From the time I started reviewing SFT* for John DeNardo’s SF Signal a billion years ago (that is, November 2014) up until now (with an SFT site that just turned 4 and regular reviews in World Literature Today and Strange Horizons), I’ve thought a lot about the role that translation plays in the American publishing
SHORT STORIES “The Plague” by Yan Leisheng, translated by Andy Dudak (Clarkesworld, August 1). NOVELS Lame Fate/Ugly Swans by Arkady and Boris Strugatsky, translated from the Russian by Maya Vinokour (Chicago Review Press, August 4). Tender is the Flesh by Agustina Bazterrica, translated from the
SHORT STORIES “Three Stories Conjured from Nothing” by ShakeSpace, translated from the Chinese by Andy Dudak (Clarkesworld, July 1). “The Curtain Falls, the Show Must End” by Julie Nováková, translated from the Czech by the author (Samovar, July 27). “Hummingbird” by Eisuke Aikawa, translated from the Japanese by
Award-winning Italian science fiction author Clelia Farris has a collection of stories coming out in English in September from Rosarium Publishing. Jennifer Delare translated the title story and yours truly translated the other six stories. The collection received a starred review from Publishers Weekly, which said, in part: “Across all seven marvelous tales, Farris effortlessly
Jagannath, translated by the author (Cheeky Frawg Books, 2012). “A child is born in a tin can. A switchboard operator finds himself in hell. Three corpulent women float somewhere beyond time. Welcome to the weird world of Karin Tidbeck, the visionary Swedish author of literary sci-fi, speculative fiction, and mind-bending fantasy who has captivated readers
