Excerpt from Quesadillas<\/em><\/span><\/a> by Juan Pablo Villalobos, translated by Rosalind Harvey, FSG Originals<\/em>.<\/span><\/p>\n “The Sloven”<\/span><\/a> by Stefan Grabinski, translated from the Polish by Miroslaw Lipinski, Przekr\u00f3j Magazine.<\/em><\/span><\/p>\n “Reversible Cities”<\/span><\/a> by Sofia Rhei, translated from the Spanish by Lawrence Schimel, Talisman<\/em>.<\/span><\/p>\n “The Machine to think of Gladys”<\/span><\/a> by Mario Levrero, translated from the Spanish by Ignacio Azcueta & Maria Pape, Alchemy<\/em>.<\/span><\/p>\n “The Ability to Pull the Trigger”<\/span><\/a> by Sergey Lukyanenko, translated from the Russian by Dmitry Krizhanovsky, Alchemy<\/em>.<\/span><\/p>\n “I\u2019m always late everywhere”<\/span><\/a> by Daniel Frini, translated from the Spanish by Maximiliano Frini, Alchemy<\/em>.<\/span><\/p>\n “Theory of species extinction”<\/span><\/a> by Daniel Frini, translated from the Spanish by Maximiliano Frini, Alchemy<\/em>.<\/span><\/p>\n Excerpt from Two Ends of the World<\/em> (1937)<\/span><\/a> by Antoni S\u0142onimski, translated from the Polish by Paulina Duda & Jodi Greig, Alchemy<\/em>.<\/span><\/p>\n <\/p>\n JANUARY<\/strong><\/span><\/em><\/span><\/p>\n “Grave of the Fireflies”<\/span><\/a> by Cheng Jingbo, translated from the Chinese by <\/span>Ken Liu, Clarkesworld<\/em>.<\/span><\/p>\n \u201cSense of Wonder 2.0\u201d<\/span><\/a> by Laurent Queyssi\u200f, translated from the French by Edward Gauvin, The New Accelerator<\/em>.<\/span><\/p>\n <\/p>\n FEBRUARY<\/strong><\/span><\/em><\/span><\/p>\n “Home by the Sea”<\/span><\/a> by \u00c9lisabeth Vonarburg, translated from the French by Jane Brierley, Apex Magazine<\/em>.<\/span><\/p>\n <\/p>\n MARCH<\/strong><\/span><\/em><\/span><\/p>\n “The Mao Ghost”<\/span><\/a> by Chen Qiufan, translated from the Chinese by Ken Liu, Lightspeed<\/em>.<\/span><\/p>\n “The Other Bank of the River”<\/span><\/a> by Camila Fernandes, translated from the Spanish by ?, Intergalactic Medicine Show<\/em>. [entire story only available to mag subscribers]<\/span><\/p>\n <\/p>\n APRIL<\/strong><\/span><\/em><\/span><\/p>\n “The Day the World Turned Upside Down”<\/span><\/a> by Thomas Olde Heuvelt, translated from the Dutch by Lia Belt, Lightspeed<\/em>.<\/span><\/p>\n <\/p>\n MAY<\/strong><\/span><\/em><\/span><\/p>\n \u201cWhite Curtain\u201d<\/span><\/a> by Pavel Amnuel, translated from the Russian by Anatoly Belilovsky, The Magazine of Fantasy and Science<\/em> Fiction<\/em>, <\/em>reprinted in The Year\u2019s Best SF 32.<\/em><\/span><\/p>\n <\/p>\n JUNE<\/strong><\/span><\/em><\/span><\/p>\n “The Ghoul”<\/span><\/a> by Jean Muno, translated from the French by Edward Gauvin, Weird Fiction Review.<\/em><\/span><\/p>\n “Chambered Nautilus”<\/span><\/a> by \u00c9lisabeth Vonarburg, translated from the French by Jane Brierley, Strange Horizons<\/em>.<\/span><\/p>\n <\/p>\n JULY<\/strong><\/span><\/em><\/span><\/p>\n <\/p>\n AUGUST<\/strong><\/span><\/em><\/span><\/p>\n <\/p>\n SEPTEMBER<\/strong><\/span><\/em><\/span><\/p>\n “Headache”<\/span><\/a> by Julio Cort\u00e1zar, translated from the Spanish by Michael Cisco, Tor.com<\/em>.<\/span><\/p>\n “Spring Festival: Happiness, Anger, Love, Sorrow, Joy”<\/span><\/a> by Xia Jia, translated from the Chinese by Ken Liu, Clarkesworld<\/em>.<\/span><\/p>\n Excerpts from the Three Body Problem<\/em><\/span><\/a> by Cixin Liu, translated from the Chinese by Ken Liu, Tor Books.<\/span><\/p>\n <\/p>\n OCTOBER<\/strong><\/span><\/em><\/span><\/p>\n “Sah-Harah”<\/span><\/a> by Gheorghe S\u0103s\u0103rman, translated from the Romanian (via the Spanish) by Ursula Le Guin, Lightspeed<\/em>.<\/span><\/p>\n “Where the Trains Turn”<\/span><\/a> by Pasi Ilmari J\u00e4\u00e4skel\u00e4inen, translated from the Finnish by Liisa Rantalaiho, Tor.com<\/em>.<\/span><\/p>\n <\/p>\n NOVEMBER<\/strong><\/span><\/em><\/span><\/p>\n <\/p>\n DECEMBER<\/strong><\/span><\/em><\/span><\/p>\n “The Dying Embers”<\/span><\/a> by Inkeri Kontro, translated from the Finnish by the author, Strange Horizons<\/em>.<\/span><\/p>\n