A Week in Future Wales<\/span><\/em><\/a> (entire novel) by Islwyn Ffowc Elis, translated from the Welsh by Stephen Morris (Futuredotwales<\/em>).<\/span><\/p>\n \u201cInitiation\u201d<\/span><\/a> by Iliana Vargas, translated from the Spanish (Coffin Bell).<\/em><\/span><\/p>\n \u201cSurvivor\u201d<\/span><\/a> by Malena Salazar Maci\u00e1, translated from the Spanish (Coffin Bel<\/em>l<\/em>).<\/span><\/p>\n <\/p>\n JANUARY<\/strong><\/em><\/span><\/p>\n \u201cMars Child\u201d<\/span><\/a> by Kim Seong Joong, translated from the Korean by Victoria Caudle (Nabillera<\/em>, January).<\/span><\/p>\n \u201cThe Princess Whose Hair Was Writing\u201d<\/span><\/a> by Natsumi\u00a0Tanaka, translated from the Japanese by ? (Fanzine<\/em>, January).<\/span><\/p>\n \u201cNew Testament\u201d<\/span><\/a> by Fernando Schekaiban, translated from the Spanish by ? (Big Echo<\/em>, January).<\/strong><\/span><\/p>\n (science fiction) Short allegory about human knowledge and intellectual striving.<\/span><\/p><\/blockquote>\n \u201cAll Saints\u2019 Mountain\u201d<\/span><\/a> by Olga Tokarczuk, translated from the Polish by Jennifer Croft (Hazlitt<\/em>, January).<\/strong><\/span><\/p>\n (science fiction) \u201cI asked about the children we were to study: who were they, why were they to undergo the test, what was the purpose of our program? Though I also knew it wasn\u2019t any of my business.\u201d<\/span><\/p><\/blockquote>\n \u201cCosmic Funeral\u201d<\/span><\/a> by Sou Saito, translated from the Japanese by ? (CommuterLit<\/em>, January).<\/span><\/p>\n \u201cThe Small White\u201d<\/span><\/a> by Marian Coman, translated from the Romanian by Sebastian Simon (Apex Magazine<\/em>, January).<\/span><\/p>\n \u201cSketches of a Worldwide Christo and Jeanne-Claude\u201d <\/span><\/a>by M.H. Vesseur, translated from the Dutch by Paul Vincent (Unfit Magazine<\/em>, January).<\/span><\/p>\n \u201cThe Eternal Idol\u201d<\/span><\/a> by Am\u00e9lie Olaiz, translated from the Japanese by ? (Menacing Hedge<\/em>, January).<\/span><\/p>\n \u201cSoul Tree\u201d<\/span><\/a> by Katsuya Yatsukawa, translated from the Japanese by ? (SFinTranslation.com<\/em>, January). \u201cThe Talus of Madame Liken\u201d<\/span><\/a> by Asja Baki\u0107, translated from the Croatian by Jennifer Zoble (World Literature Today<\/em>, January).<\/strong><\/span><\/p>\n (surrealism) \u201cIn this story from Asja Baki\u0107\u2019s debut collection, Mars<\/em>, two women exist in a dangerous symbiosis.”<\/span><\/p><\/blockquote>\n \u201cAnd the Wind Passes Dancing\u2026\u201d<\/span> <\/a>by Massimo Soumar\u00e9, translated from the Italian by ? (Unreal Magazine<\/em>, January).<\/span><\/p>\n <\/p>\n FEBRUARY<\/strong><\/em><\/span><\/span><\/p>\n \u201cHome\u201d<\/span><\/a> by Soyeon Jeong, translated from the Korean by Sophie Bowman (Guernica<\/em>, February).<\/span><\/p>\n \u201cEveryone Sleeps at Night\u201d<\/span><\/a> by Anderson Fonseca, translated from the Portuguese by ? (Idle Ink<\/em>, February).<\/span><\/p>\n \u201cFor Humanity Today and Tomorrow\u201d<\/span><\/a> by Sou Saito, translated from the Japanese by ? (Aphelion<\/em>, February).<\/span><\/p>\n \u201cA Young Man\u2019s Fortune\u201d<\/span><\/a> by Alberto Chimal, translated from the Spanish by ? (Bewildering Stories<\/em>, February).<\/span><\/p>\n \u201cArt\u201d<\/span><\/a> by Alberto Chimal, translated from the Spanish by David Bowles (The Dark<\/em>, February).<\/span><\/p>\n \u201cThe Butcher of New Tasmania\u201d <\/span><\/a>by Suo Hefu, translated from the Chinese by Andy Dudak (Clarkesworld<\/em>, February).<\/span><\/p>\n (science fiction) A man tries to clear his name after being accused of genocide on an alien planet.<\/span><\/p><\/blockquote>\n <\/p>\n MARCH<\/strong><\/em><\/span><\/span><\/p>\n \u201cNight\u201d<\/span><\/a> by Victor Martinovich, translated from the Belarusian by Jaros\u0142aw Anders (Przekr\u00f3j<\/em>, March).<\/span><\/p>\n \u201cThe Lord of Rivers<\/a>\u201d<\/span> by Wanxiang Fengnian, translated from the Chinese by Nathan Faries (Future Science Fiction Digest<\/em>, March).<\/strong><\/span><\/p>\n (science fiction) An AI, built to organize crowd movements in a busy terminal, winds up outlasting not just humanity, but all of the civilizations in the known universe, and when it\u2019s contacted by a group of stragglers who think they can \u201creboot\u201d the universe, the \u201cLord of Rivers\u201d is determined to help them\u2026no matter the consequence.<\/span><\/p><\/blockquote>\n \u201cThe Knack Bomb<\/a>\u201d<\/span> by Bo Balder, translated from the Dutch by the author (Samovar,<\/em> March). (reprint)<\/strong><\/span><\/p>\n (science fiction) Anyone hit by a \u201cknack bomb\u201d is suddenly endowed with fantastic powers\u2013the ability to attract anyone, make anyone look great in even the ugliest clothes, etc.\u2013but then things get out of hand.<\/span><\/p><\/blockquote>\n Excerpt from The Heart of the Circle <\/em><\/span><\/a>by Keren Landsman, translated from the Hebrew by Daniella Zamir (Tor.com<\/em>, March).<\/span><\/p>\n \u201cSaligia<\/a>\u201d<\/span> by H. Pueyo, translated from the Portuguese by the author (Samovar<\/i>, March).<\/strong><\/span><\/p>\n (fantasy) An acronym for the Latin words for the seven deadly sins, \u201cSaligia\u201d deals with the generational fall-out from the transgressions of an upper-class family living somewhere between Brazil and Uruguay. Werewolves aren\u2019t even the strangest part of this story.<\/span><\/p><\/blockquote>\n \u201cHoles\u201d<\/span><\/a> by Clelia Farris, translated from the Italian by Rachel Cordasco (World Literature Today<\/em>, March\/April).<\/strong><\/span><\/p>\n (science fiction) Italian sci-fi master Clelia Farris conjures a solitary egglike being and the company eager to provide a piercing solution.<\/span><\/p><\/blockquote>\n \u201cMeteors\u201d<\/span><\/a> by Clara Ng, translated from the Indonesian by Toni Pollard (Words Without Borders<\/em>, March).<\/strong><\/span><\/p>\n (science fiction) An intergalactic love story about different species bridging the distance between their two cultures.<\/span><\/p><\/blockquote>\n <\/p>\n APRIL<\/strong><\/em><\/span><\/span><\/p>\n Excerpt from Everything is Made of Letters<\/em><\/span><\/a> by Sofia Rhei, translated from the Spanish by Sue Burke (Aqueduct Press, April).<\/span><\/p>\n \u201cThe Feather\u201d<\/span><\/a> by Vladimir Poleganov, translated from the Bulgarian by Peter Bachev (InTranslation<\/em>, April).<\/span><\/p>\n \u201cJabir Sabeel\u201d<\/span><\/a> by Mansour Mohammad El Souwaim, translated from the Arabic by Raphael Cohen (The Short Story Project<\/i>, April).<\/span><\/p>\n \u201cThe Woman Next Door\u201d<\/span><\/a> (from Flowers of Mold<\/em>) by Ha Seong-Nan, translated from the Korean by Janet Hong (The Yale Review<\/em>, April).<\/span><\/p>\n Excerpt from Waste Tide<\/em><\/span><\/a> by Chen Qiufan, translated from the Chinese by Ken Liu (Tor.com<\/em>, April).<\/strong><\/span><\/p>\n (science fiction) A story about e-waste, labor conditions in China, the destructive nature of unchecked globalization, and the next step in human-machine hybridization.<\/span><\/p><\/blockquote>\n \u201cThere Are No Serpents in Heaven\u201d<\/span><\/a> by Swylmar dos Santos Ferreira, translated from the Portuguese by ? (unfading daydream #8<\/em>, April).<\/span><\/p>\n \u201cLooking For Carla\u201d<\/span><\/a> by Carlos A. Duarte Cano, translated from the Spanish by ? (Teleport Magazine<\/em>, April).<\/span><\/p>\n
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