JANUARY<\/span><\/em><\/strong><\/p>\n\n\n\n “Stars Don’t Dream”<\/a> by Chi Hui, translated from the Chinese by John Chu (Clarkesworld<\/em>).<\/p>\n\n\n\n “A Song for Sleep”<\/a> (excerpt from Your Utopia<\/em>) by Bora Chung, translated from the Korean by Anton Hur (Words Without Borders<\/em>).<\/p>\n\n\n\n “House on the Edge of the Crater”<\/a> by G\u00e1bor K\u00e9pes, translated from the Hungarian by Anna K\u00e1llai (Samovar<\/em>).<\/p>\n\n\n\n “The House of the Scolopendra”<\/a><\/span> by Nicola Lombardi, translated from the Italian by J. Weintraub (Samovar<\/em>). [reprint]<\/p>\n\n\n\n FEBRUARY<\/span><\/em><\/strong><\/p>\n\n\n\n “The Peregrine Falcon Flies West”<\/a> by Yang Wanqing, translated from the Chinese by Jay Zhang (Clarkesworld<\/em>).<\/p>\n\n\n\n “Specimen”<\/a> by Joyce Baker, translated from the French by E. S. Taillon (Words Without Borders<\/em>).<\/p>\n\n\n\n “Chlorosis” <\/a>by Ariane G\u00e9linas, translated from the French by Remy Attig (Words Without Borders<\/em>). <\/p>\n\n\n\n “Ruins”<\/a> by Me\u0301lodie Joseph, translated from the French by Eli Tareq El Bechelany-Lynch (Words Without Borders<\/em>).<\/p>\n\n\n\n “Welcome, Alyson”<\/a> by J. D. Kurtness, translated from the French by Hannah Allen-Shim (Words Without Borders<\/em>).<\/p>\n\n\n\n “Resurgence”<\/a> by Ayavi Lake, translated from the French by H. Felix Chau Bradley (Words Without Borders<\/em>).<\/p>\n\n\n\n MARCH<\/span><\/em><\/strong><\/p>\n\n\n\n “One Flew Over the Songhua River”<\/a> by Qi Ran, translated from the Chinese by Andy Dudak (Clarkesworld<\/em>).<\/p>\n\n\n\n excerpt from Thirst<\/em><\/a> by Marina Yuszczuk, translated from the Spanish (Argentina) by Heather Cleary (LitHub<\/em>).<\/p>\n\n\n\n “An Eye in the Throat”<\/a> by Samanta Schweblin, translated from the Spanish (Argentina) by Megan McDowell (The Paris Review<\/em>).<\/p>\n\n\n\n APRIL<\/span><\/em><\/strong><\/p>\n\n\n\n “The Rambler”<\/a> by Shen Dacheng, translated from the Chinese by Cara Healey (Clarkesworld<\/em>).<\/p>\n\n\n\n “Oh, Fang\u00e8d Night!”<\/a> by Hijab Imtiaz Ali, translated from the Urdu (India) by Daisy Rockwell (Samovar<\/em>).<\/p>\n\n\n\n “The Little Monster”<\/a> by L\u00e9opold Chauveau, translated from the French by Nat Paterson (Samovar<\/em>).<\/p>\n\n\n\n JUNE<\/span><\/em><\/span><\/strong><\/p>\n\n\n\n “The Reflection of Sand”<\/a> by Tan Gang, translated from the Chinese by Emily Jin (Clarkesworld<\/em>).<\/p>\n\n\n\n JULY<\/em><\/span><\/strong><\/p>\n\n\n\n “Death Valley”<\/a> by Junko Mase, translated from the Japanese by Sharni Wilson (World Literature Today<\/em>).<\/p>\n\n\n\n “The Lesser Evil” (excerpt)<\/a> by C. E. Feiling, translated from the Spanish (Argentina) by Frances Riddle (World Literature Today<\/em>).<\/p>\n\n\n\n “The Devil’s Offspring”<\/a> by Mahmoud Fikry, translated from the Arabic (Egypt) by Emad El-Din Aysha (World Literature Today<\/em>).<\/p>\n\n\n\n “You Have to Read This!”<\/a> by John Ajvide Lindqvist, translated from the Swedish by Marlaine Delargy (World Literature Today<\/em>).<\/p>\n\n\n\n “Bone by Bone”<\/a> by M\u00f3nika Rusvai, translated from the Hungarian by Vivien Urban (Samovar<\/em>).<\/p>\n\n\n\n “P-Pod”<\/a> by Kaori Fujino, translated by the TamaGo Collective (Words Without Borders<\/em>).<\/p>\n\n\n\n SEPTEMBER<\/em><\/span><\/strong><\/p>\n\n\n\n “The Children I Gave You, Oxalaia”<\/a> by Cirilo Lemos, translated from the Portuguese (Brazil) by Thamirys G\u00eanova (Clarkesworld<\/em>).<\/p>\n\n\n\n OCTOBER<\/em><\/span><\/strong><\/p>\n\n\n\n “The Face of God: A Documentary”<\/a> by Dami\u00e1n Neri, translated from the Spanish (Mexico) by the author (Clarkesworld<\/em>).<\/p>\n\n\n\n “Because Flora had Existed. And I Had Loved Her,”<\/a> by Anna Martino, translated from the Portuguese (Brazil) by the author (Samovar<\/em>).<\/p>\n\n\n\n