Not Yet Gods by Djuna, translated from the Korean by Gord Sellar and Jihyun Park (Kaya Press, August 11) Following the landmark English-language publication of Everything Good Dies Here, Kaya Press delivers more provocative thought experiments by pseudonymous author Djuna, whose writings on internet culture have attracted a cult following in South Korea. Not Yet
“The Animator and the Glazer” by Ju Chu, translated from the Chinese by S. Qiouyi Lu (Clarkesworld, July 1) The Playful Lem: A Short Story Sampler by Stanislaw Lem, translated from the Polish by Michael Kandel (Modern Language Association of America, July 1) Conjuring worlds in which robots are kings and Earthlings exist on the
“Three Cases from the Cosmic Psychiatric Clinic” by Pan Haitian, translated from the Chinese by Blake Stone-Banks (Clarkesworld, June 1) The Heart of the Nhaga by Lee Young-do, translated from the Korean by Anton Hur (Harper Voyager, June 2) Welcome to Lee Young-do’s epic classic series, The Bird That Drinks Tears. The master of Korean
“The Scent of Memory” by Zhao Haihong, translated from the Chinese by S. Qiouyi Lu (Clarkesworld, May 1) “The Girl Who Stole Life” by Zhou Wen, translated from the Chinese by Xueting C. Ni (Asimov’s, May/June) Electric Shamans at the Festival of the Sun by Mónica Ojeda, translated from the Spanish by Sarah Booker (Coffee
“The Tiger in the Room” by Moon Young Park, translated from the Korean by Paige Aniyah Morris (Samovar, April 27) The Witch by Marie NDiaye, translated from the French (France) by Jordan Stump (Vintage, April 7) Equal parts dreamlike and disquieting, The Witch tells a tale as old as time, with a dark twist: Without
“Those Who Left History” by Wanxiang Fengnian, translated from the Chinese by Stella Jiayue Zhu (Clarkesworld, March 1) “Antarctic Radio” by Gu Shi, translated from the Chinese by Andy Dudak (Asimov’s, March/April) City Like Water by Dorothy Tse, translated from the Chinese by Natascha Bruce (Graywolf Press, March 3) Your city is gone, as if
“Damnatio Memoriae” by I. A. Galdames translated from the Spanish (Chile) by Monica Louzon (Neon Dystopia) “A Letter from Captain Robert Walton to Joseph Smith, Care of John Taylor” by R. de la Lanza, translated from the Spanish (Mexico) by Ryan Fairchild and D.A. Cooper (Further Light #1) With the Heart of a Ghost by
“Tomorrow’s Beautiful Dream” by Ju Chu, translated from the Chinese by Carmen Yiling Yan (Clarkesworld, January 1) “All My Birds“ by K.A. Teryna, translated from the Russian by Alex Shvartsman (Asimov’s, January/February) Pedro the Vast by Simón López Trujillo, translated from the Spanish (Chile) by Robin Myers (Algonquin Books, January 13) In the disorienting, devastatingly
Artificial Truth by J. M. Lee, translated from the Korean by Sean Lin Halbert (Amazon Crossing, December 1) In the virtual city of Alegria, fantasies are made real, innumerable lifetimes are lived, and even death itself is a survivable experience. An escape from reality that changed the landscape of artificial intelligence, it is home to
“Threehearts and Me” by Clelia Farris, translated from the Italian by Rachel Cordasco (Bourbon Penn, November 1) “Trees at Night” by Ramiro Sanchiz, translated from the Spanish by Sue Burke (Clarkesworld, November 1) Ice by Jacek Dukaj, translated from the Polish by Ursula Phillips (Head of Zeus, November 6) A Trans-Siberian odyssey through political, criminal,
