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FEBRUARY

“Introduction to 2181 Overture, Second Edition” by Gu Shi, translated from the Chinese by Emily Jin (Clarkesworld).

“A Short Biography of a Conscious Chair” by Renan Bernardo, translated from the Portuguese by the author (Samovar).

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APRIL

“The Librarian and the Robot” by Shi Heiyao, translated from the Chinese by Andy Dudak (Clarkesworld).

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MAY

“Action at a Distance” by An Hao, translated from the Chinese by Andy Dudak (Clarkesworld).

“The Inside is Always Entrails” by Fernanda Castro, translated from the Portuguese by H. Pueyo (The Dark).

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JUNE

“To Helen” by Bella Han, translated from the Chinese by the author (Clarkesworld).

“Matchstick Girl” by Lucas Santana, translated from the Portuguese by H. Pueyo (The Dark).

“A Pilgrimage to Memories Tattooed” by Elena Pavlova, translated from the Bulgarian by the author and Desislava Silvilova (Samovar).

“Plums in Chocolate” by Ernestas Parulskis, translated from the Lithuanian by Kotryna Garanasvili (Samovar).

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AUGUST

“Who Can Have the Moon” by Congyun ‘Muming’ Gu, translated from the Chinese by Tian Huang (Clarkesworld).

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SEPTEMBER

“The People from the Dead Whale” by Djuna, translated from the Korean by Jihyun Park and Gord Sellar (Clarkesworld).

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OCTOBER

“Bacterial” by Marcelo Cohen, translated from the Spanish by Kit Maude (Samovar).

“Contact” by Arnout Brokking, translated from the Dutch by Camilla Maltas (Samovar).