JANUARY<\/em><\/strong><\/p>\n\n\n\n “Tomorrow’s Beautiful Dream”<\/a> by Ju Chu, translated from the Chinese Carmen Yiling Yan (Clarkesworld<\/em>, January 1)<\/strong>.<\/p>\n\n\n\n A “soulseller” who performs menial tasks while under the influence of a chip inserted into his brain finds that the chips are not saving factories money but actually refining the soulsellers themselves.<\/em><\/p>\n\n\n\n “The Sandy Shore”<\/a> by Goulc\u2019han Kervella, translated from the Breton (France) by Michelle Couny (Words Without Borders<\/em>, January 26).<\/strong><\/p>\n\n\n\n FEBRUARY<\/strong><\/em><\/p>\n\n\n\n “Damnatio Memoriae”<\/a> by I. A. Galdames, translated from the Spanish (Chile) by Monica Louzon (Neon Dystopia<\/em>, February 6).<\/strong><\/p>\n\n\n\n “Above the Sand, Under the Skin”<\/a> by Ramiro Sanchiz, translated from the Spanish (Uruguay) by Monica Louzon (Translunar Travelers Lounge<\/em>, February 15).<\/strong><\/p>\n\n\n\n MARCH<\/strong><\/em><\/p>\n\n\n\n “Those Who Left History”<\/a> by Wanxiang Fengnian, translated from the Chinese by Stella Jiayue Zhu (Clarkesworld, March 1).<\/strong><\/p>\n\n\n\n “Mother Tongue”<\/a> by Osdany Morales translated from the Spanish (Cuba) by Esther Allen (Words Without Borders<\/em>).<\/strong><\/p>\n\n\n\n “Buddha Dies”<\/a> by Sven Kl\u00f6pping, translated from the German by Michael K. Iwoleit (InterNova<\/em>).<\/strong><\/p>\n\n\n\n “Reconstructor”<\/a> by Thorsten K\u00fcper, translated from the German by Michael K. Iwoleit (InterNova<\/em>).<\/strong><\/p>\n\n\n\n “Rest in Peace”<\/a> by Helmuth W. Mommers, translated from the German by Richard Kunzmann (InterNova<\/em>).<\/strong><\/p>\n\n\n\n “Enola in Eternity” <\/a>by Thomas A. Sieber, translated from the German by Michael K. Iwoleit (InterNova<\/em>).<\/strong><\/p>\n\n\n\n “Hey, Mr. Spaceman!”<\/a> by Ronald M. Hahn, translated from the German by Michael J. Berridge (InterNova<\/em>).<\/strong><\/p>\n\n\n\n “Verticity”<\/a> by Gheorghe S\u0103s\u0103rman, translated from the Romanian by Monica Cure (SciPhi Journal<\/em>).<\/strong><\/p>\n\n\n\n APRIL<\/strong><\/em><\/p>\n\n\n\n “The Tiger in the Room”<\/a> by Moon Young Park, translated from the Korean by Paige Aniyah Morris (Samovar<\/em>).<\/strong><\/p>\n\n\n\n MAY<\/strong><\/em><\/p>\n\n\n\n “The Scent of Memory”<\/a> by Zhao Haihong, translated from the Chinese by S. Qiouyi Lu (Clarkesworld<\/em>).<\/strong><\/p>\n\n\n\n
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