{"id":7011,"date":"2019-07-08T04:14:12","date_gmt":"2019-07-08T04:14:12","guid":{"rendered":"https:\/\/www.sfintranslation.com\/?p=7011"},"modified":"2019-07-20T03:24:48","modified_gmt":"2019-07-20T03:24:48","slug":"sf-authors-as-translators","status":"publish","type":"post","link":"https:\/\/www.sfintranslation.com\/?p=7011","title":{"rendered":"SF Authors as Translators"},"content":{"rendered":"

Did you know that some of the most well-known Anglophone speculative fiction authors have also translated SF into English ? I know! So cool!<\/strong><\/p>\n

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John Brunner-<\/strong> translation from the French<\/p>\n

The Overlords of War<\/em> by\u00a0G\u00e9rard Klein (Doubleday and Company, 1973).<\/p><\/blockquote>\n

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Sue Burke-<\/strong> translations from the Spanish<\/p>\n

“Light a Lone Candle” by Victor Conde (Terra Nova<\/em>, 2013).<\/p>\n

“Bodies” by Juanfran Jim\u00e9nez (Terra Nova<\/em>, 2013).<\/p>\n

Prodigies<\/em> by Ang\u00e9lica Gorodischer (Small Beer Press, 2015).<\/p>\n

“Red Houses” by Nieves Delgado (Spanish Women of Wonder<\/em>, 2016).<\/p>\n

“The Schiwoll Method” by Yolanda Espi\u00f1eira (Spanish Women of Wonder<\/em>, 2016).<\/p>\n

The Twilight of the Normidons<\/em> by Sergio Llanes (Ediciones Dokusou,<\/em> 2016).<\/p>\n

“The Infestation” by Felicidad Mart\u00ednez (Spanish Women of Wonder<\/em>, 2016).<\/p>\n

“Welcome to Croatoan” by Layla Mart\u00ednez (Spanish Women of Wonder<\/em>, 2016).<\/p>\n

“The Storm” by Laura Ponce (Spanish Women of Wonder<\/em>, 2016).<\/p>\n

“Techt” by Sof\u00eda Rhei (Spanish Women of Wonder<\/em>, 2016).<\/p>\n

“Victim and Executioner” by Eduardo Vaquerizo (Castles in Spain<\/em>, 2016).<\/p>\n

“Francine draft for the September lecture)” by Maria Ant\u00f2nia Mart\u00ed Escayol (Supersonic <\/i>#9 Special English Issue, 2017).<\/p>\n

\u201c\u2018Tis a Pity She Was A Whore\u201d by Juan Manuel Santiago (Supersonic <\/i>#9 Special English Issue, 2017).<\/p><\/blockquote>\n

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C. J. Cherryh<\/strong>– translations from the French<\/p>\n

Stellar Crusade <\/em><\/i>(part of Cosmic Crusaders, <\/em>which also includes Baphomet\u2019s<\/i><\/em> Meteor, translated by Bernard Kay) (DAW, 1980).<\/p>\n

The Green Gods<\/i> by N(athalie) C. Henneberg (DAW, 1980).<\/p>\n

The Book of Shai<\/i><\/em> by Daniel Walther (DAW, 1984).<\/p>\n

Shai\u2019s Destiny<\/i><\/em> by Daniel Walther (DAW, 1985).<\/p><\/blockquote>\n

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Andy Dudak-<\/strong> translations from the Chinese<\/p>\n

\u201cWestern Heaven\u201d by\u00a0Chen, Hongyu (Clarkesworld Magazine<\/em>, 2016).<\/p>\n

\u201cPainter of Stars\u201d by\u00a0Wang Yuan (Clarkesworld Magazine<\/i><\/em>, 2016).<\/p>\n

\u201cRain Ship\u201d by Chi Hui (Clarkesworld Magazine<\/em>, 2017).<\/p>\n

\u201cAn Account of the Sky Whales\u201d by A Que (Clarkesworld Magazine<\/em>, 2017).<\/p>\n

\u201cAn Age of Ice\u201d by\u00a0Zhang Ran (Clarkesworld Magazine<\/em>, 2017).<\/p>\n

“Master Zhao: The Tale of an Ordinary Time Traveler\u201d by Zhang Ran (Clarkesworld Magazine<\/em>, 2018).<\/p>\n

\u201cThe Lighthouse Girl\u201d by Baoshu, (Clarkesworld Magazine<\/em>, 2018).<\/p>\n

\u201cThe Wings of Earth\u201d by Bo Jiang (Clarkesworld Magazine<\/em>, 2018).<\/p>\n

\u201cThe Heaven-Moving Way\u201d by\u00a0Chi Hui (Apex Magazine<\/em>, 2018).<\/p>\n

\u201cYour Multicolored Life\u201d by\u00a0He, Xing (Clarkesworld Magazine<\/em>, 2018).<\/p>\n

\u201cThe Foodie Federation\u2019s Dinosaur Farm\u201d by\u00a0Luo, Longxiang (Clarkesworld Magazine<\/i><\/em>, 2018).<\/p>\n

Suo, Hefu. \u201cThe Butcher of New Tasmania,\u201d translated by Andy Dudak (Clarkesworld Magazine<\/em>, 2019).<\/p>\n

“Wu Ding\u2019s Journey to the West” by Tang Fei (Clarkesworld Magazine<\/em>, 2019).<\/p>\n

\u201cIn Search of Your Memories\u201d by\u00a0Yu Nian (Clarkesworld Magazine<\/em>, 2019).<\/p>\n

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Rich Larson-<\/strong> translation from the Italian<\/p>\n

“Milla” by Lorenzo Crescentini and Emanuela Valentini (Clarkesworld<\/em>, 2017).<\/p>\n

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Rich Larson-<\/strong> translation from the Spanish<\/p>\n

\u201cRender Unto Caesar\u201d by Eduardo Vaquerizo (Analog<\/em>, 2018).<\/p>\n

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Ursula K. Le Guin-<\/strong> translation from the Spanish<\/p>\n

Kalpa Imperial<\/em> by Ang\u00e9lica Gorodischer<\/span> (Small Beer Press, 2003).<\/p><\/blockquote>\n

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Ken Liu-<\/strong> translations from the Chinese<\/p>\n

\u201cExuviation\u201d by\u00a0Xiao Haihong (Lightspeed<\/em>, 2010).<\/p>\n

\u201cThe City of Silence\u201d by\u00a0Ma Boyong (World SF Blog, 2011 \/\u00a0Apex Book of World SF 3<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cMark Twain Robots\u201d by Ma Boyong (TRSF,<\/em> September 2011- a special publication of MIT\u2019s Technology Review<\/em>).<\/p>\n

\u201cThe Taxi Driver\u201d by\u00a0Xue Yiwei (Pathlight<\/em>, 2012).<\/p>\n

\u201cTaking Care of God\u201d by Liu Cixin (Pathlight, <\/em>2012 \/ Invisible Planets <\/em>anthology, 2016 \/ The Wandering Earth, <\/em>2017).<\/p>\n

\u201cShenzhen is Located at 22\u00b027\u2019-22\u00b052\u2019 N\u201d by\u00a0Deng Yiguang (Pathlight<\/em>, Winter 2012).<\/p>\n

\u201cCall Girl\u201d by Ma Boyong (Apex Magazine<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cInvisible Planets\u201d by\u00a0Hao Jingfang (Lightspeed Magazine<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cThe Endless Farewell\u201d by\u00a0Chen Qiufan (Pathlight<\/em>, 2013).<\/p>\n

\u201cThe Mao Ghost\u201d by\u00a0Chen Qiufan (Lightspeed<\/em>, 2014).<\/p>\n

The Three-Body Problem<\/em> by Cixin Liu (Tor Books, 2014).<\/p>\n

\u201cThe Circle\u201d by Liu Cixin (Carbide Tipped Pens,<\/em> 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cSpring Festival: Happiness, Anger, Love, Sorrow, Joy\u201d by Xia Jia (Clarkesworld Magazine<\/em>, 2014).<\/p>\n

\u201cOil of Angels\u201d by Chen Qiufan (Upgraded<\/em>, ed. Neil Clarke, 2014).<\/p>\n

\u201cHeat Island\u201d by\u00a0Xia Jia (Pathlight<\/em>, 2015).<\/p>\n

\u201cThe Smog Society\u201d by\u00a0Chen Qiufan (translated with Carmen Yiling Yan) (Lightspeed,<\/i> 2015).<\/p>\n

\u201cWhat Has Passed Shall In Kinder Light Appear\u201d by Baoshu (The Magazine of Fantasy and Science Fiction<\/em>, 2015 \/ Broken Stars<\/em>, 2019).<\/p>\n

\u201cValentine\u2019s Day\u201d by Xia Jia (Motherboard<\/em>, 2015 \/ Anomaly 25<\/em>, 2017).<\/p>\n

\u201cComing of the Light\u201d by Chen Qiufan (Clarkesworld Magazine<\/i>, 2015 \/ Touchable Unreality<\/em>, 2017 \/ Broken Stars<\/em>, 2019).<\/p>\n

\u201cFolding Beijing\u201d by Hao Jingfang (Uncanny Magazine<\/em>, 2015 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cEverybody Loves Charles\u201d by Baoshu (Clarkesworld Magazine<\/em>, 2016).<\/p>\n

\u201cA History of Future Illnesses\u201d by\u00a0Chen Qiufan (Pathlight<\/em>, 2016 \/ Broken Stars<\/em>, 2019).<\/p>\n

\u201cSalinger and the Koreans\u201d by Han Song (Tales of Our Time<\/em>, the Robert H. N. Ho Family Foundation [Solomon R. Guggenheim Museum] catalogue, 2016 \/ Broken Stars<\/em>, 2019).<\/p>\n

Death’s End<\/em> by Cixin Liu (Tor Books, 2016).<\/p>\n

\u201cChimera\u201d by Gu Shi (translated with <\/span>S. Qiouyi Lu) (Clarkesworld Magazine<\/em>, 2016).<\/p>\n

\u201cThe Fish of Lijiang\u201d by Chen Qiufan (Clarkesworld Magazine<\/i><\/em>, 2011 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cThe Flower of Shazui\u201d by\u00a0Chen Qiufan (Interzone<\/em> #243, 2012 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cLet There Be Light\u201d by\u00a0Chen Qiufan (Daily Science Fiction<\/em>, 2016).<\/p>\n

\u201cThe Year of the Rat,\u201d translated by Ken Liu (The Magazine of Fantasy and Science Fiction<\/em>, 2013 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cGrave of the Fireflies\u201d by\u00a0Cheng Jingbo (Clarkesworld Magazine<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cTongtong\u2019s Summer\u201d by Xia Jia (Clarkesworld Magazine<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cThe Weight of Memories\u201d by Liu Cixin (Tor.com<\/em>, 2016).<\/p>\n

\u201cA Man Out of Fashion\u201d by Chen Qiufan (Clarkesworld Magazine<\/em>, 2017).<\/p>\n

\u201cOblivion is a Crease Left by Memory\u201d by\u00a0Chen Qiufan (seat14c.com<\/em>, 2017).<\/p>\n

\u201cPreserve Her Memory\u201d by Baoshu (Clarkesworld Magazine<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017).<\/p>\n

\u201cSecurity Check\u201d by Han Song (Clarkesworld Magazine<\/i><\/em>, 2015 \/ Touchable Unreality<\/em>, 2017).<\/p>\n

\u201cThe Robot Who Liked to Tell Tall Tales\u201d by\u00a0Fei Dao (Clarkesworld Magazine<\/em>, 2017 \/ Broken Stars<\/em>, 2019).<\/p>\n

\u201cBalin\u201d by Chen Qiufan (Clarkesworld Magazine<\/i><\/em>, 2016 \/ The Reincarnated Giant<\/em>, 2018).<\/p>\n

\u201cThe Reunion\u201d by Chen Qiufan (translated with Emily Jin) (MIT Technology Review<\/em>, 2018).<\/p>\n

\u201cFarewell, Doraemon\u201d by A Que (translated with Emily Jin) (Clarkesworld Magazine<\/em>, 2018).<\/p>\n

\u201cThe Reunion\u201d by\u00a0Chen Qiufan (translated with Emily Jin) (MIT Technology Review<\/em>, 2018).<\/p>\n

\u201cFields of Gold\u201d by Liu Cixin (MIT Technology Review: <\/em>Twelve Tomorrows<\/em>, 2018).<\/p>\n

\u201cThe Loneliest Ward\u201d by Hao Jingfang (Clarkesworld Magazine<\/em>, 2018).<\/p>\n

Waste Tide<\/em> by Chen Qiufan (Tor Books, 2019).<\/p>\n

\u201cSubmarines\u201d by Han Song (Broken Stars<\/em>, 2019).<\/p>\n

\u201cUnder a Dangling Sky\u201d by Cheng Jingbo (Broken Stars<\/em>, 2019).<\/p>\n

\u201cThe New Year Train\u201d by Hao Jingfang (Broken Stars<\/em>, 2019).<\/p>\n

\u201cMoonlight\u201d by Liu Cixin (Broken Stars<\/em>, 2019).<\/p>\n

\u201cThe First Emperor\u2019s Games\u201d by Ma Boyong (Broken Stars<\/em>, 2019).<\/p>\n

\u201cBroken Stars\u201d by\u00a0Tang Fei (SQ Magazine<\/em>, 2016 \/ Broken Stars<\/em>, 2019).<\/p>\n

\u201cThe Brain Box\u201d by\u00a0Regina Kanyu Wang (Broken Stars<\/em>, 2019).<\/p>\n

\u201cThe Demon-Enslaving Flask\u201d by\u00a0Xia Jia (The Reincarnated Giant<\/em>, 2018).<\/p>\n

\u201cGoodnight, Melancholy\u201d by\u00a0Xia Jia (Clarkesworld Magazine<\/em>, 2017 \/ Broken Stars<\/em>, 2019).<\/p>\n

\u201cA Hundred Ghosts Parade Tonight\u201d by\u00a0Xia Jia (Clarkesworld Magazine<\/em>, 2012 \/\u00a0Apex Book of World SF 3<\/em>, 2014 \/ Invisible Planets <\/em>anthology, 2016).<\/p>\n

\u201cIf on a Winter\u2019s Night a Traveler\u201d by\u00a0Xia Jia (Clarkesworld Magazine<\/em>, 2015 \/ Touchable Unreality<\/em>, 2017).<\/p>\n

\u201cNight Journey of the Dragon-Horse\u201d by\u00a0Xia Jia (Invisible Planets <\/em>anthology, 2016 \/ Lightspeed<\/em>, 2018).<\/p>\n

\u201cThe Psychology Game\u201d by\u00a0Xia Jia (translated with <\/span>Emily Jin) (Clarkesworld Magazine<\/em>, 2017).<\/p>\n

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Kim Stanley Robinson<\/strong>– translations from the Italian<\/p>\n

\u201cEspree\u201d by Renato Pestriniero (The Magazine of Fantasy and Science Fiction<\/em>, August, 1989).<\/p>\n

\u201cThe People in the Painting\u201d by\u00a0Renato Pestriniero (Starshore<\/em>, Summer 1990).<\/p>\n

 <\/p><\/blockquote>\n

Kim Stanley Robinson<\/strong>– translation from the French<\/p>\n

“Transfusion” by Joe\u0308lle Wintrebert Full Spectrum 3<\/em>, 1991).<\/p><\/blockquote>\n

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Jean-Louis Trudel<\/strong>– translations from the French<\/p>\n

The Dragon’s Eye<\/em> by Jo\u00ebl\u00a0Champetier (Tor Books, 1999).<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Did you know that some of the most well-known Anglophone speculative fiction authors have also translated SF into English ? I know! So cool!               John Brunner- translation from the French The Overlords of War by\u00a0G\u00e9rard Klein (Doubleday and Company, 1973).   Sue Burke- translations from the Spanish “Light<\/p>\n

Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":7017,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[46],"tags":[545,26,871,873,872,869,83,135,877,359,133,90,876,868,874,230,870,875,33,127,878,548,879],"_links":{"self":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/7011"}],"collection":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7011"}],"version-history":[{"count":13,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/7011\/revisions"}],"predecessor-version":[{"id":7060,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/posts\/7011\/revisions\/7060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=\/wp\/v2\/media\/7017"}],"wp:attachment":[{"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfintranslation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}