“Raining out there” by Alexandra Senkevich, translated from the Russian by Ilse Meiler (World Literature Today, September) The Black Box: Stories by Mata Kastrisiou, translated from the Greek by Kostas Kaltsas (Arb Editions, September 1) Fierce and sophisticated, dark and dreamy, The Black Box is a collection of transgressive, poetic fiction by Mata Kastrisiou. Each
Two Lines Press is the publishing program of the Center for the Art of Translation in San Francisco. Their Calico series “curates collections of translated works that explore particular themes, regions, languages, historical moments, or literary styles.” The fifteen works of SFT they’ve published since 2010 have been translated from the Portuguese, Chinese, Arabic, Spanish,
translated from the Korean, Arabic, Polish, Japanese, Uzbek, Icelandic, Swahili, and Thai Two Lines Press, 2026 216 pages grab a copy here or through your local independent bookstore or library Contents: “A Swamp’s Love” by Cho Yeeun, tr from the Korean by Giulia Ratti “The Magic Bin” by Wajdi Al-Ahdal, tr from the Arabic by
“Those Who Left History” by Wanxiang Fengnian, translated from the Chinese by Stella Jiayue Zhu (Clarkesworld, March 1) “Antarctic Radio” by Gu Shi, translated from the Chinese by Andy Dudak (Asimov’s, March/April) City Like Water by Dorothy Tse, translated from the Chinese by Natascha Bruce (Graywolf Press, March 3) Your city is gone, as if
“Threehearts and Me” by Clelia Farris, translated from the Italian by Rachel Cordasco (Bourbon Penn, November 1) “Trees at Night” by Ramiro Sanchiz, translated from the Spanish by Sue Burke (Clarkesworld, November 1) Ice by Jacek Dukaj, translated from the Polish by Ursula Phillips (Head of Zeus, November 6) A Trans-Siberian odyssey through political, criminal,
“Giant Grandmother” by Liu Maijia, translated from the Chinese by Blake Stone-Banks (Clarkesworld, October 1) Black Hole Heart and Other Stories by K. A. Teryna, translated from the Russian by Alex Shvartsman (Fairwood Press, October 1) The world is not how we perceive it. A blizzard may be the fury of a whale god. Intelligent
SF in Translation from Small American Publishers of International Literature since 2020 Speculative fiction in translation comes to us each year from a wide array of publishers, many of which are small presses or imprints of larger publishing houses. Eight of these publishers, based in the US and committed to bringing out multiple works of
“The Reflection of Sand” by Tan Gang, translated from the Chinese by Emily Jin (Clarkesworld, June 1) Wafers by Ha Seong-nan, translated from the Korean by Janet Hong (Open Letter, June 4) This 2006 collection of short stories is in line with the unsettling, engrossing style of Ha’s other two collections that have been translated
“Renting to Killers” by Elena Pavlova, translated from the Bulgarian by the author and Kalin M. Nenov (Asimov’s, May/June) Woodworm by Layla Martinez, translated from the Spanish (Spain) by Sophie Hughes and Annie McDermott (Two Lines Press, May 14) The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that
“One Flew Over the Songhua River” by Qi Ran, translated from the Chinese by Andy Dudak (Clarkesworld, March 1) Through the Night Like a Snake: Latin American Horror Stories, ed. Two Lines Press, various translators (Two Lines Press, March 12) In ten chilling stories from this ensemble cast of contemporary Latin American writers, horror infiltrates
