translated by Emma T\u00f6rzs (Lightspeed Magazine<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. “Clean Air Will Smell Like Silver Apricots,” translated by the author (A Larger Reality<\/em>, 2018).<\/p>\n\n\n\n

Chaviano, Da\u00edna. \u201cThe Annunciation,\u201d translated by Juan Carlos Toledano (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. The Island of Eternal Love<\/em>, translated by Andrea Labinger (Riverhead Books, 2008). [Cuba]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAccursed Lineage,\u201d translated by Matthew D. Goodwin (Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy<\/em>, 2017).<\/span><\/p>\n\n\n\n

—-. “As One Listens to the Rain,” translated by Emma T\u00f6rzs (Uncanny<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Chimal, Alberto. \u201cVariation on a Theme of Coleridge,\u201d translated by Chris N. Brown (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Time Traveller,\u201d translated by George Henson (Asymptote<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cCity X:<\/em> A Novel in 101 Tweets,\u201d translated by Sara Caplan, Rita Correa, M\u00f3nica Bravo D\u00edaz, Rachel Echeto, Emily Gilmore, Lauren Hammer, Hannah Mitchell, Matthew Mogulescu Ross, and LaTasha Weston (Latin American Literature Today<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cFortune,\u201d translated by ? (Kaleidotrope<\/em>, 2010).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHotels,\u201d translated by Carmen Valderrama (Flurb: A Webzine of Astonishing Tales<\/em>, 2011). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Young Man\u2019s Fortune,\u201d translated by Toshiya Kamei (Bewildering Stories<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cArt,\u201d translated by David Bowles (The Dark<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Grand Experiment,\u201d translated by George Henson (World Literature Today<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Second Celeste,\u201d translated by Patrick Weill (Future Science Fiction Digest<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. “Twenty About Robots,” translated by Fionn Petch (The Best of World SF 2<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “On My Way to Heaven,” translated by Patrick Weill (F&SF<\/em>, 2024).<\/p>\n\n\n\n

Coelho, Oliverio. \u201cInsomnia,\u201d translated by Kit Maude (The Short Story Project<\/em>, 2017). [Argentina] [read here<\/a>]<\/span><\/p>\n\n\n\n

Cohen, Marcelo. \u201cA Mortal Legend,\u201d translated by Kit Maude (Samovar Magazine<\/em>, 2017). [Argentina] [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “Bacterial,” translated by Kit Maude (Samovar Magazine<\/em>, 2023). [read here<\/a><\/span>]<\/p>\n\n\n\n

Colanzi, Liliana. \u201cThe Eye,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017). [Bolivia]  [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAlfredito,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wave,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMeteorite,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cCannibal,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFamily Portrait,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOur Dead World,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017 \/ The Apex Book of World SF 5<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cStory With Bird,\u201d translated by Jessica Sequeira (Our Dead World<\/em>, 2017).<\/span><\/p>\n\n\n\n

—-. “The Narrow Way,” translated by Chris Andrews (The New Yorker<\/em>, 2023).<\/p>\n\n\n\n

—-. “The Cave,” translated by Chris Andrews (You Glow in the Dark<\/em>, 2024).<\/p>\n\n\n\n

—-. “Atomito,” translated by Chris Andrews (You Glow in the Dark<\/em>, 2024).<\/p>\n\n\n\n

—-. “The Debt,” translated by Chris Andrews (You Glow in the Dark<\/em>, 2024).<\/p>\n\n\n\n

—-. “Chaco,” translated by Chris Andrews (You Glow in the Dark<\/em>, 2024).<\/p>\n\n\n\n

—-. “The Greenest Eyes,” translated by Chris Andrews (You Glow in the Dark<\/em>, 2024).<\/p>\n\n\n\n

—-. “You Glow in the Dark,” translated by Chris Andrews (You Glow in the Dark<\/em>, 2024).<\/p>\n\n\n\n

Conde, Victor. \u201cLight a Lone Candle,\u201d translated by Sue Burke (Terra Nova<\/em>, 2013).<\/span><\/p>\n\n\n\n

Corral-V\u00e1zquez, Celia. “The Coffee Machine,” translated by Sue Burke (Clarkesworld<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Correa, Hugo. \u201cAlter Ego,\u201d translated by ? (The Penguin World Omnibus<\/em>, 1986). [Chile]<\/span><\/p>\n\n\n\n

\u2014-. \u201cWhen Pilate Said No,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Cort\u00e1zar, Julio. \u201cHeadache,\u201d translated by Michael Cisco (Tor.com<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Idol of the Cyclades,\u201d translated by ? (European Tales of Terror<\/em>, 1968).<\/span><\/p>\n\n\n\n

Cotrina, Jos\u00e9 Antonio. \u201cBetween the Lines,\u201d translated by James Stevens-Arce (The SFWA European Hall of Fame<\/em>, 2007).<\/span><\/p>\n\n\n\n

Cubas, Cristina Fern\u00e1ndez. \u201cThe Angle of Horror,\u201d translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020).<\/span><\/p>\n\n\n\n

Curtidor, Vania. \u201cImilla,\u201d translated by Monica Louzon (Constelaci\u00f3n Magazine, <\/em>2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Dami\u00e1n Miravete, Gabriela. \u201cThey Will Dream in the Garden,\u201d translated by Adrian Demopulos (Latin American Literature Today<\/em>, 2018). [Mexico] [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Synchronism of Touch,\u201d translated by Sally McCorry (Apex Magazine<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. “Music and Petals,” translated by Megan Berkobien (A Larger Reality<\/em>, 2018).<\/p>\n\n\n\n

—-. “The End of the Party,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

—-. “La Purificaci\u00f3n,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

—-. “Future Nereid,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

—-. “Retreat from the World Outside,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

—-. “The Art of Memory,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

—-. “The Bridge,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

—-. “Conspiracy of the Elements,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

—-. “The Visit,” translated by Adrian Demopulos<\/span> (They Will Dream in the Garden<\/em>, 2023).<\/p>\n\n\n\n

Dauden, Gloria. \u201cCome to My Arms,\u201d translated by Marian and James Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Davila, Amparo. \u201cThe Guest,\u201d translated by Anna Guerico (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHaute Cuisine,\u201d translated by Alberto Manguel (Other Fires<\/em>, 1986).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMoses and Gaspar,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Houseguest,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFragment of a Diary,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Cell,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-.\u201dMusique Concrete,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOscar,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEnd of a Struggle,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTina Reyes,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Breakfast,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Last Summer,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Funeral,\u201d translated by Matthew Gleeson and Audrey Harris (The Houseguest and Other Stories<\/em>, 2018).<\/span><\/p>\n\n\n\n

De Bella, Claudia. \u201cAmoit\u00e9,\u201d translated by the author (Axx\u00f3n<\/em>, 2004). [read here<\/a>]<\/span><\/p>\n\n\n\n

de la Lanza, R. \u201cA Letter from Captain Robert Walton to Joseph Smith, Care of John Taylor,\u201d translated by Ryan Fairchild and D. A. Cooper (Further Light #1<\/em>, 2026).<\/p>\n\n\n\n

—-. “The Witness,” translated by Gabriel Gonz\u00e1lez (Irreantum<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Delgado, Nieves. \u201cRed Houses,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

Diaz Oliva, Antonio. “Rabbits,” translated by Lisa Dillman (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Donoso, Claudia Ulloa. \u201cLittle Bird,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021). [Peru]<\/span><\/p>\n\n\n\n

\u2014-. \u201cPuppeteer,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWood,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDevelopments,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Writer\u2019s Pastimes,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFirst Person,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLifeguard,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Bollywood Story,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLine,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Wrong Girl,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPlant,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEloisa,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBetween Us,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPlastic,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cType B,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPlasticine Dreams,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFish,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cI Remember,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cI Don\u2019t Remember,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPlacebo for Bleeding to Death,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTake Charge,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOppfolgingstjenesten,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cTom,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cD.,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSwimming Pool,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Drowning Man,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPhalange,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBlood Calls,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWaiting,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Trip,\u201d translated by Lily Meyer (Little Bird<\/em>, 2021).<\/span><\/p>\n\n\n\n

Donoso, Jos\u00e9. The Obscene Bird of Night<\/em>, translated by Hardie St. Martin (David R. Godine, 2003). [Chile]<\/p>\n\n\n\n

Dor\u00f3s, Vraiux. \u201cDark Star,\u201d translated by (Strange Horizons<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Downey, Tom\u00e1s. “Bone Animals,” translated by Sarah Moses (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

—-. “The Cloud,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Men Go to War,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Lobos,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Horce,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “A Love Story,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Mirko,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Astronaut,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Alejo,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Miguel’s Eyes,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “An Island with No Shore,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Diving Board,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Sisters,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “The First Saturday of Every Month,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Variables,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “A Cemetery with Palm Trees,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “Sensitive Skin,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. \u201cThe Tak\u00efs,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Place Where Birds Die,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

—-. “A Bouquet of Thistles,” translated by Sarah Moses (Diving Board<\/em>, 2025).<\/p>\n\n\n\n

Duarte Cano, Carlos A. \u201cLooking For Carla,\u201d translated by Toshiya Kamei (Teleport Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Dumenigo, Alexy. “Four-Letter Word,” translated by ? (Future Science Fiction Digest<\/em>, 2022). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

Emar, Juan. Yesterday<\/em>, translated by Megan McDowell (Peirene Books, 2021). [Chile]<\/span><\/p>\n\n\n\n

Encinosa, Michel. \u201cLike the Roses Had to Die,\u201d translated by Ted Angell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Enriquez Pi\u00f1eiro, Anabel. \u201cBorrowed Time,\u201d translated by Daniel W. Koon (Apex Book of World SF 2<\/em>, 2012). [Cuba]<\/span><\/p>\n\n\n\n

\u2014-. \u201cNothing to Declare,\u201d translated by Hillary Gulley (Words Without Borders<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Enriquez, Mariana. \u201cSpiderweb,\u201d translated by Megan McDowell (The New Yorker<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAngelita Unearthed,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOur Lady of the Quarry,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Cart,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).\u201dThe Well\u201d<\/span><\/p>\n\n\n\n

\u2014-. \u201cRambla Triste,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Lookout,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWhere Are You, Dear Heart?,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMeat,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cNo Birthdays or Baptisms,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cKids Who Come Back,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Dangers of Smoking in Bed,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBack When We Talked to the Dead,\u201d translated by Megan McDowell (The Dangers of Smoking in Bed<\/em>, 2021).<\/span><\/p>\n\n\n\n

—-. Our Share of Night<\/em>, translated by Megan McDowell (Hogarth Press, 2023).<\/span><\/p>\n\n\n\n

—-. “That Summer in the Dark,” translated by Megan McDowell (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

—-. “My Sad Dead,” translated by Megan McDowell (A Sunny Place for Shady People<\/em>, 2024).<\/p>\n\n\n\n

—-. “Face of Disgrace,” translated by Megan McDowell (A Sunny Place for Shady People<\/em>, 2024).<\/p>\n\n\n\n

—-. “Metamorphosis,” translated by Megan McDowell (A Sunny Place for Shady People<\/em>, 2024).<\/p>\n\n\n\n

—-. “The Dirty Kid,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “The Inn,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “Adela’s House,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “An Invocation of the Big-Eared Runt,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “End of Term,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “No Flesh Over Our Bones,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “The Neighbor’s Courtyard,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “Under the Black Water,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “Green Red Orange,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

—-. “Things We Lost in the Fire,” translated by Megan McDowell (Things We Lost in the Fire<\/em>, 2017).<\/p>\n\n\n\n

Escudos, Jacinta. \u201cI, Crocodile,\u201d translated by Eliana Gonz\u00e1lez Ugarte (Constelaci\u00f3n<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Espi\u00f1eira, Yolanda. \u201cThe Schiwoll Method,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

Espinosa, Francisco Miguel. \u201cThe Hands That Built America,\u201d translated by ? (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Esquinca, Bernardo. \u201c\u201cSe\u00f1or Ligotti,\u201d translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020). [Mexico]<\/span><\/p>\n\n\n\n

Estanol, Iliana. \u201cWaiting,\u201d translated by Joanna Tilley (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

Eximeno, Santiago.\u201d \u201cI Live in Your Cupboard,\u201d translated by ? (Frightmares: A Fistful of Flash Fiction Horror<\/em>, 2011).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDon\u2019t Forget to Wind it Up,\u201d translated by Marian and James Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLovot,\u201d translated by Alicia L. Alonso (Robotica<\/em>, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cIntellectual Property,\u201d translated by Alicia L. Alonso (Dark Little Dreams: An Anthology of Dark Fiction<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cGas Mask Baby,\u201d translated by Alicia L. Alonso (Year\u2019s Best Body Horror 2017 Anthology,<\/em> 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBarbed Wire Fence,\u201d translated by Alicia L. Alonso (The Gallery of Curiosities #72<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cNoverim Te,\u201d translated by Daniele Bonfanti (Monsters of Any Kind<\/em>, 2018).<\/span><\/p>\n\n\n\n

Fabra, Nilo Mar\u00eda. \u201cOn the Planet Mars,\u201d translated by Ted Angell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Farragute, Cano. \u201cInestimable Value,\u201d translated by Marian and James Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Feiling, C. E. Excerpt from The Lesser Evil<\/em>, translated by Frances Riddle (World Literature Today<\/em>, 2024).<\/p>\n\n\n\n

Fern\u00e1ndez, Bernardo. “The Beast Has Died,” translated by Brian Price (Words Without Borders<\/em>, 2015). [read here<\/span><\/a>]<\/span><\/p>\n\n\n\n

—-. “They are Among Us,” translated by Adan Jimenez (Sci Phi Journal<\/em>, 2024). [read here<\/a>]<\/p>\n\n\n\n

Fern\u00e1ndez, Laura. \u201cHating Lester J. Murray,\u201d translated by Marian and James Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Flores Iriarte, Ra\u00fal. \u201cDecember 8th,\u201d translated by Daniel W. Koon & the author (Apex Book of World SF 2<\/em>, 2012). [Cuba]<\/span><\/p>\n\n\n\n

Fres\u00e1n, Rodrigo. The Invented Part<\/em>, translated by Will Vanderhyden (Open Letter, 2017). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. The Bottom of the Sky<\/em>, translated by Will Vanderhyden (Open Letter, 2018). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSnatching Bodies,\u201d translated by Will Vanderhyden (Three Percent<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAncient History,\u201d translated by Cecilia Weddell (World Literature Today<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. The Dreamed Part<\/em>, translated by Will Vanderhyden (Open Letter, 2019).<\/span><\/p>\n\n\n\n

—-. The Remembered Part<\/em>, translated by Will Vanderhyden (Open Letter, 2022).<\/span><\/p>\n\n\n\n

—-. Melvill<\/em>, translated by Will Vanderhyden (Open Letter, 2024).<\/p>\n\n\n\n

Frini, Daniel. \u201cTheory of Species Extinction,\u201d translated by Maximiliano Frini (Alchemy<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cI\u2019m Always Late Everywhere,\u201d translated by Maximiliano Frini (Alchemy<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

Fuentes, Carlos. \u201cChac-Mool,\u201d translated by Margaret Sayers Peden (The Road to Science Fiction 6<\/em>, 1998). [Mexico]<\/span><\/p>\n\n\n\n

\u2014-. Aura<\/em>, translated by Lysander Kemp (FSG, 1965).<\/span><\/p>\n\n\n\n

\u2014-. Terra Nostra<\/em>, translated by Margaret Sayers Peden (FSG, 1976).<\/span><\/p>\n\n\n\n

\u2014-. The Hydra Head<\/em>, translated by Margaret Sayers Peden (FSG, 1978).<\/span><\/p>\n\n\n\n

\u2014-. Christopher Unborn<\/em>, translated by Alfred MacAdam (FSG, 1989).<\/span><\/p>\n\n\n\n

\u2014-. The Eagle\u2019s Throne<\/em>, translated by Kristina Cordero (Bloomsbury, 2006).<\/span><\/p>\n\n\n\n

\u2014-. Vlad<\/em>, translated by Alejandro Branger and Ethan Shaskan Bumas (Dalkey Archive, 2012).<\/span><\/p>\n\n\n\n

Gala, Marcial. Call Me Cassandra<\/em>, translated by Anna Kushner (FSG, 2022).<\/span><\/p>\n\n\n\n

Galdames, I. A. “Damnatio Memoriae,” translated by Monica Louzon (Neon Dystopia<\/em>, 2026). [Chile] [read here<\/a>]<\/p>\n\n\n\n

Garc\u00eda Freire, Natalia. A Carnival of Atrocities<\/em>, translated by Victor Meadowcroft (World Editions, 2025).<\/p>\n\n\n\n

Garc\u00eda Gonz\u00e1lez, Francisco. “When a Robot Decides to Die,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “True Killer,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “Fucking Swedes,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “The Visit,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “The Year of the Pig,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “Waiting for the Wagon,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “Why Do Dogs Bark at the Moon?,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “Yusnavy, the Eclipse of a Star,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

—-. “How Nicely She Walks,” translated by Bradley J. Nelson (When a Robot Decides to Die and Other Stories<\/em>, 2021).<\/p>\n\n\n\n

Ganivet, \u00c1ngel. \u201cThe Ruins of Granada,\u201d translated by Marian Womack (Weird Fiction Review<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Garc\u00eda M\u00e1rquez, Gabriel. One Hundred Years of Solitude<\/em>, translated by Gregory Rabassa (Harper & Row, 1970). [Colombia]<\/span><\/p>\n\n\n\n

\u2014-. \u201cBlacaman the Good, Vendor of Miracles,\u201d translated by Gregory Rabassa (The Road to Science Fiction 6<\/em>, 1998).<\/span><\/p>\n\n\n\n

\u2014-. In Evil Hour<\/em>, translated by Gregory Rabassa (Harper & Row, 1979).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Sea of Lost Time,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories<\/em>, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDeath Constant Beyond Love,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Incredible and Sad Tale of Innocent Er\u00e9ndira and Her Heartless Grandmother,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Third Resignation,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Other Side of Death,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEva is Inside Her Cat,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDialogue with the Mirror,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBitterness for Three Sleepwalkers,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEyes of a Blue Dog,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Woman Who Came at Six O\u2019Clock,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSomeone Has Been Disarranging These Roses,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Night of the Curlews,\u201d translated by Gregory Rabassa (Innocent Er\u00e9ndira and Other Stories, 1978).<\/span><\/p>\n\n\n\n

Garc\u00eda-Rosas, Nelly Geraldine. \u201cAhuizotl,\u201d translated by Silvia Moreno-Garcia (Apex Book of World SF 3<\/em>, 2014). [Mexico]<\/span><\/p>\n\n\n\n

Garro, Elena. The Week of Colors<\/em>, translated by Megan McDowell (Two Lines Press, 2025), [Mexico]<\/p>\n\n\n\n

Gaspar, Enrique. The Time Ship: A Chrononautical Journey,<\/em> translated by Yolanda Molina-Gavil\u00e1n and Andrea Bell (Wesleyan University Press, 2012).<\/span><\/p>\n\n\n\n

Goligorsky, Eduardo. \u201cWhen the Birds Die,\u201d translated by Vernor Vinge (The Magazine of Fantasy and Science Fiction<\/em>, 1967). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Last Refuge,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003). [read here<\/a>]<\/span><\/p>\n\n\n\n

Gomes, Miguel. \u201cA Portuguese Ghost,\u201d translated by Katie Brown (Latin American Literature Today<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Gonz\u00e1lez C\u00e1rdenas, Javier. \u201cJagged Rage,\u201d translated by Christina Miller (Latin American Literature Today<\/em>, 2018). [Mexico] [read here<\/a>]<\/span><\/p>\n\n\n\n

Gonz\u00e1lez, Emiliano. \u201cUroboros,\u201d translated by Emma T\u00f6rzs (Strange Horizons<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Gonz\u00e1lez, Rafael. \u201cMasked Justice,\u201d translated by Marian Womack and\/or James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Gonz\u00e1lez Galante, Andr\u00e9s. “Elasticity”, translated by Lucy Corrie-Tannen (Samovar Magazine, 2025). [read here<\/a>]<\/p>\n\n\n\n

Gorodischer, Ang\u00e9lica. \u201cPortrait of the Emperor,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/i>, 2003). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Two Hands,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/i>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe End of a Dynasty or the Natural History of Ferrets,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/i>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201c\u201dSiege, Battle, and Victory of Selimmagud,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/em>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cConcerning the Unchecked Growth of Cities,\u201d translated by Ursula K. Le Guin (Kalpa Imperial,<\/em> 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPortrait of the Empress,\u201d translated by Ursula K. Le Guin (Kalpa Imperial,<\/em> 2003).<\/span><\/p>\n\n\n\n

\u2014-.  \u201cAnd the Streets Empty,\u201d translated by Ursula K. Le Guin (Kalpa Imperial,<\/em> 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Pool,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/em>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBasic Weapons,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/i>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201d \u2018Down There in the South\u2019,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/i>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Old Incense Road,\u201d translated by Ursula K. Le Guin (Kalpa Imperial<\/i>, 2003).<\/span><\/p>\n\n\n\n

\u2014-.  Trafalgar<\/i>, translated by Amalia Gladhart (excerpt in Belletrista, <\/em>20120 \/ Small Beer Press, 2013). [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-.  Prodigies<\/em>, translated by Sue Burke (Small Beer Press, 2015). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cBy the Light of the Electronic Moon,\u201d translated by Amalia Gladhart (The Magazine of Fantasy and Science Fiction<\/em>, 2013 \/ Spanish Women of Wonder<\/em>, 2016). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Unmistakable Smell of Wood Violets,\u201d translated by Marian Womack (The Big Book of Science Fiction<\/em>, 2016). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Perfect Married Woman\u201d (translated by Lorraine Elena Roses, The Secret Weavers<\/em>, 1991 \/ translated by Amalia Gladhart, World Literature Today<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cLetters from an English Lady,\u201d translated by Monica Bruno (The Secret Weavers<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. \u201cUnder the Flowering Juleps,\u201d translated by Mary G. Berg (The Secret Weavers<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Resurrection of the Flesh,\u201d translated by Lorraine Elena Roses (The Secret Weavers<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMan\u2019s Dwelling Place,\u201d translated by Alberto Manguel (Other Fires<\/em>, 1986).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Violet\u2019s Embryos,\u201d translated by Sara Irausquin (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Sense of the Circle,\u201d translated by Amalia Gladhart (Lightspeed<\/em>, 2013). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. Jaguars’ Tomb<\/em>, translated by Amalia Gladhart (Vanderbilt University Press, 2021).<\/p>\n\n\n\n

Grandes, Almudena. Excerpt from Everything Will Get Better<\/em><\/span>, translated by Alice Banks (The Riveter<\/em><\/span>, 2023).<\/span><\/p>\n\n\n\n

Guallar, Luis. \u201c\u2026As If I Were Inside a Clock\u2026,\u201d translated by Marian Womack and\/or James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Guzm\u00e1n, Daniela L. \u201cPrometheus with a Happy Face,\u201d translated by the author (Strange Horizons<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Hachemi, Munir. Living Things<\/em>, translated by Julia Sanches (Coach House, 2024).<\/p>\n\n\n\n

Hernandez, Claudia. “Lazarus the Vulture,” translated by Julia Sanches and Johanna Warren (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Herrera, Yuri. \u201cThe Objects,\u201d translated by Lisa Dillman (World Literature Today<\/em>, 2017). [Mexico] [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHouse Taken Over,\u201d translated by Lisa Dillman (Words Without Borders<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “The Science of Extinction,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Whole Entero,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “The Obituarist,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “The Cosmonaut,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Consolidation of Spirits,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Flat Map,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “The Earthling,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “The Monsters’ Art,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Obverse,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Inventory of Human Diversity,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Zorg, Author of the Quixote,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “The Other Theory,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “The Conspirators,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Appendix 15, Number 2: The Exploration of Agent Probii,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Living Muscle,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “The Last Ones,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

—-. “Warning,” translated by Lisa Dillman (Ten Planets<\/em>, 2023).<\/span><\/p>\n\n\n\n

Indiana, Rita. Tentacle<\/em>, translated by Achy Obejas (And Other Stories, 2018). [Dominican Republic]<\/span><\/p>\n\n\n\n

Ingl\u00e9s, Teresa. \u201cThe Alabaster Garden,\u201d translated by Maxim Jakubowksi (Twenty Houses of the Zodiac, <\/em>1979 \/ The Road to Science Fiction 6<\/em>, 1998). [Spain]<\/span><\/p>\n\n\n\n

Isaza, Julian. “Visitor,” translated by Joel Streicker (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Jim\u00e9nez, Juanfran. \u201cBodies,\u201d translated by Sue Burke (Terra Nova<\/em>, 2013).<\/span><\/p>\n\n\n\n

Jodorowsky, Alejandro. Albina and the Dog-Men<\/em>, translated by Adam MacAdam (Restless Books, 2016). [Chile]<\/span><\/p>\n\n\n\n

Jurado, Cristina.\u201dVanth,\u201d translated by James Womack (Alphaland<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cInchworm,\u201d translated by James Womack (Alphaland<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAlice,\u201d translated by James Womack (Alphaland<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSecond Death of the Father,\u201d translated by James Womack (Alphaland<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Shepherd,\u201d translated by James Womack (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAlphaland,\u201d translated by James Womack (Alphaland<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEmbracing the Movement,\u201d translated by Sue Burke (Clarkesworld Magazine<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cDump,\u201d translated by Steve Redwood (The Best of World SF<\/em>, 2021).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLamia,\u201d translated by Monica Louzon (Apex<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. ChloroPhilia<\/em>, translated by Sue Burke (Apex Publications, 2025).<\/p>\n\n\n\n

Juri, Rodrigo. \u201cOne in a Million,\u201d translated by the author (Clarkesworld Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

K\u00e4llner, Oskar. \u201cYi,\u201d translated by Gordon Jones (Future Science Fiction Digest<\/em>, 2019).<\/span><\/p>\n\n\n\n

Lamberti, Luciano. \u201cThe Song We Sang Every Day,\u201d translated by Frances Riddle (The Short Story Project<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “The Nature of Love,” translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.2<\/em>, 2022).<\/span><\/p>\n\n\n\n

Lara Zavala, Hernan. \u201cHunting Iguanas,\u201d translated by Eduardo Jimenez Mayo (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

Larraquy, Roque. Comemadre<\/em>, translated by Heather Cleary (Coffee House Press, 2018).<\/span><\/p>\n\n\n\n

—-. The National Telepathy<\/em>, translated by Frank Wynne (Charco Press, 2025).<\/p>\n\n\n\n

Latorre, Jos\u00e9 Mar\u00eda. \u201cSnapshots,\u201d translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020).<\/span><\/p>\n\n\n\n

Lav\u00edn, Ana Mar\u00eda Fuster. “Footsteps of Hunger,” translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.2<\/em>, 2022). [Puerto Rico]<\/span><\/p>\n\n\n\n

Lav\u00edn, Guillermo. \u201cReaching the Shore,\u201d translated by Rena Zuidema and Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Levrero, Mario. \u201cThe Machine to Think of Gladys,\u201d translated by Ignacio Azcueta & Maria Pape (Alchemy<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

Lifante, Sergio. \u201cSaturn\u2019s Children,\u201d translated by ? (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Llanes, Sergio. The Twilight of the Normidons (Tears of Gea Book 1)<\/em>, translated by Sue Burke (Ediciones Dokusou, 2016). [Spain]<\/span><\/p>\n\n\n\n

L\u00f3pez Trujillo, Sim\u00f3n. Pedro the Vast<\/em>, translated by Robin Myers (Algonquin Books, 2026). [Chile]<\/p>\n\n\n\n

Loriga, Ray. Tokyo Doesn\u2019t Love Us Anymore<\/i>, translated by John King (Grove\/Atlantic, 2003). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. Surrender<\/em>, translated by Carolina de Robertis (HMH, 2020).<\/span><\/p>\n\n\n\n

Loureiro, Manel. The Beginning of the End (Apocalypse Z)<\/em>, translated by Pamela Carmell (AmazonCrossing, 2012). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. Dark Days (Apocalypse Z Book 2)<\/em>, translated by Pamela Carmell (AmazonCrossing, 2013).<\/span><\/p>\n\n\n\n

\u2014-. The Wrath of the Just (Apocalypse Z Book 3)<\/em>, translated by Pamela Carmell (AmazonCrossing, 2014).<\/span><\/p>\n\n\n\n

\u2014-. The Last Passenger<\/i>, translated by Andr\u00e9s Alfaro (Editorial Planeta, 2013 \/ AmazonCrossing, 2015).<\/span><\/p>\n\n\n\n

\u2014-. Only She Sees<\/em>, translated by Andr\u00e9s Alfaro (AmazonCrossing, 2017).<\/span><\/p>\n\n\n\n

Lugones, Leopoldo. \u201cYzur,\u201d translated by Gilbert Alter-Gilbert (The Oxford Book of Latin American Short Stories<\/em>, 1999). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Bloat Toad,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Firestorm,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAn Inexplicable Phenomenon,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Miracle of Saint Wilfred,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMetamusic,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Omega Force,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOrigins of the Flood,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Horses of Abdera,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cViola Acherontia,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Pillar of Salt,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPsychon,\u201d translated by Gilbert Alter-Gilbert (Strange Forces<\/em>, 2001).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Rain of Fire,\u201d translated by Sergio Waisman (Leopoldo Lugones: Selected Writings<\/em>, 2008).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Escuerzo,\u201d translated by Sergio Waisman (Leopoldo Lugones: Selected Writings<\/em>, 2008).<\/span><\/p>\n\n\n\n

Maleno, Carlos. The Irish Sea<\/em>, translated by Eric Kurtzke (Dalkey Archive Press, 2017). [Spain]<\/span><\/p>\n\n\n\n

Mallorqu\u00ed, C\u00e9sar. \u201cThe Flock,\u201d translated by Marian and James Womack (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

Manzanares, Ismael. \u201cSurprends Le Monde!,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Marcuse, Robert. \u201cJuan Manuel\u2019s Shadow,\u201d translated by Cristina Lambert (Words Without Borders<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Mar\u00edn, Rafael. \u201cA Marble in the Palm,\u201d translated by Charlie Sangster (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFlesh Against Metal,\u201d translated by ? (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Mariscal, Oscar. \u201cProfessor Pinetti\u2019s Three Spheres,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Mart\u00ed Escayol, Maria Ant\u00f2nia. \u201cFrancine (draft for the September lecture),\u201d translated by Sue Burke (Supersonic <\/i>#9 Special English Issue, 2017).<\/span><\/p>\n\n\n\n

Mart\u00ednez B\u00e1ez, Eduardo. \u201cUnforgettable,\u201d translated by ? (Constelaci\u00f3n Magazine<\/em>, 2021). [Mexico] [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Mart\u00ednez, Felicidad. \u201cThe Infestation,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Texture of Words,\u201d translated by Sue Burke (Terra Nova<\/em>, 2013). [read here<\/a>]<\/span><\/p>\n\n\n\n

Mart\u00ednez, Layla. \u201cHerbarium,\u201d translated by Lawrence Schimel (Supersonic <\/i>#9 Special English Issue, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWelcome to Croatoan,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

—-. Woodworm<\/em>, translated by Sophie Hughes and Annie McDermott (Two Lines Press, 2024). <\/p>\n\n\n\n

Mart\u00ednez, Rodolfo. Cat\u2019s Whirld<\/em>, translated by Steve Redwood (Sportula, 2015). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. The Queen\u2019s Adept (Book 1)<\/em>, translated by the author (Sportula, 2012).<\/span><\/p>\n\n\n\n

\u2014-. The Wisdom of the Dead (The Lost Files of Sherlock Holmes)<\/em>, translated by the author (Sportula, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cGod\u2019s Messenger,\u201d translated by Gwyneth Box (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEternal Return,\u201d translated by ? (World SF Blog<\/em>, 2013). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cLoaded Dice,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201c\u201dThis Lightning, This Madness,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Road,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cWe Have Followed You,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cEverything Flows,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cIn God\u2019s Mind,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThink Whatever You Want,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPyrrhic Victory,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cAt the Penthouse,\u201d translated by the author (The Road to Nowhere<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014- and Felicidad Martinez. Faces From the Past (The Queen\u2019s Adept, Book 2)<\/em>, translated by Rodolfo Martinez (Sportula, 2018).<\/span><\/p>\n\n\n\n

Melchor, Fernanda. Hurricane Season<\/em>, translated by Sophie Hughes (New Directions, 2020).<\/span><\/p>\n\n\n\n

Menen Desleal, \u00c1lvaro. \u201cA Cord Made of Nylon and Gold,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Men\u00e9ndez, J. A. \u201cDead Time,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Merino, Jos\u00e9 Mar\u00eda. \u201cSpeed,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Mill\u00e1s, Juan Jos\u00e9. Let No One Sleep<\/em>, translated by Thomas Bunstead (Bellevue Literary Press, 2022).<\/span><\/p>\n\n\n\n

Mira de Echeverr\u00eda, Teresa P.  Memory<\/i>, translated by Lawrence Schimel (Terra Nova<\/i>, 2013 \/ Upper Rubber Boot Books, 2015). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cTerpsichore,\u201d translated by Lawrence Schimel (Strange Horizons<\/em>, 2016 \/ Spanish Women of Wonder<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cLiquid Glass,\u201d translated by Lawrence Schimel (Broad Knowledge: 35 Women Up to No Good<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Dead Kings,\u201d translated by David Bowles (The Dark<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cApolo Licio, Apolo Ver\u00e1va,\u201d translated by Art Sierra (Constelacion<\/em> Magazine<\/em>, 2021). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Missana, Sergio. The Transentients<\/em>, translated by Jessica Powell (McPherson & Co., 2021). [Chile]<\/span><\/p>\n\n\n\n

Miyawatl, Ateri. \u201cTsintatak,\u201d translated by Adam Coon (Strange Horizons<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Montero, Rosa. Tears in the Rain<\/em>, translated by Lilit Zekulin Thwaites (AmazonCrossing, 2012). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. Weight of the Heart<\/em>, translated by Lilit Zekulin Thwaites (AmazonCrossing, 2016).<\/span><\/p>\n\n\n\n

Mora, Vicente Luis. Centroeuropa<\/em>, translated by Rahul Bery (Peninsula Press Ltd., 2023).<\/p>\n\n\n\n

Morales, Osdany. “Mother Tongue,” translated by Esther Allen (Words Without Borders<\/em>, 2026). [Cuba] [read here<\/a>]<\/p>\n\n\n\n

Moscatel, Pedro. \u201cThe Blue of the Sky,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Mota, Erick J. \u201cGreetings from a Zombie Nation,\u201d translated by Lawrence Schimel (Terra Nova<\/em>, 2013).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Bleeding Hands of Castaways,\u201d translated by Esther Allen (Words Without Borders<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Mouj\u00e1n Ota\u00f1o, Magdalena. \u201c\u201dGu Ta Gutarrak (We and Our Own),\u201d translated by Yolanda Molina-Gavil\u00e1n (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Mujica Lainez, Manuel. Bomarzo<\/em>, translated by Gregory Rabassa (NYRB Classics, 2025). [Argentina]<\/p>\n\n\n\n

Munar Guevara, Lina. “In the Mountains,” translated by Ellen Jones (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Navas, Oscar. \u201cThat Which Never Existed,\u201d translated by Marian and James Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Negrete, Javier. \u201cThe Secret Hunting,\u201d translated by the author (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

Neri, Dami\u00e1n. “The Face of God: A Documentary,” translated by the author (Clarkesworld<\/em>, 2024). [Mexico] [read here<\/a>]<\/p>\n\n\n\n

Nettel, Guadalupe. The Accidentals<\/em>, translated by Rosalind Harvey (Bloomsbury Publishing, 2025).<\/p>\n\n\n\n

Nieva, Michel. Dengue Boy<\/em>, translated by Rahul Bery (Astra Publishing House, 2025).<\/p>\n\n\n\n

Ob\u00f3n, Martha Riva Palacio. \u201cBiography of Algae,\u201d translated by Will Morningstar (Strange Horizons<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Ocampo, Silvina. \u201cThe Waves,\u201d translated by Marian Womack (The Big Book of Science Fiction<\/em>, 2016). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Compulsive Dreamer,\u201d translated by Nina M. Scott (The Secret Weavers<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Velvet Dress,\u201d translated by Nina M. Scott (The Secret Weavers<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe House of Sugar,\u201d translated by Nina M. Scott (The Secret Weavers<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThus Were Their Faces,\u201d translated by Nina M. Scott (The Secret Weavers<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. The Promise<\/em>, translated by Suzanne Jill Levine and Jessica Powell (City Lights, 2019).<\/span><\/p>\n\n\n\n

\u2014-. Topless Tower<\/em>, translated by James Womack (Hesperus, 2010).<\/span><\/p>\n\n\n\n

Ojeda, M\u00f3nica. Jawbone<\/em>, translated by Sarah Booker (Coffee House Press, 2022).<\/span><\/p>\n\n\n\n

—-. Nefando<\/em>, translated by Sarah Booker (Coffee House Press, 2023).<\/p>\n\n\n\n

—-. “Soroche,” translated by Sarah Booker and Noelle de la Paz (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Oloixarac, Pola. Dark Constellations<\/em>, translated by Roy Kesey (Soho Press, 2019).<\/span><\/p>\n\n\n\n

Ortega, Francisco. \u201cSeventy-Seven,\u201d translated by David Bowles (The Dark Magazine<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Pag\u00e9s, Santi. \u201cMad,\u201d translated by Marian and James Womack (The Best of Spanish<\/em> Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Palma, F\u00e9lix J. The Map of Time<\/em>, translated by Nick Caistor (Atria Books, 2011). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. The Map of the Sky<\/em>, translated by Nick Caistor (Atria Books, 2012).<\/span><\/p>\n\n\n\n

\u2014-. The Map of Chaos<\/em>, translated by Nick Caistor (Atria Books, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Albatross Ship,\u201d translated by Linda Smolik (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Princess at the Centre of the Earth,\u201d translated by ? (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRoses Against the Wind,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Karenina Syndrome,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSnow Globes,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Land of the Dolls,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Fairy-Tale Life,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLittle Furry Animals,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Brave Anesthetist,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMeows,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Violinist on the Roof,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Man Behind the Curtain,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Heart and Other Viscera,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Seven (or So) Lives of Sebastian Mingorance,\u201d translated by Nick Caistor and Lorenzo Garc\u00eda (The Heart and Other Viscera<\/em>, 2019).<\/span><\/p>\n\n\n\n

Pappe, Solange Rodr\u00edguez. \u201cTiny Women,\u201d translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020).<\/span><\/p>\n\n\n\n

Pardo, Edmee. \u201c1965,\u201d translated by Lesly Betancourt-Gonzales (Three Messages and a Warning<\/em>, 2012). [Mexico]<\/span><\/p>\n\n\n\n

Paz-Sold\u00e1n, Edmundo.  Turing\u2019s Delirium<\/em>, translated by Lisa Carter (Mariner Books, 2007). [Bolivia]<\/span><\/p>\n\n\n\n

—-. “Artificial,” translated by Heather Cleary (Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDr. AN,\u201d translated by Arthur Dixon (Latin American Literature Today<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

—-. “The Next Move,” translated by Jessica Sequeira (The Best of World SF 2<\/em>, 2022).<\/span><\/p>\n\n\n\n

Pedraza, Pilar. \u201cMater Tenebrarum,\u201d translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020).<\/span><\/p>\n\n\n\n

P\u00e9rez Navarro, Daniel. \u201cMimicry,\u201d translated by Lawrence Schimel (Supersonic <\/i>#9 Special English Issue, 2017).<\/span><\/p>\n\n\n\n

P\u00e9rez, Francisco J. \u201cInstrumental Transcommunication,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Ponce, Laura. \u201cThe Storm,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cPaulina,\u201d translated by Toshiya Kamei (Moon City Review,<\/i> 2019).<\/span><\/p>\n\n\n\n

Porcayo, Gerardo Horacio. \u201cRue Chair,\u201d translated by the author (The Best of World SF<\/em>, 2021).<\/span><\/p>\n\n\n\n

Quiroga, Horacio. “The Feather Pillow,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976). [Uruguay]<\/span><\/p>\n\n\n\n

—-. “Sunstroke,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976). <\/span><\/p>\n\n\n\n

—-. “The Pursued,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “The Decapitated Chicken,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “Drifting,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “A Slap in the Face,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “In the Middle of the Night,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “Juan Darien,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “The Dead Man,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “Anaconda,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “The Incense Tree Roof,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “The Son,” translated by Margaret Sayers Peden (The Decapitated Chicken<\/em>, 1976).<\/span><\/p>\n\n\n\n

—-. “Beyond,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Vampire,” translated by Elisa Taber (Beyond,<\/em> 2022).<\/span><\/p>\n\n\n\n

—-. “The Flies,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Express Train Conductor,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Call,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “His Absence,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Beauty and the Beast,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Lady Lioness,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “The Puritan,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “Sunset,” translated by Elisa Taber (Beyond<\/em>, 2022).<\/span><\/p>\n\n\n\n

R\u00e1bago Palafox, Gabriela. \u201cThe Woman Who Buys Children,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (Tales of the Fantastic<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Physician,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “Lorquiano, Mystical Vampire,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “First Communion,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “Don Calaco,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Boy With the Red Hair,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “Creatures of the Night,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “Letter to Glafira,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “The Fondness for Hell,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “Life Sentence,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “Duplication,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

—-. “Germanica,” translated by M. Elizabeth Ginway and Enrique Mu\u00f1oz-Mantas (The Voice of Blood<\/em>, 2025).<\/p>\n\n\n\n

Ram\u00edrez, Paulo C\u00e9sar. \u201cMay the Fifth,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Ram\u00f3n y Cajal, Santiago. Vacation Stories: Five Science Fiction Tales,<\/i> translated by Laura Otis (University of Illinois Press, 2006). [Spain]<\/span><\/p>\n\n\n\n

Ramos, Josu\u00e9. \u201cWake Up and Dream,\u201d translated by Lawrence Schimel (Supersonic <\/i>#9 Special English Issue, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Mechanical Flower,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Rebetez, Rene. \u201cThe New Prehistory,\u201d translated by Damon Knight (The Magazine of Fantasy and Science Fiction<\/em>, 1983). [Colombia]<\/span><\/p>\n\n\n\n

Reig, Rafael. Blood on the Saddle<\/i>, translated by Paul Hammond (Serpent\u2019s Tail, 2007).<\/span><\/p>\n\n\n\n

\u2014-. A Pretty Face<\/i>, translated by Paul Hammond (Serpent\u2019s Tail, 2007).<\/span><\/p>\n\n\n\n

Remesar, Joseph. \u201cPrey\u2019s Moon,\u201d translated by ? (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Reuven, Caryanna. “Proxima One,” translated by Sue Burke (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Reyes, Dolores. Eartheater<\/em>, translated by Julia Sanches (HarperVia, 2020).<\/span><\/p>\n\n\n\n

Rhei, Sof\u00eda. \u201cTecht,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016 \/ Everything is Made of Letters<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cReversible Cities,\u201d translated by Lawrence Schimel (Talisman<\/em>, 2014). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe BubbleLon Cyclotech,\u201d translated by James Womack (The Best of Spanish Steampunk<\/em>, 2015 \/ Everything is Made of Letters<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSecret Stories of Doors,\u201d translated by the author with assistance from Ian Whates (Barcelona Tales<\/em>, 2016 \/ Everything is Made of Letters<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cLearning Report,\u201d translated by the author with assistance from Arrate Hidalgo (Everything is Made of Letters<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cYou Cannot Kill Frownyflute!\u201d translated by the author with assistance from Sue Burke (Supersonic Magazine- Special Issue for Eurocon<\/em> 2016 \/ Everything is Made of Letters<\/em>, 2019).<\/span><\/p>\n\n\n\n

—-. “Zephyr,” translated by Marian Womack (Samovar<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

—-. “Paths,” translated by Kendall Simmons (The Deep Forest<\/em>, 2025).<\/p>\n\n\n\n

—-. “Fountains,” translated by Kendall Simmons (The Deep Forest<\/em>, 2025).<\/p>\n\n\n\n

—-. “Doors,” translated by Kendall Simmons (The Deep Forest<\/em>, 2025).<\/p>\n\n\n\n

—-. “Hearths,” translated by Kendall Simmons (The Deep Forest<\/em>, 2025).<\/p>\n\n\n\n

—-. “Trees,” translated by Kendall Simmons (The Deep Forest<\/em>, 2025).<\/p>\n\n\n\n

Rinc\u00f3n, Roc\u00edo. \u201cThe Lady of the Soler Colony,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Riva Palacio, Vicente. \u201cAn Unequal Marriage,\u201d translated by ? (Bewildering Stories<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

Rivera Garza, Cristina. The Taiga Syndrome<\/em>, translated by Suzanne Jill Levine and Aviva Kana (Dorothy, 2018).<\/span><\/p>\n\n\n\n

—-. The Iliac Crest<\/em>, translated by Sarah Booker (The Feminist Press, 2017).<\/p>\n\n\n\n

Rivera, Paula. \u201cMusic Box,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Rivero, Giovanna. “The Man with the Leg,” translated by Joaquin Gavilano (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Robles, Lola. Monteverde: Memoirs of an Interstellar Linguist<\/em>, translated by Lawrence Schimel (Aqueduct Press, 2016). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. \u201cSea Changes,\u201d translated by Lawrence Schimel (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cDeirdre,\u201d translated by Lawrence Schimel (Terra Nova<\/em>, 2013).<\/span><\/p>\n\n\n\n

de Rojas, Agust\u00edn. A Legend of the Future<\/i>, translated by Nick Caistor (Restless Books, 2015). [Cuba]<\/span><\/p>\n\n\n\n

\u2014-. The Year 200<\/em>, translated by Nick Caistor (Restless Books, 2016).<\/span><\/p>\n\n\n\n

\u2014-. Spiral<\/em>, translated by Nick Caistor and Hebe Powell (Restless Books, 2020).<\/span><\/p>\n\n\n\n

Rojo, Pepe. \u201cGrey Noise,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003 \/ Future Fiction<\/em>, 2018). [Mexico]<\/span><\/p>\n\n\n\n

—-. “Shoot,” translated by the author (A Larger Reality<\/em>, 2018).<\/p>\n\n\n\n

Romero, Tamara. Her Fingers<\/em>, translated by the author (?) (Eraserhead Press, 2012). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. \u201cEsmeralda,\u201d translated by Lawrence Schimel (Strange Horizons<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Rosa, Luis Othoniel. Down with Gargamel!<\/em>, translated by Noel Black (Argos Books, 2020). [Puerto Rico]<\/p>\n\n\n\n

Rosero, Evelio. Stranger to the Moon<\/em>, translated by Victor Meadowcroft and Anne McLean (New Directions, 2021). [Colombia]<\/span><\/p>\n\n\n\n

Rossi, Ana Cristina. “Abel,” translated by Allison MacKey (InterNova<\/em>, 2022). [read here<\/a><\/span>]<\/p>\n\n\n\n

Ruiz, Luis Manuel. \u201cDynevor Road,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Rulfo, Juan. Pedro P\u00e1ramo<\/em>, translated by Lysander Kemp (Grove Press, 1959). [Mexico]<\/p>\n\n\n\n

Sabugal, Noem\u00ed. \u201cBerlin Mechanical Men,\u201d translated by ? (The Best of Spanish Steampunk, <\/em>2015).<\/em><\/span><\/p>\n\n\n\n

Saccomanno, Guillermo. The Clerk<\/em>, translated by Andrea C. Labinger (Open Letter, 2020).<\/span><\/p>\n\n\n\n

Saer, Juan Jos\u00e9. The Event<\/em>, translated by Helen R. Lane (Open Letter, 2025). [Argentina]<\/p>\n\n\n\n

Saiz Cidoncha, Carlos. \u201cThe Emerald-Studded Scepter,\u201d translated by Joe F. Randolph (Terra SF II<\/em>, 1983). [Spain]<\/span><\/p>\n\n\n\n

Salazar Jim\u00e9nez, Claudia. \u201cCyber-proletarian,\u201d translated by George Henson (World Literature Today<\/em>, 2017). [Peru] [read here<\/a>]<\/span><\/p>\n\n\n\n

Salazar Maci\u00e1, Malena. \u201cColors That Tinted the Sky,\u201d translated by ? (SFinTranslation.com<\/span><\/em>, 2019). [Cuba] [<\/span>read here<\/u><\/span><\/a>]<\/span><\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Kiss of the Water,\u201d translated by ? (Mithila Review 12, <\/i>2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSurvivor,\u201d translated by ? (Coffin<\/em> Bell<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cEyes of the Crocodile,\u201d translated by ? (Clarkesworld Magazine<\/em>, 2020). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Salt in Her Kiss,\u201d translated by ? (The Future Fire<\/em>, 2020). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

—-. “Silent Slumber,” translated by ? (Dark Matter<\/em>, 2022).<\/span><\/p>\n\n\n\n

Salvo, Daniel. \u201cThe First Peruvian in Space,\u201d translated by Jose P. Adolph (The<\/em> Apex Book of World SF 2<\/em>, 2012). [Peru]<\/span><\/p>\n\n\n\n

Sanchiz, Ramiro. “Trees at Night,” translated by Sue Burke (Clarkesworld Magazine<\/em>, 2025). [Uruguay] [read here<\/a>]<\/p>\n\n\n\n

—-. “Above the Sand, Under the Skin,” translated by Monica Louzon (Translunar Travelers Lounge<\/em>, 2026). [read here<\/a>]<\/p>\n\n\n\n

Santiago, Juan Manuel. \u201c\u2018Tis a Pity She Was A Whore,\u201d translated by Sue Burke (Supersonic <\/i>#9 Special English Issue, 2017).<\/span><\/p>\n\n\n\n

Santos, Domingo. \u201cThe First Day of Eternity,\u201d translated by Stanley Schmidt (Analog<\/em>, January-February 2011). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. Round and Round and Round Again<\/em>, translated by Mae Strelkov (The Best From the Rest of the World<\/em>, 1976).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMy Wife, My Daughter,\u201d translated by Lawrence Schimel (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Song of Infinity,\u201d translated by ? (New Writings in SF 14<\/em>, 1969).<\/span><\/p>\n\n\n\n

Schaffler, Federico. \u201cA Miscalculation,\u201d translated by Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Schwarz, Mauricio-Jos\u00e9. \u201cGlimmerings on Blue Glass,\u201d translated by Ted Angell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Schweblin, Samanta. Fever Dream<\/em>, translated by Megan McDowell (Riverhead Books, 2017). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHeadlights,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cPreserves,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cButterflies,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMouthful of Birds,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSanta Claus Sleeps at Our House,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Digger,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cIrman,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Test,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cToward Happy Civilization,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOlingiris,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cMy Brother Walter,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Merman,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRage of Pestilence,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cHeads Against Concrete,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Size of Things,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cUnderground,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cSlowing Down,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cOn the Steppe,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cA Great Effort,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Heavy Suitcase of Benavides,\u201d translated by Megan McDowell (Mouthful of Birds<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. Little Eyes<\/em>, translated by Megan McDowell (Oneworld, 2020).<\/span><\/p>\n\n\n\n

—-. “None of That,” translated by Megan McDowell (Seven Empty Houses<\/em>, 2022).<\/p>\n\n\n\n

—-. “My Parents and My Children,” translated by Megan McDowell (Seven Empty Houses<\/em>, 2022).<\/p>\n\n\n\n

—-. “It Happens All the Time in This House,” translated by Megan McDowell (Seven Empty Houses<\/em>, 2022).<\/p>\n\n\n\n

—-. “Breath From the Depths,” translated by Megan McDowell (Seven Empty Houses<\/em>, 2022).<\/p>\n\n\n\n

—-. “Two Square Feet,” translated by Megan McDowell (Seven Empty Houses<\/em>, 2022).<\/p>\n\n\n\n

—-. “An Unlucky Man,” translated by Megan McDowell<\/span> (Seven Empty Houses<\/em>, 2022).<\/p>\n\n\n\n

—-. “Out,” translated by Megan McDowell (Seven Empty Houses<\/em>, 2022).<\/span><\/p>\n\n\n\n

—-. “An Eye in the Throat,” translated by Megan McDowell (The Paris Review<\/em>, 2024). [read here<\/a><\/span>]<\/p>\n\n\n\n

Segovia, Sofia. The Murmur of Bees<\/em>, translated by Simon Bruni (AmazonCrossing, 2019). [Mexico]<\/p>\n\n\n\n

Sent\u00edes Madrid, Horacio. \u201cThe Transformist,\u201d translated by Eduardo Jim\u00e9nez Mayo and Jos\u00e9 Alejandro Flores (World SF Blog<\/em>, 2012). [Mexico] [read here<\/a>]<\/span><\/p>\n\n\n\n

Shua, Ana Mar\u00eda. Death As a Side Effect,<\/i> translated by Andrea G. Labinger (University of Nebraska Press, 2010). [Argentina]<\/span><\/p>\n\n\n\n

\u2014-. \u201cAuthentic Zombies of the Caribbean,\u201d translated by Andrea G. Labinger (The Dark Magazine<\/em>, 2019).<\/span><\/p>\n\n\n\n

Sierra, Javier. The Lady in Blue<\/em>, translated by James Graham (Simon & Schuster, 2007).<\/span><\/p>\n\n\n\n

\u2014-. The Lost Angel<\/em>, translated by Carlos Frias (Simon & Schuster, 2011).<\/span><\/p>\n\n\n\n

Silva Rom\u00e1n, Ernesto. \u201cThe Death Star,\u201d translated by Casandra Griffith and Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Sis\u00ed, Carlos. The Wanderers<\/em>, translated by ? (Permuted Press, 2011). [Spain]<\/span><\/p>\n\n\n\n

Somers, Armon\u00eda. \u201cThe Fall,\u201d translated by Alberto Manguel (Other Fires: Short Fiction by Latin American Women<\/em>, 1986). [Uruguay]<\/span><\/p>\n\n\n\n

\u2014-. \u201cWaiting for Polidoro,\u201d translated by Klaus Winkelmann (A Hammock Beneath the Mangoes: Stories from Latin America<\/em>, 1991).<\/span><\/p>\n\n\n\n

\u2014-. The Naked Woman<\/em>, translated by Kit Maude (The Feminist Press, 2018).<\/span><\/p>\n\n\n\n

Somoza, Jos\u00e9 Carlos. The Art of Murder<\/em>, translated by ? (Abacus, 2005). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. The Athenian Murders<\/em>, translated by Sonia Soto (FSG, 2002).<\/span><\/p>\n\n\n\n

\u2014-. Zig Zag<\/em>, translated by Lisa Dillman (Rayo, 2007).<\/span><\/p>\n\n\n\n

Sosa Villada, Camila. “The House of Compassion,” translated by Kit Maude (Through the Night Like a Snake<\/em>, 2024).<\/p>\n\n\n\n

Storni, Alfonsina. “Cuca,” translated by Alina Lazar and Anna Evelyn White (Samovar<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Sucasas, Angel Luis. \u201cA Tale of the White Lady,\u201d translated by James Womack (Moon Scars<\/em>, 2017). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Offering,\u201d translated by James Womack (Moon Scars<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Day I Refused an Empire,\u201d translated by James Womack (Moon Scars<\/em>, 2017).<\/span><\/p>\n\n\n\n

\u2014-. \u201cFarewell,\u201d translated by James Womack (Unconventional Fantasy<\/em>, 2014).<\/span><\/p>\n\n\n\n

Tarazona, Daniela. The Animal on the Rock<\/em> Mexico, translated by Lizzie Davis and Kevin Gerry Dunn (Deep Vellum, 2025). [Mexico]<\/p>\n\n\n\n

Tizano, Rodrigo M\u00e1rquez. Jakarta<\/em>, translated by Thomas Bunstead (Coffee House Press, 2019).<\/span><\/p>\n\n\n\n

Tiz\u00f3n, Roc\u00edo. \u201cThe One-Armed Man,\u201d translated by ? (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Torras, Carme. \u201cTeam Memory,\u201d translated by Sue Burke (Spanish Women of Wonder<\/em>, 2016 \/ European Science Fiction #1<\/em>, 2021).<\/span><\/p>\n\n\n\n

Tr\u00edas, Fernanda. Pink Slime<\/em>, translated by Heather Cleary (Scribner, 2024). [Uruguay]<\/p>\n\n\n\n

Trigos, Rub\u00e9n S\u00e1nchez. \u201cGiants,\u201d translated by ? (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Tynj\u00e4l\u00e4, Tanya. \u201cThe Collector,\u201d translated by James D. Jenkins (The Valancourt Book of World Horror Stories, Vol.1<\/em>, 2020). [Peru]<\/span><\/p>\n\n\n\n

Ulloa Donoso, Claudia. \u201cLittle Bird,\u201d translated by Lily Meyer (Electric Literature<\/em>, 2018). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

de Unamuno, Miguel. \u201cMechanopolis,\u201d translated by Marian Womack (The Big Book of Science Fiction<\/em>, 2016). [Spain]<\/span><\/p>\n\n\n\n

Valder\u00e1, Duchy Man. \u201cElectric Geisha,\u201d translated by Toshiya Kamei (Big Echo<\/em>, 2018). [read here<\/a>]<\/span><\/p>\n\n\n\n

Vallejo, Susana. \u201cSummer in Amber,\u201d translated by Lawrence Schimel (Persistent Visions<\/em>, 2016). [Spain] [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cGracia,\u201d translated by Lawrence Schimel (Strange Horizons<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cReturning,\u201d translated by Lawrence Schimel (Cascadia Subduction Zone<\/em>, 2018).<\/span><\/p>\n\n\n\n

Vanasco, Alberto. \u201cPost-Boomboom,\u201d translated by Laura Wertish and Andrea Bell (Cosmos Latinos<\/em>, 2003).<\/span><\/p>\n\n\n\n

Vanoli, Hernan. \u201cSaint Lionel,\u201d translated by Juan Caballero (Words Without Borders<\/em>, 2015). [read here<\/a>]<\/span><\/p>\n\n\n\n

Vaquerizo, Eduardo. \u201cVictim and Executioner,\u201d translated by Sue Burke (Castles in Spain<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cRender Unto Caesar,\u201d translated by Rich Larson (Analog<\/em>, 2018).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBlack Eagles,\u201d translated by Marian and James Womack (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Vargas, Iliana. \u201cOniria,\u201d translated by ? (Logos<\/em>, 2019).<\/span><\/p>\n\n\n\n

\u2014-. \u201cInitiation,\u201d translated by ? (Coffin Bell<\/em>, 2019). [read here<\/u><\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cKan\/trahc,\u201d translated by Adrian Demopolus (A Larger Reality<\/em>, 2018).<\/span><\/p>\n\n\n\n

—-. “The Box,” translated by Julia Rios (Fireside Quarterly<\/em>, 2019).<\/p>\n\n\n\n

Vega, Roc\u00edo. “Bodyhoppers,” translated by Sue Burke (Clarkesworld<\/em>, 2025). [read here<\/a>]<\/p>\n\n\n\n

Vegas, Carolina. \u201cBear Ears,\u201d translated by Frances Riddle (The Short Story Project<\/em>, 2017). [Colombia] [read here<\/a>]<\/span><\/p>\n\n\n\n

Vilar Madruga, Elaine. Excerpt from Salome<\/em>, translated by David Shook (Weyward Sisters Publishing<\/em> website, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

Villalobos, Juan Pablo. Quesadillas<\/em>, translated by Rosalind Harvey (FSG, 2014). [Mexico] [read excerpt here<\/a>]<\/span><\/p>\n\n\n\n

Villarruel, Jorge Jaramillo. \u201cIcarus,\u201d translated by James and Marian Womack (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

Womack, Marian.\u201dIn a Glass, Darkly,\u201d translated by James and Marian Womack (The Best of Spanish Steampunk<\/em>, 2015).<\/span><\/p>\n\n\n\n

\u2014-. \u201cBlack Isle,\u201d translated by the author (Spanish Women of Wonder<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cStones,\u201d translated by the author (SuperSonic, no. 5<\/em>, 2016).<\/span><\/p>\n\n\n\n

\u2014-. \u201cNox Una,\u201d translated by the author (The Silent Garden<\/em>, 2018).<\/span><\/p>\n\n\n\n

Yoss. A Planet for Rent<\/i>, translated by David Frye (Restless Books, 2015). [Cuba]<\/span><\/p>\n\n\n\n

\u2014-. Super Extra Grande<\/em>, translated by David Frye (Restless Books, 2016).<\/span><\/p>\n\n\n\n

\u2014-. Condomnauts<\/em>, translated by David Frye (Restless Books, 2018).<\/span><\/p>\n\n\n\n

\u2014-. Red Dust<\/em>, translated by David Frye (Restless Books, 2020).<\/span><\/p>\n\n\n\n

\u2014-. \u201cInterstellar Biochocolate Mousse \u00e0 la solitaire . . . For Two,\u201d translated by Hillary Gulley (Words Without Borders<\/em>, 2016). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cThe Fortean Limes,\u201d translated by Lawrence Schimel (Litro<\/em>, 2017). [read here<\/a>]<\/span><\/p>\n\n\n\n

\u2014-. \u201cHealth for All,\u201d translated by George Henson (World Literature Today<\/em>, 2018).<\/span><\/p>\n\n\n\n

Yuszczuk, Marina. Thirst<\/em>, translated by Heather Cleary (Dutton, 2024).<\/p>\n\n\n\n

—-. Excerpt from Thirst<\/em>, translated by Heather Cleary (LitHub<\/em>, 2024). [read here<\/a><\/span>]<\/p>\n\n\n\n

Zaf\u00f3n, Carlos Ruiz. The Prisoner of Heaven<\/em>, translated by Lucia Graves (Weidenfeld & Nicolson, 2012). [Spain]<\/span><\/p>\n\n\n\n

\u2014-. Midnight Palace<\/em>, translated by Lucia Graves (Little, Brown & Company, 2011).<\/span><\/p>\n\n\n\n

\u2014-. The Shadow of the Wind<\/em>, translated by Lucia Graves (Penguin Press, 2004).<\/span><\/p>\n\n\n\n

\u2014-. The Angel\u2019s Game<\/em>, translated by Lucia Graves (Doubleday, 2009).<\/span><\/p>\n\n\n\n

\u2014-. The Labyrinth of the Spirits<\/em>, translated by Lucia Graves (HarperLuxe, 2018).<\/span><\/p>\n\n\n\n

Zagitt, Pedro. “Uninformed,” translated by Nahir Ota\u00f1o-Gracia (Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy<\/em>, 2017).<\/p>\n\n\n\n

—-. “Circular Photography,” translated by Nahir Ota\u00f1o-Gracia (Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, <\/em>2017).<\/p>\n\n\n\n

Zaidenweber, Jose. Feast of Egos<\/em>, translated by the author (Dorrance Publishing, 1993). [Mexico]<\/span><\/p>\n\n\n\n

Zapata, Guillermo. \u201cBiochronography of the Lateral Jump: Aub\u2019s Theorem,\u201d translated by ? (The Best of Spanish Steampunk,<\/em> 2015).<\/span><\/p>\n\n\n\n

Z\u00e1rate, Jos\u00e9 Luis. The Route of Ice and Salt<\/em>, translated by David Bowles (Innsmouth Free Press, 2021).<\/span><\/p>\n\n\n\n

—-. “Virus,” unknown translator (A Timeline in Which We Don’t Go Extinct: A Larger Reality 2.0<\/em>, 2019).<\/p>\n\n\n\n

—-. “Fences,” translated by Joey Whitfield (A Larger Reality: Speculative Fiction from the Bicultural Margins<\/em>, 2013)<\/p>\n\n\n\n

—-. “Wolves,” translated by Bernardo Fern\u00e1ndez and Chris N. Brown (Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic<\/em>, 2011).<\/p>\n","protected":false},"excerpt":{"rendered":"

Slovak Balla. In the Name of the Father & Other Stories, translated by Julia & Peter Sherwood (Jantar Publishing, 2017). Kovalyk, Ur\u0161u\u013ea. The Night Circus and Other Stories, translated by Julia Sherwood and Peter Sherwood (Parthian Books, 2019). Molnarova-Dubkova, Ivana and Marek Brenisin. “The Scorpion Sting,” unknown translator (The Viral Curtain, 2021). Reuss, Gustav. The<\/p>\n

Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11649"}],"collection":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11649"}],"version-history":[{"count":123,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11649\/revisions"}],"predecessor-version":[{"id":16557,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11649\/revisions\/16557"}],"wp:attachment":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}