{"id":11895,"date":"2016-04-07T04:19:00","date_gmt":"2016-04-07T04:19:00","guid":{"rendered":"https:\/\/www.sfintranslation.com\/?p=11895"},"modified":"2022-04-08T21:52:38","modified_gmt":"2022-04-08T21:52:38","slug":"2016-sft-on-the-web","status":"publish","type":"post","link":"https:\/\/www.sfintranslation.com\/?p=11895","title":{"rendered":"2016 SFT on the Web"},"content":{"rendered":"
\n

\u201cSummer in Amber\u201d<\/span><\/a> by Susana Vallejo, translated from the Spanish by Lawrence Schimel, Persistent Visions Magazine<\/em>.<\/span><\/p>\n

\u201cSalinger and the Koreans\u201d<\/span><\/a> by Han Song, translated from the Chinese by Ken Liu, Tales of Our Time<\/em>, the Robert H. N. Ho Family Foundation (Solomon R. Guggenheim Museum) catalogue<\/span><\/p>\n

\u201cThe Little Angel\u2019s Exhumation\u201d<\/span><\/a> by Mariana Enriquez, translated from the Spanish by Joel Streicker, The Short Story Project<\/em>.<\/span><\/p>\n

 <\/p>\n

JANUARY<\/strong><\/span><\/em><\/span><\/p>\n

\u201cThe Fruit of My Woman\u201d <\/span><\/a>by Han Kang, translated from the Korean by Deborah Smith (Granta<\/em>).<\/span><\/p>\n

\u201cBroken Stars\u201d<\/span><\/a> by Tang Fei, translated from the Chinese by Ken Liu (SQ Magazine<\/em>).<\/span><\/p>\n

\u201cEverybody Loves Charles\u201d<\/span><\/a> by Bao Shu, translated from the Chinese by Ken Liu (Clarkesworld<\/em>).<\/span><\/p>\n

 <\/p>\n

FEBRUARY<\/strong><\/span><\/em><\/span><\/p>\n

 <\/p>\n

MARCH<\/strong><\/span><\/em><\/span><\/p>\n

\u201cChimera\u201d<\/span><\/a> by Gu Shi, translated from the Chinese by <\/span>S. Qiouyi Lu and Ken Liu (Clarkesworld<\/em>).<\/span><\/p>\n

\u201cLet There Be Light\u201d<\/span><\/a> by Chen Qiufan, translated from the Chinese by Ken Liu (Daily Science Fiction<\/em>).<\/span><\/p>\n

 <\/p>\n

APRIL<\/strong><\/span><\/em><\/span><\/p>\n

\u201cBalin\u201d<\/span><\/a> by Chen Qiufan, translated from the Chinese by <\/span>Ken Liu (Clarkesworld<\/em>).<\/span><\/p>\n

\u201cThe Hush Void\u201d<\/span><\/a> by Muhammad Khudayyir, translated from the Arabic by Elisabeth Jaquette (The Common<\/em>).<\/span><\/span><\/p>\n

 <\/p>\n

MAY<\/strong><\/span><\/em><\/span><\/p>\n

\u201cNothing to Declare\u201d<\/span><\/a> by\u00a0Anabel Enr\u00edquez Pi\u00f1eiro, translated from the Spanish by Hillary Gulley (Words Without Borders<\/em>).<\/span><\/p>\n

\u201cFinished\u201d<\/span><\/a> by Han Song, translated from the Chinese by Nick Stember (Pathlight<\/em>).<\/span><\/p>\n

\u201cThe Bleeding Hands of Castaways\u201d<\/span><\/a> by Erick J. Mota, translated from the Spanish by Esther Allen (Words Without Borders<\/em>).<\/span><\/p>\n

\u201cAway From Home\u201d<\/span><\/a> by Luo Longxiang, translated from the Chinese by <\/span>Nick Stember (Clarkesworld<\/em>).<\/span><\/p>\n

\u201cInterstellar Biochocolate Mousse \u00e0 la solitaire . . . For Two\u201d<\/span><\/a> by Yoss, translated from the Spanish by Hillary Gulley (Words Without Borders)<\/em>.<\/span><\/p>\n

\u201cFreuds\u201d<\/span><\/a> (from\u00a0Self-Reference ENGINE<\/em>) by Toh EnJoe, translated from the Japanese by ??? (Haikasoru).<\/span><\/p>\n

 <\/p>\n

JUNE<\/strong><\/span><\/em><\/span><\/p>\n

\u201cLandscape with Intruders\u201d<\/span><\/a> by Jean-Claude Dunyach, translated from the French by Sheryl Curtis (Blind Spot Magazine<\/em>).<\/span><\/p>\n

\u201cGenesis\u201d<\/span><\/a> by Jeon Sam-hye, translated from the Korean by Anton Hur (Words Without Borders<\/em>).<\/span><\/p>\n

\u201cThe Snow of Jinyang\u201d<\/span><\/a> by<\/span> Zhang Ran, translated from the Chinese by <\/span>Ken Liu and Carmen Yiling Yan (Clarkesworld Magazine<\/em>).<\/span><\/p>\n

 <\/p>\n

JULY<\/strong><\/span><\/em><\/span><\/p>\n

\u201cPay Me\u201d<\/span><\/a> by Zdravka Evtimova, translated by ? (Electric Lit<\/em>).<\/span><\/p>\n

\u201cThe First Tree In the Forest\u201d<\/span><\/a> by Jean-Luc Andr\u00e9 d\u2019Asciano, translated from the French by Edward Gauvin (Blind Spot Magazine<\/em>).<\/span><\/p>\n

\u201cThe New Abyss\u201d<\/span><\/a> by Paul Scheerbart, translated from the German by Daniel Ableev and Sarah Kassem (Weird Fiction Review<\/em>).<\/span><\/p>\n

 <\/p>\n

AUGUST<\/strong><\/span><\/em><\/span><\/p>\n

\u201cMadame F\u00e9lid\u00e9 Elopes\u201d<\/span><\/a> by K. A. Teryna, translated from the Russian by Anatoly Belilovsky (PodCastle<\/em>).<\/span><\/p>\n

\u201cAlone, on the Wind\u201d <\/a><\/span>by Karla Schmidt, translated from the German by Lara Harmon (Clarkesworld<\/em>).<\/span><\/p>\n

\u201cThe Weight of Memories\u201d<\/span><\/a> by Liu Cixin, translated from the Chinese by Ken Liu (Tor.com<\/em>).<\/span><\/p>\n

 <\/p>\n

SEPTEMBER<\/strong><\/span><\/em><\/span><\/p>\n

\u201cIshmael\u201d<\/span><\/a> by Shimon Adaf, translated from the Hebrew by Leanne Raday (The Short Story Project<\/em>).<\/span><\/p>\n

\u201cRecord of a Growth”<\/span><\/a> by Fanny Charrasse, translated from the French by Edward Gauvin (Blind Spot Magazine<\/em>).<\/span><\/p>\n

\u201cThe Triumph of Mechanics\u201d<\/span><\/a> by Karl Hans Strobl, translated from the German by Gio Clairval (Weird Fiction Review<\/em>).<\/span><\/p>\n

From \u201cA Fair War\u201d<\/span><\/a> by Taiyo Fujii in Saiensu Fikushon 2016<\/em>, translated from the Japanese by ??? (Haikasoru).<\/span><\/p>\n

Excerpt from Nomansland, AZ<\/em><\/span><\/a> by Boris Sandler, translated from the Yiddish by Sebastian Schulman (Words Without Borders<\/em>).<\/span><\/p>\n

\u201cThe Opposite and the Adjacent\u201d<\/span><\/a> by Liu Yang, translated from the Chinese by Nick Stember (Clarkesworld Magazine<\/em>).<\/span><\/p>\n

\u201cThe Ruins of Granada\u201d<\/span><\/a> by \u00c1ngel Ganivet, translated from the Spanish by Marian Womack (Weird Fiction Review<\/em>).<\/span><\/p>\n

\u201cIn Shadow\u201d<\/span><\/a> by Andreas<\/span> Izquierdo, translated from the German by Rachel Hildebrandt (Weyward Sisters Publishing<\/em>).<\/span><\/p>\n

\u201cTrick?\u201d<\/span><\/a> by Vincenzo Barone Lumaga, translated from the Italian by Rachel Cordasco (SFinTranslation.com<\/em>).<\/span><\/p>\n

 <\/p>\n

OCTOBER<\/strong><\/span><\/em><\/span><\/p>\n

\u201cThe Boy in the Trunk\u201d<\/span><\/a> by Nicola Lombardi, translated from the Italian by J. Weintraub (Deadman\u2019s Tome<\/em>).<\/span><\/p>\n

\u201cThe Onlookers\u201d<\/span><\/a> by Kathrin R\u00f6ggla, translated from the German by Jake Schneider (The Short Story Project<\/em>).<\/span><\/p>\n

\u201cQuadraturin\u201d<\/span><\/a> by Sigizmund Krzhizhanovsky, translated from the Russian by Joanne Turnbull (The Short Story Project<\/em>).<\/span><\/p>\n

Excerpt from One Hundred Shadows<\/em><\/span><\/a> by Hwang Jungeun, translated from the Korean by Jung Yewon (The Guardian<\/em>).<\/span><\/p>\n

Excerpt from Salome<\/em><\/span><\/a> by Elaine Vilar Madruga, translated from the Spanish by David Shook (Weyward Sisters Publishing<\/em>).<\/span><\/p>\n

\u201cEsmeralda\u201d<\/span><\/a> by Tamara Romero, translated from the Spanish by Lawrence Schimel (Strange Horizons<\/em>).<\/span><\/p>\n

\u201cGracia\u201d<\/a><\/span> by Susana Vallejo, translated from the Spanish by Lawrence Schimel (Strange Horizons<\/em>).<\/span><\/p>\n

\u201cDragon Boat\u201d<\/span><\/a> by Ge Liang, translated from the Chinese by Karen Curtis (Paper Republic<\/em>).<\/span><\/p>\n

\u201cThe Calculations of Artificials\u201d<\/span><\/a> by Chi Hui, translated from the Chinese by John Chu (Clarkesworld<\/em>).<\/span><\/p>\n

\u201cTerpsichore\u201d<\/span><\/a> by Teresa P. Mira de Echeverr\u00eda, translated from the Spanish by Lawrence Schimel (Strange Horizons<\/em>).<\/span><\/p>\n

 <\/p>\n

NOVEMBER<\/strong><\/span><\/em><\/span><\/p>\n

\u201cHeavens on Earth\u201d (excerpt)<\/span><\/a> by Carmen Boullosa, translated from the Spanish by Shelby Vincent (World Literature Today<\/em>).<\/span><\/p>\n

Smokopolitan<\/span><\/em>: English issue (nr 7)<\/span><\/a> (Polish sf)<\/span><\/p>\n

\u201c8 Minutes\u201d<\/span><\/a> by Mohamed Salah, translated from the Arabic by Elisabeth Jaquette (The Offing<\/em>).<\/span><\/p>\n

\u201cWhere Did I Lose You?\u201d<\/span><\/a> by Fan Xiaoqing, translated from the Chinese by Paul Harris (Paper Republic<\/em>).<\/span><\/p>\n

\u201cTwo Young Women From Fuyang\u201d <\/span><\/a>by Mai Jia, translated from the Chinese by Yu Yan Chen (Paper Republic<\/em>).<\/span><\/p>\n

\u201cWestern Heaven\u201d<\/span><\/a> by Chen Hongyu, translated from the Chinese by Andy Dudak (Clarkesworld<\/em>).<\/span><\/p>\n

\u201cThe Northern Border\u201d <\/span><\/a>by Li Zishu, translated from the Chinese by Joshua Dyer (Paper Republic<\/em>).<\/span><\/p>\n

Dreams From Beyond: Anthology of Czech Speculative Fiction<\/span><\/em><\/a>,<\/span> ed. Julie Novakova (for Eurocon).<\/span><\/p>\n

\u201cDragonworld\u201d<\/span><\/a> by Zhang Xinxin, translated from the Chinese by Helen Wang (Paper Republic<\/em>).<\/span><\/p>\n

\u201cElectric Dreams\u201d<\/span><\/a> by Fabio Lastrucci, translated from the Italian by Rachel Cordasco (SFinTranslation.com<\/em>).<\/span><\/p>\n

 <\/p>\n

DECEMBER<\/strong><\/span><\/em><\/span><\/p>\n

Excerpt from Mountains Oceans Giants<\/em><\/span><\/a> by Alfred D\u00f6blin, translated from the German by Chris Godwin (In Translation<\/em>).<\/span><\/p>\n

\u201cA.: Only Through Death Will You Learn Your True Identity\u201d<\/span><\/a> by Etgar Keret, translated from the Hebrew by Sondra Silverston (Wired<\/em>).<\/span><\/p>\n

\u201cThe Asphalt is Melting\u201d<\/span><\/a> by Antonella di Biase, translated from the Italian by ? (Motherboard<\/em>).<\/span><\/p>\n

\u201cSpiderweb\u201d<\/span><\/a> by Mariana Enriquez, translated from the Spanish by Megan McDowell (The New Yorker<\/em>).<\/span><\/p>\n

\u201cThe Path to Freedom\u201d<\/span><\/a> by Tang Fei, translated from the Chinese by Xueting Christine Ni (Paper Republic<\/em>).<\/span><\/p>\n

\u201cPainter of Stars\u201d<\/span><\/a> by Wang Yuan, translated from the Chinese by Andy Dudak (Clarkesworld<\/em>).<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cSummer in Amber\u201d by Susana Vallejo, translated from the Spanish by Lawrence Schimel, Persistent Visions Magazine. \u201cSalinger and the Koreans\u201d by Han Song, translated from the Chinese by Ken Liu, Tales of Our Time, the Robert H. N. Ho Family Foundation (Solomon R. Guggenheim Museum) catalogue \u201cThe Little Angel\u2019s Exhumation\u201d by Mariana Enriquez, translated from<\/p>\n

Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1311],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11895"}],"collection":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11895"}],"version-history":[{"count":2,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11895\/revisions"}],"predecessor-version":[{"id":11897,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/11895\/revisions\/11897"}],"wp:attachment":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}