JANUARY<\/span><\/em><\/strong><\/p>\n\n\n\n “Our Daily Bread”<\/a><\/span> by Sven Kl\u00f6pping, translated from the German by Michael K. Iwoleit (InterNova<\/em>).<\/p>\n\n\n\n FEBRUARY<\/strong><\/em><\/span><\/p>\n\n\n\n \u201cIntroduction to 2181 Overture, Second Edition\u201d<\/a> by Gu Shi, translated from the Chinese by Emily Jin (Clarkesworld<\/em>).<\/span><\/p>\n\n\n\n “A Short Biography of a Conscious Chair” by Renan Bernardo, translated from the Portuguese by the author (Samovar<\/em>).<\/span><\/p>\n\n\n\n APRIL<\/strong><\/em><\/span><\/p>\n\n\n\n “The Librarian and the Robot”<\/a> by Shi Heiyao, translated from the Chinese by Andy Dudak (Clarkesworld<\/em>).<\/span><\/p>\n\n\n\n MAY<\/strong><\/span><\/em><\/span><\/p>\n\n\n\n “Action at a Distance”<\/a> by An Hao, translated from the Chinese by Andy Dudak (Clarkesworld<\/em>).<\/span><\/p>\n\n\n\n “The Inside is Always Entrails”<\/a> by Fernanda Castro, translated from the Portuguese by H. Pueyo (The Dark<\/em>).<\/span><\/p>\n\n\n\n “First Death”<\/a><\/span> by Pierre Pelot, translated from the French by Michael Shreve (InterNova<\/em>).<\/p>\n\n\n\n “The Soul of Scanners”<\/a> by Jacques Barb\u00e9ri, translated from the French by Michael Shreve (InterNova<\/em>).<\/p>\n\n\n\n “Them!”<\/a> by Maurice Renard, translated from the French by Michael Shreve (InterNova<\/em>).<\/p>\n\n\n\n “The City in the Abyss”<\/a> by Jos\u00e9 Moselli, translated from the French by Michael Shreve (InterNova<\/em>).<\/p>\n\n\n\n JUNE<\/strong><\/span><\/em><\/span><\/p>\n\n\n\n “To Helen”<\/a> by Bella Han, translated from the Chinese by the author (Clarkesworld<\/em>).<\/span><\/p>\n\n\n\n “Matchstick Girl”<\/a> by Lucas Santana, translated from the Portuguese by H. Pueyo (The Dark<\/em>).<\/span><\/p>\n\n\n\n “A Pilgrimage to Memories Tattooed”<\/a> by Elena Pavlova, translated from the Bulgarian by the author and Desislava Silvilova (Samovar<\/em>).<\/span><\/p>\n\n\n\n “Plums in Chocolate”<\/a> by Ernestas Parulskis, translated from the Lithuanian by Kotryna Garanasvili (Samovar<\/em>).<\/span><\/p>\n\n\n\n AUGUST<\/em><\/span><\/strong><\/p>\n\n\n\n “Who Can Have the Moon”<\/a><\/span> by Congyun ‘Muming’ Gu, translated from the Chinese by Tian Huang (Clarkesworld<\/em>).<\/p>\n\n\n\n SEPTEMBER<\/em><\/span><\/strong><\/p>\n\n\n\n “The People from the Dead Whale”<\/a><\/span> by Djuna, translated from the Korean by Jihyun Park and Gord Sellar (Clarkesworld<\/em>).<\/p>\n\n\n\n OCTOBER<\/em><\/span><\/strong><\/p>\n\n\n\n “Bacterial”<\/a><\/span> by Marcelo Cohen, translated from the Spanish by Kit Maude (Samovar<\/em>).<\/p>\n\n\n\n “Contact”<\/a><\/span> by Arnout Brokking, translated from the Dutch by Camilla Maltas (Samovar<\/em>).<\/p>\n\n\n\n NOVEMBER<\/em><\/span><\/strong><\/p>\n\n\n\n “A Record of Lost Time”<\/a> by Regina Kanyu Wang, translated from the Chinese by Rebecca F. Kuang (Lightspeed<\/em>).<\/p>\n\n\n\n
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