JANUARY<\/strong><\/em><\/span><\/p>\n \u201cThe Tale of Ak and Humanity\u201d<\/span><\/a> by Yefim Zozulya, translated from the Russian by Alex Shvartsman (Tor.com<\/em>).<\/span><\/p>\n \u201cSulphur\u201d<\/span><\/a> by Dmitry Glukhovsky, translated from the Russian by Marian Schwartz (Asymptote<\/em>).<\/span><\/p>\n \u201cLamia\u201d<\/span><\/a> by Cristina Jurado, translated from the Spanish by Monica Louzon (Apex<\/em>).<\/span><\/p>\n \u201cCity Lights\u201d<\/span><\/a> by Yilun Fan, translated from the Chinese by S. Qiouyi Lu (Apex<\/em>).<\/span><\/p>\n \u201cNo One at the Wild Dock\u201d<\/span><\/a> by Gu Shi, translated from the Chinese by S. Qiouyi Lu (Clarkesworld<\/em>).<\/span><\/p>\n \u201cDevour Me\u201d<\/span><\/a> by Yuki Fuwa, translated from the Japanese by (World Literature Today<\/em>).<\/span><\/p>\n FEBRUARY<\/strong><\/em><\/span><\/p>\n MARCH<\/strong><\/em><\/span><\/p>\n “Commencement Address”<\/span><\/a> by Arthur Liu, translated from the Chinese by Stella Jiayue Zhu (Clarkesworld<\/em>).<\/span><\/p>\n “Four-Letter Word”<\/span><\/a> by Alexy Dumenigo, translated from the Spanish by ? (Future Science Fiction Digest<\/em>).<\/span><\/p>\n “Rat’s Tongue”<\/span><\/a> by Xing Fan, translated from the Chinese by Judith Huang (Future Science Fiction Digest<\/em>).<\/span><\/p>\n APRIL<\/strong><\/em><\/span><\/p>\n “Hanuman the Monkey King”<\/span><\/a> by Pan Haitian, translated from the Chinese by Emily Jin (Clarkesworld<\/em>).<\/span><\/p>\n “My Little Slice of Sky: A Multilingual Exquisite Corpse”<\/span><\/a> by R. Joseph Dazo, Nazl\u0131 Karab\u0131y\u0131ko\u011flu, Olga Breininger, and Clelia Farris, translations by\u202fJohn Bengan, Ralph Hubbell, Hilah Kohen, and Rachel Cordasco (Slice Magazine<\/em>).<\/span><\/p>\n MAY<\/strong><\/span><\/em><\/span><\/p>\n “Panorama People”<\/span><\/a> by Azrin Fauzi, translated from the Malay by Ali Aiman Mazwin (Samovar Magazine<\/em>).<\/span><\/p>\n “You, or Dissociation as a Survival Tool in Pursuit of Finding a Mental Haven of Sanity and Companionship”<\/span><\/a> by Diana Barberena-Jonas, translated from the Spanish by the author (Samovar Magazine<\/em>).<\/span><\/p>\n “Gamma”<\/span><\/a> by Oskar K\u00e4llner, translated from the Swedish by Gordon James Jones (Clarkesworld<\/em>).<\/span><\/p>\n “The Possibly Brief Life of Guang Hansheng”<\/span><\/a> by Liang Qingsan, translated from the Chinese by Andy Dudak (Clarkesworld<\/em>).<\/span><\/p>\n JUNE<\/strong><\/span><\/em><\/span><\/p>\n “Inhuman Lovers”<\/span><\/a> by Chen Qian, translated from the Chinese by Carmen Yiling Yan (Clarkesworld<\/em>).<\/span><\/p>\n “Rescue Rangers”<\/span><\/a> by Henry Lion Oldie, translated from the Russian (Ukraine) by Julia Meitov Hersey (Future Science Fiction Digest<\/em>).<\/span><\/p>\n JULY<\/strong><\/span><\/em><\/span><\/p>\n “A Cloudcutter’s Diary”<\/span><\/a> by Chen Chuncheng, translated from the Chinese by Jack Hargreaves (Samovar Magazines<\/em>).<\/span><\/p>\n “Butterfly Hunt”<\/span><\/a> by Bo Balder, translated from the Dutch by the author (Samovar<\/em> Magazine<\/em>). [reprint] “Abel”<\/span><\/a> by Ana Cristina Rossi, translated from the Spanish (Costa Rica) by Allison MacKey (InterNova<\/em>, 2022).<\/span><\/p>\n AUGUST<\/strong><\/em><\/span><\/p>\n SEPTEMBER<\/strong><\/em><\/span><\/p>\n “Siri, My Love; Zuckerbook, My Home”<\/span><\/a> by Mose Njo, translated from the French by Allison M. Charette (Future Science Fiction Digest<\/em>).<\/span><\/p>\n “The Loving Home”<\/span><\/a><\/span> by Olga Fiks, translated from the Russian by Alex Shvartsman (Future Science Fiction Digest<\/em>).<\/p>\n “How the Stars were Connected”<\/span><\/a><\/span> by Zhou Wen, translated from the Chinese by Judith Huang (Future Science Fiction Digest<\/em>).<\/p>\n “As One Listens to the Rain”<\/span><\/a> by Andrea Chapela, translated from the Spanish by Emma T\u00f6rzs (Uncanny<\/em>).<\/span><\/p>\n OCTOBER<\/strong><\/em><\/span><\/p>\n \u201cFly Free\u201d<\/span><\/a> by Alan Kubatiev, translated from the Russian by Alex Shvartsman (Clarkesworld<\/em>).<\/span><\/p>\n \u201cGiant Fish\u201d<\/span><\/a> by Chu Shifan, translated from the Chinese by Stella Jiayue Zhu (Clarkesworld<\/em>).<\/span><\/p>\n \u201cWarm beds\u201d<\/span><\/a> by M\u00f3nica Bustos, translated from the Spanish (Paraguay) by Anal\u00eda Villagra (Samovar<\/em>).<\/span><\/p>\n \u201cThe Fire Star Passes the Meridian\u201d<\/span><\/a> by Chang Yu-Ko, translated from the Chinese (Taiwan) by Lauren Harper (Samovar<\/em>).<\/span><\/p>\n NOVEMBER<\/strong><\/em><\/span><\/p>\n \u201cThe Words\u201d<\/a> by Clelia Farris, translated from the Italian by Rachel Cordasco (Apex Magazine<\/em>). (available online 11\/15)<\/span><\/p>\n
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